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Our Curriculum
Whether you are a student or a parent, choose a subject to see what is studied, how students make progress towards their GCSE minimum estimated grade — the grade we expect them to reach as a minimum — and the knowledge organisers that support revision at home.
Every subject, one shared journey.
At St Augustine’s Catholic College our curriculum embodies the core Lasallian values, aspirations, and guiding principles of our institution:
Inspired by the teachings of Jesus Christ, our curriculum is infused with the virtues of faith, hope, and love, permeating every aspect of our educational journey. We are committed to fostering a culture of excellence, aiming for the highest standards of academic achievement while nurturing the development of wisdom and understanding in each individual.
Our curriculum is designed to be inclusive and ambitious, providing every student with a robust foundation for success and personal fulfilment across all facets of life. It is expansive in scope, fostering independence, creativity, and critical thinking, while also prioritising the holistic well-being of our students—spiritually, physically, and socially.
Ultimately, our curriculum is not just a means to academic achievement but a pathway to a compassionate and purposeful life. By instilling in our students a deep sense of empathy, respect, and social responsibility, we prepare them to make meaningful contributions to society and uphold the dignity of every human being, including their own.
In every subject, our curriculum is carefully crafted by our teachers around seven principles rooted in cognitive science and the latest research:
Each subject page leads with the knowledge & skills grids — what a student checks against their report to see their next step — followed by knowledge organisers as revision resources.
Our CurriculumAiming Higher
For learners reaching for the very top — grades 7–9 at GCSE and grades A–A* at A-Level. Whatever you study, this is how the highest achievers think, revise and stretch themselves. Use it on your own, in any subject, to turn a strong grade into an exceptional one.
Make the most of every talent — Ad Maiorem Dei Gloriam.
Aiming Higher is a shared toolkit for every student targeting the top grades. It does not replace your subject pages — use it alongside them. Check your knowledge & skills ladders to see your next step, then bring these habits to bear to make that step in any subject.
Here is the key idea: the very top grades are not simply about knowing more. They reward a different kind of thinking — precise, independent, and evaluative. This page shows you what that looks like and how to build it. Dip in, pick one habit at a time, and keep going.
Aiming Higher · a whole-school stretch and challenge resource
The leap into the top band is a leap in quality of thinking, not just quantity of facts. Read across each row and aim for the right-hand column.
These seven habits do the heavy lifting. They come from cognitive science and are the ones that make the biggest difference — far more than re-reading or highlighting. Tap each one to open it.
What it is. Bringing information to mind from memory, rather than re-reading it.
Try this in any subject
Why it works. Every act of recall strengthens memory far more than re-reading does.
What it is. Spreading study over time instead of cramming it into one session.
Try this in any subject
Why it works. Spacing helps knowledge stick for the long term, not just for tomorrow.
What it is. Mixing up topics and question types rather than blocking one at a time.
Try this in any subject
Why it works. It trains you to choose the right method under pressure — just like the real exam.
What it is. Asking how and why, and linking new ideas to what you already know.
Try this in any subject
Why it works. Richer connections make ideas far easier to recall and to apply.
What it is. Combining words with visuals so ideas travel by two routes.
Try this in any subject
Why it works. Two representations of the same idea support both memory and understanding.
What it is. Targeting your weakest areas with focused effort and feedback.
Try this in any subject
Why it works. Progress comes from effortful practice at the boundary of your ability, not from comfort.
What it is. Thinking about your own thinking: plan, monitor as you go, then reflect.
Try this in any subject
Why it works. The highest achievers manage their own learning — they are their own best coach.
Drawn from research in cognitive science and the Education Endowment Foundation’s guidance on effective learning and metacognition.
Top-grade learners are consistent, not frantic. A steady weekly rhythm beats last-minute cramming every time.
The single clearest marker of a top-band student is genuine curiosity — reading, watching and thinking beyond what is set. Bring what you find back into your written answers.
There’s plenty to explore right here — see the reading lists, resources and programmes below.
And you don’t have to look far. Every department has put together stretch & challenge activities, reading and competitions — open your subjects below, then explore the Oxford and Cambridge resources any aspiring student can use.
Pick your subject, then your key stage. Each key stage opens its own up-to-date stretch & challenge and reading sheet.
Free, high-quality resources for reading around your subjects and preparing for competitive applications.
Alongside stretch in every classroom, the College runs a structured Aspire programme for students with exceptional potential, coordinated by Mrs Rachel Hunt.
What it is. The College’s stretch & challenge programme, rooted in the belief that every person is made in the image of God and has immeasurable potential and value.
Who it’s for
What it is. A tailored tutorial programme, beginning in Year 11 and continuing into the Sixth Form, for students aiming at academic excellence and strong applications to top universities.
Led by
It includes
What it is. A highly personalised programme for students with exceptional potential, beginning in Year 12 with the annual Oxbridge Conference trip in Swansea.
It includes
A recent student, now reading English at Peterhouse College, Cambridge, said the extra support and supervision-style sessions “helped enormously” with both her application and her interview — and that the College encouraged her to strive for her ambitions.
— Isobel Dignum, English, Peterhouse College, Cambridge
What it is. A standalone, research-based independent project worth half an A Level, taken in Year 12 alongside your A Levels — superb preparation for university-style study.
It can be a written research report or an ‘artefact’ — anything from a piece of artwork to organising an event or designing and running an experiment.
Recent projects
In the top band, how you answer matters as much as what you know. Two things make the difference: reading the command word, and shaping a precise, argued response.
Tick the ones that are already true for you. Be honest — the unticked ones are simply your next targets.
Tick most of these and you are already thinking like a top-grade learner — now bring the rest into your sights.
Use your talents to the full. The parable of the talents reminds us that our gifts are given to be used and grown, not buried. Aiming higher is not about pride or beating others — it is about making the most of the abilities God has given you, in gratitude, and offering your best in all things: Ad Maiorem Dei Gloriam, for the greater glory of God.
Rise together. In the Lasallian tradition we grow with and for one another. The highest achievers lift their classmates as they go — sharing what they learn, encouraging others, and staying humble in their ambition. Enter to learn, leave to serve.
Your teachers can set subject-specific stretch tasks and share reading that takes you further — talk to them about your next step.
Our CurriculumDesign & Technology
Design & Technology at St Augustine’s. At Key Stage 3, students rotate through a carousel of Graphics, Textiles, Food Preparation & Nutrition and Product Design; this leads to GCSE Design & Technology, GCSE Food Preparation & Nutrition and A-Level Product Design. After your report, use the knowledge & skills ladders to see where you are and your next step, then use the knowledge organisers to revise and make that step.
Design, make, and solve real problems.
Design & Technology at St Augustine’s is taught on a carousel: across each year, students rotate through four specialist areas — Graphics, Textiles, Food Preparation & Nutrition and Product Design. Every rotation follows the same design cycle — investigate, design, make and evaluate — using ACCESS FM, a blend of analogue craft and digital skill (including CAD/CAM), and the department’s Culture of Challenge routines. Together the three years build the designing, making and evaluating skills that lead into our GCSE routes and A-Level Product Design.
Terence Bennett, Subject Lead
Across each year students rotate through all four Design & Technology areas. Open a year to see the project in each rotation and how skills build from Year 7 to Year 9. The order in which your child meets each rotation depends on their carousel group.
Assessment: Design, model and evaluate an assembled snack package against a brief.
Assessment: Manufacture a wearable fleece hat and evaluate it against the specification.
Assessment: Make, present and sensory-evaluate a range of safe, hygienic dishes.
Assessment: Design, make and evaluate a working USB mood-light against the brief.
Assessment: Design a brand identity and make laser-cut signage, keyring and packaging.
Assessment: Dye, construct and embellish a cushion and a personalised T-shirt.
Assessment: Produce pastry, sauce and whisked-sponge dishes and evaluate them.
Assessment: Cast a pewter product, then iterate a wind-powered car for Race Day.
Assessment: Produce a cover, a CAD-engineered net product and a published zine.
Assessment: Design and make a lined, upcycled denim bag with a printed fabric.
Assessment: Design, plan and cook a balanced meal from a mystery ingredient basket.
Assessment: Build an adjustable task lamp and a tested, competing trebuchet.
Choose the rotation you are studying now to jump to its knowledge organiser and progress ladder.
The same design-process skills grow across all four rotations. After your report, tap your stage to see what you can already do and your next step up.
Investigating & analysing
Designing & developing ideas
Making & practical skills
Evaluating & technical knowledge
Investigating & analysing
Designing & developing ideas
Making & practical skills
Evaluating & technical knowledge
Investigating & analysing
Designing & developing ideas
Making & practical skills
Evaluating & technical knowledge
One organiser per rotation, drawing the three years of each area together. Use these to revise the knowledge and skills for your current rotation.
| Typography | The art of arranging type; serif has small strokes, sans serif does not. |
| Vector | Graphics made of paths that scale without losing quality. |
| Raster | Graphics made of pixels that lose quality when enlarged. |
| ACCESS FM | Aesthetics, Cost, Customer, Environment, Size, Safety, Function, Materials. |
| Net | A flat 2D shape that folds up into a 3D package. |
| Die-line | The cut, fold and crease lines that define a net. |
| Kerf | The width of material removed by a laser or blade. |
| 6Rs | Rethink, Refuse, Reduce, Reuse, Repair, Recycle. |
Care for Creation.Choosing recyclable stock and applying the 6Rs asks students to design responsibly and reduce waste.
Feeds Product Design (nets, CAD/CAM) and GCSE Art & Design; colour and layout support every rotation.
| Fibre | A fine thread; natural (e.g. cotton) or synthetic (e.g. polyester). |
| Warp / weft | Lengthwise (warp) and crosswise (weft) yarns in a woven fabric. |
| Anthropometry | Using human body measurements to design products that fit. |
| Seam allowance | Extra fabric added beyond the sewing line. |
| Sublimation | A dye process where solid dye becomes gas and bonds to polyester. |
| Fast fashion | Cheap, rapidly produced clothing with a high environmental cost. |
| Circular economy | Designing to reuse and recycle rather than discard. |
| Upcycling | Reusing materials to make something of higher value. |
Care for Creation.Confronting fast fashion and upcycling reclaimed denim asks students to be better guardians of the planet.
Links to Science (fibres, dyeing chemistry) and Geography (sustainability); construction skills recur across the rotation.
| 4 Cs | Cleaning, Cooking, Chilling, Cross-contamination. |
| Cross-contamination | The spread of bacteria from one food to another. |
| Eatwell Guide | The UK model of a healthy, balanced diet. |
| Macronutrient | Protein, fat or carbohydrate, needed in larger amounts. |
| Micronutrient | Vitamins and minerals, needed in small amounts. |
| Gelatinisation | Starch thickening a liquid when heated (e.g. a roux). |
| Aeration | Trapping air into a mixture (e.g. whisking a sponge). |
| Coagulation | Proteins setting when heated (e.g. eggs cooking). |
The Dignity of the Human Person.Understanding nutrition and cooking well for others supports health, hospitality and care for the whole person.
Links to Science (nutrients, food science) and PE (diet and health); skills build directly towards GCSE Food.
| Ferrous | A metal that contains iron (e.g. mild steel); can rust. |
| Alloy | A mixture of metals designed for better properties (e.g. pewter). |
| Polymer | A material made of long chains of molecules (e.g. acrylic/PMMA). |
| CAD / CAM | Computer-Aided Design / Manufacture (e.g. 2D Design → laser cutter). |
| Lever | A rigid bar that pivots to change force or movement. |
| Mechanical advantage | How much a mechanism multiplies an input force. |
| Iterative design | Repeatedly testing and improving a prototype. |
| Centre of gravity | The point where an object’s weight is balanced. |
Care for Creation.Choosing materials responsibly and designing durable, repairable products reflects stewardship of resources.
Feeds GCSE D&T and A-Level Product Design; links to Science (forces, materials) and Maths (measurement, data).
Suggested starting points. Your teacher will give you any class logins.
At Key Stage 4 the department offers two GCSEs. Choose a course to see its route through, ladders and organisers.
Our GCSE follows AQA Design & Technology (8552) with a Product Design specialism, building directly on the Key Stage 3 Product Design and Graphics rotations. Students study core and specialist technical principles — with timbers, metals and polymers as the focus material areas — alongside designing and making principles, and complete a substantial design-and-make project (the NEA). It is assessed by one written exam and one non-exam assessment, each worth 50%.
GCSE Design & Technology is assessed by one written exam (50%) and a non-exam assessment (50%). Tap below for the full breakdown.
After your report, tap your grade band to see what you can already do and your next step up.
AO1 · Investigate & outline design possibilities (10%)
AO2 · Design & make prototypes (30%)
AO3 · Analyse & evaluate (20%)
AO4 · Technical, designing & making principles (40%)
Four organisers covering the whole GCSE: core and specialist technical principles, and designing and making principles.
| Technology push / market pull | New tech driving products vs consumer demand driving them. |
| Finite / non-finite | Resources that will run out vs those that are renewable. |
| Smart material | A material that changes its properties in response to a stimulus. |
| Composite | A material made from two or more materials with better properties. |
| System | Inputs, processes and outputs working together. |
| Mechanical advantage | How much a mechanism multiplies the input force. |
| CAD / CAM | Computer-Aided Design / Manufacture. |
| Sustainability | Meeting present needs without harming future generations. |
Care for Creation.Weighing energy sources and new technologies against their impact asks students to design responsibly for the common good.
Underpins every material area; links to Science (energy, forces) and Maths (ratio, calculation).
| Hardwood / softwood | Timber from broadleaved vs coniferous trees. |
| Ferrous | A metal containing iron, which can rust. |
| Thermoplastic | A polymer that can be reheated and reshaped (e.g. acrylic/PMMA). |
| Thermoset | A polymer that sets permanently and cannot be remelted. |
| Stock form | The standard shape a material is supplied in (sheet, bar, rod). |
| Tension / compression | Forces that stretch vs squash a material. |
| Alloy | A mixture of metals designed for improved properties. |
| Batch production | Making a set quantity of identical products. |
Care for Creation.Selecting durable, repairable and responsibly sourced materials reflects stewardship of the earth’s resources.
Builds on KS3 Product Design; links to Science (properties, forces) and the NEA.
| Design brief | A short statement of what is to be designed and why. |
| Specification | Measurable criteria the product must meet. |
| Iterative design | Repeated cycles of designing, making, testing, improving. |
| Design fixation | Getting stuck on one idea too early. |
| Ergonomics | Designing products to suit the people who use them. |
| Anthropometrics | Using human body measurements in design. |
| Isometric | A 3D drawing method using 30° angles. |
| User-centred design | Designing around the needs of real users. |
The Dignity of the Human Person.Designing around real users’ needs — including accessibility — honours the dignity of every person.
Draws together the KS3 design cycle; links to Maths (data) and the NEA.
Your NEA must meet JCQ and AQA (8552) requirements. Breaking these rules is malpractice and can cost you marks — or your result.
| Tolerance | The allowable range a measurement can vary within. |
| Quality control | Checks that ensure a product meets the standard. |
| Jig | A device that holds work and guides a tool for accuracy. |
| Template | A shape used to mark out repeated parts. |
| Finish | A treatment that protects or improves a surface. |
| Prototype | A working model of a design solution. |
| Plan of making | The ordered sequence of manufacturing steps. |
| NEA | Non-exam assessment: the design-and-make project (50%). |
The Dignity of Work.Careful making, quality and honest evaluation reflect the value and dignity of good, skilled work.
Completes the design cycle; the NEA draws on every organiser in this course.
Suggested starting points. Your teacher will give you any class logins.
Our GCSE Food Preparation & Nutrition follows AQA (8585), building on the Key Stage 3 Food rotation. It blends the science of food — nutrition, functional and chemical properties — with high-level practical cookery. It is assessed by one written exam (50%) and two non-exam assessments (50%): a Food Investigation and a Food Preparation assessment.
GCSE Food Preparation & Nutrition is assessed by one written exam (50%) and two NEA tasks (50%). Tap below for the full breakdown.
After your report, tap your grade band to see what you can already do and your next step up.
AO1 · Knowledge & understanding (20%)
AO2 · Application (30%)
AO3 · Plan, prepare, cook & present (30%)
AO4 · Analyse & evaluate (20%)
Four organisers covering the whole GCSE: nutrition, food science, food safety and provenance, and food preparation skills.
| Macronutrient | Protein, fat or carbohydrate; needed in larger amounts. |
| Micronutrient | Vitamins and minerals; needed in small amounts. |
| HBV protein | High biological value protein containing all essential amino acids. |
| Eatwell Guide | The UK model of a balanced diet. |
| Energy balance | Energy in from food vs energy out through activity. |
| BMR | Basal metabolic rate: energy used at complete rest. |
| Deficiency | Too little of a nutrient, causing ill health. |
| Fibre (NSP) | Plant material that aids digestion and gut health. |
The Dignity of the Human Person.Understanding nutrition helps us care for our own health and cook well for others, honouring the whole person.
Builds on KS3 Food; links to Science (biology of digestion) and PE (diet and performance).
| Denaturation | Proteins unravelling due to heat, acid or agitation. |
| Coagulation | Proteins setting to a solid when heated. |
| Gelatinisation | Starch granules swelling to thicken a liquid. |
| Dextrinisation | Starch browning under dry heat (e.g. toast). |
| Caramelisation | Sugars browning and developing flavour when heated. |
| Emulsification | Combining oil and water with an emulsifier (e.g. egg yolk). |
| Aeration | Trapping air into a mixture to make it rise. |
| Enzymic browning | Cut fruit browning when exposed to oxygen. |
Care for Creation.Understanding food deeply helps reduce waste and make the most of ingredients, respecting the gift of food.
Builds on KS3 food science; links directly to Science (chemistry of cooking) and NEA Task 1.
| High-risk food | Ready-to-eat foods that support bacterial growth. |
| Danger zone | 5–63°C, where bacteria multiply fastest. |
| Cross-contamination | The transfer of bacteria between foods. |
| Best before / use by | Quality date vs safety date. |
| Food provenance | Where food comes from and how it is produced. |
| Food miles | The distance food travels from source to plate. |
| Seasonality | Eating foods when they are naturally in season locally. |
| Food security | Reliable access to enough safe, nutritious food. |
Care for Creation.Reducing food waste and choosing sustainable, ethically sourced food is direct care for the planet and the poor.
Links to Geography (food provenance, sustainability) and Science (micro-organisms).
Your NEA must meet JCQ and AQA (8585) requirements. Breaking these rules is malpractice and can cost you marks — or your result.
| Mise en place | Having everything prepared and to hand before cooking. |
| Dovetailing | Overlapping tasks to use time efficiently. |
| Time plan | An ordered, timed sequence of making, with checks. |
| Technical skill | A specific cooking technique (e.g. making a roux). |
| Sensory analysis | Structured tasting of taste, texture, appearance, aroma. |
| Garnish | A decorative, edible finish that improves presentation. |
| Portion control | Serving consistent, appropriate amounts. |
| NEA | Non-exam assessment: the two coursework tasks (50%). |
The Dignity of Work.Skilled, careful cooking — and feeding others well — reflects the dignity and service at the heart of good work.
Draws together all KS3 practical skills; the NEA applies every organiser in this course.
Suggested starting points. Your teacher will give you any class logins.
A-Level Product Design (AQA 7552) develops students into thoughtful, capable designers. Over two years they build highly sought-after skills — creative problem-solving, CAD modelling, prototyping and iterative design — alongside technical principles and the work of others, completing a substantial, independent design-and-make project. It is assessed by two written papers (50%) and a non-exam assessment (50%), and leads into higher education, degree apprenticeships and design and engineering careers.
A-Level Product Design is assessed by two written papers (50% together) and a non-exam assessment (50%). Tap below for the full breakdown.
After your report, tap your grade band to see what you can already do and your next step up.
AO1 · Investigate & outline design possibilities (15%)
AO2 · Design & make prototypes (25%)
AO3 · Analyse & evaluate (25%)
AO4 · Technical, designing & making principles (35%)
Four organisers covering the A-Level: materials, design theory and the work of others, manufacturing and industry, and the designing/iterative process.
| Composite | Two or more materials combined for superior properties (e.g. CFRP). |
| Smart material | A material that responds reversibly to a stimulus. |
| Technical textile | A fabric engineered for performance, not appearance. |
| Modern material | A material developed through recent innovation (e.g. graphene). |
| Stock form | The standard supplied shape of a material. |
| LCA | Life-cycle assessment: cradle-to-grave environmental analysis. |
| Standard component | A ready-made part bought in (e.g. a fixing). |
| Working properties | How a material behaves when worked and in use. |
Care for Creation.Choosing materials with their whole life cycle in mind is a concrete act of stewardship of the earth’s resources.
Extends GCSE material knowledge; links to Science and the NEA material choices.
| Design movement | A shared style and philosophy in a period of design. |
| Circular economy | An economy that designs out waste and keeps materials in use. |
| Inclusive design | Designing to be usable by as many people as possible. |
| Anthropometrics | Human body measurement data used in design. |
| Patent | Legal protection for a new invention. |
| Design right | Protection for the shape or configuration of a product. |
| Planned obsolescence | Designing products to have a limited useful life. |
| Ethical design | Designing with regard for people and the planet. |
Solidarity and the Common Good.Designers hold real power over how people live; studying their responsibilities forms designers who serve the common good.
Links to History and Art (design movements) and Business (enterprise, IP).
| Batch / mass production | Making set quantities vs very large numbers. |
| Injection moulding | Forcing molten polymer into a mould at scale. |
| CNC | Computer numerical control of manufacturing machines. |
| Tolerance | The permitted variation in a dimension. |
| Quality assurance | Systems that build quality in throughout production. |
| JIT | Just-in-time: making to order to reduce stock and waste. |
| Lean manufacturing | Reducing waste while adding value for customers. |
| Standard (BSI/ISO) | An agreed specification for quality or safety. |
The Dignity of Work.Efficient, safe and fair manufacturing respects both workers and resources, reflecting the dignity of work.
Extends GCSE production knowledge; links to Business (operations) and Maths (data, tolerances).
Your NEA must meet JCQ and AQA (7552) requirements. Breaking these rules is malpractice and can cost you marks — or your result.
| Iterative design | Repeated cycles of design, make, test and improve. |
| User-centred design | Designing around real users’ needs throughout. |
| Prototype | A working model used to test and develop a design. |
| Anthropometrics | Human measurement data applied to design. |
| Ergonomics | Designing products to suit their users. |
| Iteration | One cycle of testing and improving a design. |
| Specification | Measurable criteria a design must meet. |
| NEA | Non-exam assessment: the independent design-and-make project (50%). |
The Dignity of the Human Person.Designing patiently around real people’s needs — including those often overlooked — honours the dignity of every user.
The capstone of the D&T journey; the NEA draws on every A-Level organiser.
Suggested starting points. Your teacher will give you any class logins.
Our CurriculumEnglish
English at St Augustine’s. At Key Stage 3, three golden threads — Narrative, Identity and Power and People — grow reading, writing and spoken language across Years 7–9, bridging into GCSE English Language and English Literature and on to A-level. Use the knowledge & skills ladders to see where you are and your next step, then use the knowledge organisers to revise and make that step.
Every story, and the words that carry it.
There are three golden threads running through Key Stage 3 English: Narrative, Identity, and Power and People. We develop reading, writing and oracy skills throughout this journey, ensuring a strong foundation for GCSE English Language and Literature and on to A-Level. Use the knowledge & skills ladders to see where you are and your next steps, then use the knowledge organisers to revise and consolidate your learning. Every Story Starts with You.
Zoe Ellis, Head of Department
Three golden threads run through Key Stage 3: Narrative (Year 7), Identity (Year 8) and Power and People (Year 9). Open a year to see each term’s unit and how it is assessed.
Assessment: Autobiographical writing (a childhood memory)
Assessment: Knowledge test (peer assessed) & a reading test on ‘A Christmas Carol’
Assessment: A persona poem & a creative journal of literary non-fiction
Assessment: A monster/‘Jar Wizard’ description & an original origin story
Assessment: PEEL on a set speech & writing to present a viewpoint
Assessment: Diary of a theatre-goer & a drama-based spoken performance
Assessment: Creative writing: describe a monster / a story opening
Assessment: Reading response & a spoken-language task (a viewpoint)
Assessment: Knowledge test & a character study of Caliban
Assessment: Close reading of a poem (PEEL on ‘The Tyger’)
Assessment: AQA-style reading of an extract & a spoken presentation on identity
Assessment: Guided extract questions (early and later in the novel)
Assessment: Shakespeare extract-to-whole essay (Lord Capulet)
Assessment: Writing to express a viewpoint (a ‘staycation’ piece)
Assessment: A war-poetry question (‘Remains’) & a diary entry
Assessment: Descriptive/narrative writing: a ‘crossing worlds’ setting
Assessment: An ‘An Inspector Calls’ essay & a knowledge test
Tap your current unit to jump straight to its knowledge organiser and the progress ladder for your year.
English uses the same assessment objectives at Key Stage 3 as at GCSE. Tap your attainment band to see what you can already do in each strand, and your next step up. Open your year below.
Eng Lit AO1 · Read, understand and respond; a personal response with references
Eng Lit AO2 · Analyse writers’ language, form and structure
Eng Lit AO3 · Understand the contexts in which texts were written
Eng Lang AO2 · Analyse how language and structure achieve effects
Eng Lang AO5 · Communicate clearly and imaginatively in writing
Eng Lang AO6 · Vocabulary, sentences, spelling and punctuation
Eng Lang AO1 · Identify and interpret information and ideas
Eng Lang AO3 · Compare writers’ ideas and perspectives
Eng Lang AO4 · Evaluate texts critically
Speaking & listening AO7–9 · Present, respond and use spoken Standard English
Eng Lang AO1 · Identify and interpret information and ideas
Eng Lit AO1 · Read, understand and respond; a personal response with references
Eng Lit AO2 · Analyse writers’ language, form and structure
Eng Lit AO3 · Understand the contexts in which texts were written
Eng Lang AO2 · Analyse how language and structure achieve effects
Eng Lang AO5 · Communicate clearly and imaginatively in writing
Eng Lang AO3 · Compare writers’ ideas and perspectives
Eng Lang AO4 · Evaluate texts critically
Eng Lang AO6 · Vocabulary, sentences, spelling and punctuation
Speaking & listening AO7–9 · Present, respond and use spoken Standard English
Eng Lit AO1 · Read, understand and respond; a personal response with references
Eng Lit AO2 · Analyse writers’ language, form and structure
Eng Lit AO3 · Understand the contexts in which texts were written
Eng Lang AO2 · Analyse how language and structure achieve effects
Eng Lang AO4 · Evaluate texts critically
Eng Lang AO5 · Communicate clearly and imaginatively in writing
Eng Lang AO6 · Vocabulary, sentences, spelling and punctuation
Eng Lang AO1 · Identify and interpret information and ideas
Eng Lang AO3 · Compare writers’ ideas and perspectives
A knowledge organiser for every unit, grouped by year. Open the tile, then open the unit you’re studying to revise its key knowledge, skills and vocabulary. Where a unit’s organiser is still being finalised by the department this is flagged inside.
Year 7 · Narrative
| Autobiography | A first-person account of the writer’s own life. |
| Narrator | The voice telling the story. |
| Character | A person created by the writer. |
| Theme | An idea explored across a text. |
| Perspective | The point of view a text is told from. |
| Connotation | An idea or feeling a word suggests. |
| Nostalgic | Looking back fondly on the past. |
| Bildungsroman | A ‘coming of age’ novel of growth. |
The Dignity of the Human Person.Every child’s story matters; reading other lives grows our compassion and respect for the dignity of each person.
Lays the reading and writing foundations for Year 7 and feeds GCSE English Language Paper 1 and Literature.
| Transformation | A complete change in a character. |
| Innocence | Freedom from corruption or guilt. |
| Exploited | Used unfairly for someone’s gain. |
| Orphan | A child whose parents have died. |
| Vulnerable | Easily harmed or in need of protection. |
| Miser | A person who hoards money and gives nothing. |
| Context | The circumstances that shaped a text. |
| Bildungsroman | A story tracing a character’s growth. |
The Preferential Option for the Poor.Dickens gives a voice to the poor and the exploited; his novels ask us to see and serve those the world overlooks.
Deepens context and analysis; connects to GCSE 19th-century-novel study.
| Persona | A voice or character a poet writes as. |
| Metaphor | Describing one thing as another. |
| Personification | Giving human qualities to non-human things. |
| Imagery | Language that creates a picture. |
| Form | The shape and structure of a poem. |
| Emotive language | Words chosen to stir feeling. |
| Iridescent | Shining with shifting colours. |
| Inference | A conclusion drawn from clues in a text. |
Care for Creation.Reading the beauty of the living world deepens our wonder at God’s creation and our responsibility to protect it.
Builds poetry analysis and creative writing that lead into GCSE poetry and Language Paper 1.
| Narrative arc | The shape and structure of a story. |
| Protagonist | The main character. |
| Antagonist | The character who opposes the hero. |
| Foil | A character who contrasts with another. |
| Archetype | A recurring character type. |
| Omniscient narrator | An all-knowing storytelling voice. |
| Flashback | A scene set earlier than the main action. |
| Denouement | The resolution at a story’s end. |
The Dignity of the Human Person.Every culture’s stories are worth hearing; storytelling helps us value voices and traditions beyond our own.
Consolidates narrative craft for creative writing at GCSE Language Paper 1.
| Allegory | A story with a hidden, deeper meaning. |
| Satire | Using humour to criticise and expose. |
| Symbolism | Using something to stand for an idea. |
| Propaganda | Biased information used to persuade. |
| Corruption | Dishonest use of power. |
| Rhetoric | The art of persuasive language. |
| Revolution | The overthrow of those in power. |
| Tyranny | Cruel and unjust use of power. |
Solidarity and the Common Good.Orwell warns how power corrupts and the weak are betrayed; the novel calls us to truth, justice and solidarity with the oppressed.
Builds whole-text analysis and viewpoint writing central to GCSE. (Built from the long-term plan; a unit organiser is to follow.)
| Tragedy | A play ending in downfall or death. |
| Comedy | A play with a happy, often marriage, ending. |
| Dramatic irony | When the audience knows more than a character. |
| Monologue | A long speech by one character to others. |
| Dialogue | Speech between characters. |
| Stage direction | Instructions for performance. |
| Patriarchy | A society in which men hold power. |
| Imagination | A central theme of the play. |
The Dignity of the Human Person.Drama lets us walk in others’ shoes; performing and interpreting builds empathy and respect for different lives.
Introduces Shakespeare and stagecraft that lead to GCSE Literature Paper 1.
Year 8 · Identity
| Myth | A traditional story that explains or teaches. |
| Gothic | A genre of gloom, fear and the supernatural. |
| Hybrid | A creature made of mixed forms. |
| Monstrous | Frightening, unnatural or cruel. |
| Sinister | Suggesting evil or harm. |
| Ominous | Hinting that something bad will happen. |
| Misunderstood | Wrongly judged by others. |
| Otherness | Being seen as different or outside. |
The Dignity of the Human Person.The ‘monster’ is often the outsider; the unit asks who society rejects, and calls us to see the humanity in the excluded.
Builds gothic analysis and creative writing that feed GCSE Literature and Language.
| Isolation | Being set apart from others. |
| Dehumanisation | Treating a person as less than human. |
| Otherness | Being seen as different or outside. |
| Bias | A one-sided view. |
| Reliable | Able to be trusted as accurate. |
| Anecdote | A short personal story used as evidence. |
| Speculation | Guessing without firm evidence. |
| Humanity | The quality of being humane and human. |
The Dignity of the Human Person.Behind every label of ‘monster’ is a person of God-given dignity; the unit challenges cruelty, prejudice and exclusion.
Develops non-fiction reading, evaluation and spoken language for GCSE Language.
| Colonisation | Taking control of another people’s land. |
| Usurp | To take power wrongfully. |
| Hierarchy | A ranked order of power. |
| Manipulate | To control others cunningly. |
| Soliloquy | A speech revealing private thoughts. |
| Aside | Words to the audience unheard by others. |
| Tragicomedy | A play mixing tragedy and comedy. |
| Native | Belonging to a place by birth. |
Solidarity and the Common Good.Caliban’s treatment raises questions of power, freedom and dignity; the play calls us to justice for the colonised and enslaved.
Deepens Shakespeare analysis and context for GCSE Literature Paper 1.
| Romanticism | A movement valuing nature and feeling. |
| Sublime | Awe-inspiring greatness or grandeur. |
| Enlightenment | An age that prized reason and science. |
| Introspective | Looking inward at one’s own feelings. |
| Rebellion | Resistance against authority. |
| Quatrain | A four-line stanza. |
| Semantic field | A group of words on one theme. |
| Symbol | Something that stands for an idea. |
Care for Creation.The Romantics’ wonder at nature echoes reverence for creation and a warning against exploiting the natural world.
Builds poetry analysis for GCSE Literature poetry and unseen poetry.
| Identity | Who a person is and how they see themselves. |
| Prejudice | Judging unfairly before knowing. |
| Perspective | The viewpoint a story is told from. |
| Colloquialism | Informal, everyday language. |
| Characterisation | How a writer builds a character. |
| Resilience | Recovering and adapting after hardship. |
| Empathy | Understanding another’s feelings. |
| Transformation | A significant change in a character. |
The Dignity of the Human Person.‘Face’ insists a person’s worth is never skin-deep; every human being carries God-given dignity beyond appearance.
Builds modern-novel analysis and spoken language toward GCSE. (Built from the long-term plan; a unit organiser is to follow.)
Year 9 · Power and People
| Civilisation | Ordered, rule-governed society. |
| Savagery | Wild, violent lack of order. |
| Symbolism | Using objects to stand for ideas. |
| Allegory | A story with a deeper hidden meaning. |
| Pathetic fallacy | Weather reflecting mood. |
| Foreshadowing | Hints of what is to come. |
| Isolation | Being cut off from others. |
| Antagonist | The character who opposes the hero. |
Solidarity and the Common Good.Golding exposes what happens when we abandon the common good; both texts ask how conscience and community restrain our darker impulses.
Builds whole-text and evaluation skills central to GCSE Language Paper 1 and modern-text study.
| Tragedy | A play ending in downfall or death. |
| Prologue | An opening that introduces the play. |
| Soliloquy | A speech revealing private thoughts. |
| Dramatic irony | When the audience knows more than a character. |
| Foreshadow | To hint at future events. |
| Patriarch | A male head holding authority. |
| Iambic pentameter | A ten-syllable rhythmic line. |
| Fate | The idea that events are predetermined. |
The Sanctity of Life and the Family.The tragedy of hatred between families warns against the cost of feud and pride, and honours love, reconciliation and the sanctity of life.
Deepens Shakespeare analysis and essay writing for GCSE Literature Paper 1.
| Viewpoint | A writer’s attitude or opinion. |
| Perspective | The angle from which something is seen. |
| Literary non-fiction | True writing that uses fiction’s techniques. |
| Bias | A one-sided view. |
| Emotive language | Words chosen to stir feeling. |
| Rhetorical question | A question asked for effect. |
| Sardonic | Mocking or scornful in tone. |
| Euphoric | Intensely happy or elated. |
Care for Creation.Writing about the world can deepen respect for other places, cultures and the environment we are called to cherish.
Builds viewpoint, comparison and non-fiction writing for GCSE Language Paper 2.
| Patriotism | Devoted love of one’s country. |
| Propaganda | Biased material used to persuade. |
| Jingoism | Aggressive, extreme patriotism. |
| Caesura | A deliberate pause within a line. |
| Enjambment | A line running on without a pause. |
| Juxtaposition | Placing ideas together for contrast. |
| Irony | Meaning the opposite of what is said. |
| Persona | The voice a poet writes in. |
The Sanctity of Life and Peace.War poetry mourns lives lost and questions the glory of violence, calling us to work for peace and the dignity of every person.
Builds poetry analysis and comparison for GCSE Literature Power and Conflict.
| Portal | A gateway between worlds. |
| Archetype | A recurring character type. |
| Protagonist | The main character. |
| Setting | The time and place of a story. |
| Atmosphere | The mood created for the reader. |
| Imagery | Language that creates a picture. |
| Prolepsis | A flash-forward in a narrative. |
| Cyclical | A structure returning to its start. |
The Dignity of the Human Person.Imaginative worlds let us rehearse courage, choice and compassion — the making of good character.
Consolidates creative and descriptive writing for GCSE Language Paper 1. (Built from the long-term plan; a unit organiser is to follow.)
| Responsibility | A duty to others and society. |
| Conscience | An inner sense of right and wrong. |
| Class | Social rank based on wealth and status. |
| Socialism | Belief in shared social responsibility. |
| Dramatic irony | When the audience knows more than a character. |
| Microcosm | A small thing standing for a larger whole. |
| Morality | Principles of right and wrong. |
| Didactic | Intended to teach a lesson. |
Solidarity and the Common Good.“We are members of one body”: Priestley’s play echoes Catholic Social Teaching that we are responsible for one another, especially the poor.
Year 9 studies war poetry in Term 3 and non-fiction travel writing in Term 4, building the analytical and viewpoint-writing skills needed for GCSE.
Suggested starting points. Your teacher will give you any class logins.
English at Key Stage 4 builds on the journey through Key Stage 3, with important literary themes around power and identity explored through prose, plays and poetry in Literature, and the skills of creative writing and the effective crafting of language developed further in English Language. Reading remains central to all that we do, providing us with the opportunities to extend our knowledge, enjoy the written word and learn how to be effective communicators. Every Story Starts with You.
Two equally-weighted papers assess reading and writing through unseen fiction and non-fiction spanning the 19th, 20th and 21st centuries. Students learn to read critically and to write with clarity, craft and accuracy, and complete a Spoken Language endorsement reported as a separate grade. The course is co-taught with GCSE English Literature so that skills reinforce each other.
GCSE English Language is assessed through two equally-weighted written papers, plus a separately reported Spoken Language endorsement. All reading texts are unseen. Tap the tile for the full breakdown.
After your report, tap your grade band to see what you can already do in each assessment objective, and your next step up.
AO1 · Identify, interpret and synthesise (weighting 10%)
AO2 · Analyse language and structure (weighting 17%)
AO3 · Compare ideas and perspectives across texts (weighting 10%)
AO4 · Evaluate texts critically (weighting 12%)
AO5 · Communicate clearly and imaginatively (weighting 30%)
AO6 · Vocabulary, sentences, spelling and punctuation (weighting 20%)
Four organisers — one per section of the two papers. Open the one you’re revising.
| Explicit | Stated clearly and directly. |
| Implicit | Suggested rather than stated. |
| Structure | How a text is ordered and shaped. |
| Zoom | A shift from wide focus to close detail. |
| Perspective | The viewpoint a text is told from. |
| Evaluate | To judge how well something works. |
| Connotation | An idea a word suggests. |
| Foreshadow | To hint at what is to come. |
The Dignity of the Human Person.Reading closely trains us to attend to others’ words and worlds with care and respect.
Feeds Paper 2 reading and analytical study at A-level.
| Description | Writing that creates a vivid picture. |
| Narrative | A piece that tells a story. |
| Imagery | Language that appeals to the senses. |
| Cohesion | How a text links together. |
| Register | The level of formality of language. |
| Semantic field | A group of words on one theme. |
| Motif | A repeated idea or image. |
| Syntax | The arrangement of words in a sentence. |
The Dignity of Work and Creativity.Writing well is a craft; shaping language with care honours the creativity we are each given.
Builds writing craft used across GCSE and beyond.
| Synthesise | To combine ideas from more than one source. |
| Viewpoint | A writer’s attitude or opinion. |
| Perspective | The angle from which something is seen. |
| Rhetoric | The art of persuasive language. |
| Bias | A one-sided view. |
| Tone | The attitude conveyed by a text. |
| Anecdote | A short personal story used as evidence. |
| Juxtaposition | Placing ideas together for contrast. |
Solidarity and the Common Good.Weighing different viewpoints fairly builds the understanding a just, common life depends on.
Feeds viewpoint writing and A-level comparison.
| Persuade | To convince someone of a viewpoint. |
| Rhetorical question | A question asked for effect. |
| Direct address | Speaking straight to the reader. |
| Anaphora | Repetition at the start of clauses. |
| Counter-argument | An opposing point answered in advance. |
| Register | The level of formality. |
| Discourse marker | A word that signals the flow of ideas. |
| Standard English | The widely accepted form of English. |
The Dignity of the Human Person.Persuasion carries responsibility: we are called to argue honestly and to speak for what is right.
Builds argument and spoken communication for study and work.
Suggested starting points. Your teacher will give you any class logins.
Two closed-book papers examine a Shakespeare play, a 19th-century novel, a modern text and poetry, including unseen poems. Students learn to read whole texts closely, analyse writers’ methods and set texts in their contexts, building a critical, personal response. The set texts below are the department’s current choices.
GCSE English Literature is assessed through two closed-book written papers. Set texts below are the department’s current choices. Tap the tile for the full breakdown.
After your report, tap your grade band to see what you can already do in each assessment objective, and your next step up.
AO1 · Read, understand and respond; personal response (weighting 37.5%)
AO2 · Analyse language, form and structure (weighting 42.5%)
AO3 · Understand the contexts of texts (weighting 15%)
AO4 · Vocabulary, spelling and punctuation (Paper 1 Section A) (weighting 5%)
Four organisers — one per set text/component. Set texts are the department’s current choices.
| Tragedy | A play tracing a hero’s downfall. |
| Ambition | A strong desire for power or success. |
| Soliloquy | A speech revealing private thoughts. |
| Regicide | The killing of a king. |
| Hubris | Excessive pride leading to downfall. |
| Motif | A repeated image or idea. |
| Divine right | The belief kings are chosen by God. |
| Catharsis | The release of emotion in tragedy. |
The Sanctity of Life and Conscience.Macbeth’s ruin warns where unchecked ambition and a silenced conscience lead; the play honours life, order and the good.
Feeds A-level tragedy and drama study.
| Duality | The state of having two sides. |
| Gothic | A genre of fear and the uncanny. |
| Respectability | Being seen as decent by society. |
| Repression | Holding back thoughts or urges. |
| Degeneration | Victorian fear of decline. |
| Atavism | A throwback to a primitive state. |
| Foreshadow | To hint at what is to come. |
| Uncanny | Strangely familiar and unsettling. |
The Dignity of the Human Person.The novella’s divided self asks how we face our own capacity for wrong — and choose the good.
Feeds A-level prose and gothic study.
| Responsibility | A duty to others and society. |
| Socialism | Belief in shared responsibility. |
| Capitalism | An economy driven by private profit. |
| Microcosm | A small thing standing for a larger whole. |
| Dramatic irony | When the audience knows more than a character. |
| Didactic | Intended to teach a lesson. |
| Morality play | A play teaching a moral lesson. |
| Cyclical | A structure returning to its start. |
Solidarity and the Common Good.“We are members of one body”: the play echoes the Church’s teaching that we are responsible for one another.
Feeds A-level modern drama study.
| Anthology | A collection of poems or texts. |
| Comparison | Exploring similarities and differences. |
| Volta | A turn in a poem’s argument or mood. |
| Enjambment | A line running on without pause. |
| Caesura | A deliberate pause within a line. |
| Juxtaposition | Placing ideas together for contrast. |
| Sibilance | Repeated s/sh sounds. |
| Pathetic fallacy | Weather reflecting mood. |
The Sanctity of Life and Peace.Poems of power and conflict grieve the cost of violence and pride, calling us toward humility, justice and peace.
Feeds A-level poetry and unseen comparison.
Suggested starting points. Your teacher will give you any class logins.
At Key Stage 5 the department offers two A-levels. Choose a course to see its route through the papers, its ladders and its organisers.
A historicist course that reads texts within shared contexts. Students study love through the ages and, for the school’s Option B, modern times (literature from 1945 to the present), alongside unseen poetry and prose, and complete an independent critical study across time. The set texts are Othello, the Love Through the Ages Anthology, The Handmaid’s Tale, A Streetcar Named Desire and Feminine Gospels.
Two written papers (40% each) and a coursework NEA (20%). The school follows Paper 2 Option 2B: Modern times (1945–present).
After your report, tap your grade band to see what you can already do in each assessment objective, and your next step up.
AO1 · Informed, personal, creative response; concepts, terminology, expression (28%)
AO2 · Analyse how meanings are shaped in literary texts (24%)
AO3 · Significance and influence of contexts (24%)
AO4 · Connections across literary texts (12%)
AO5 · Explore different interpretations and readings (12%)
Four organisers — two papers, the NEA (with its rules) and a comparative-methods toolkit.
| Historicism | Reading texts within their historical context. |
| Significance | Weighing method, context, connection and reading. |
| Canon | The body of texts regarded as important. |
| Courtly love | A medieval ideal of noble love. |
| Sonnet | A 14-line poem, often about love. |
| Unseen | A text met for the first time in the exam. |
| Diachronic | Comparing across different time periods. |
| Interpretation | A supported reading of a text. |
The Sanctity of Love and the Family.Studying love across the ages honours its dignity and complexity, and the human longing for faithful, self-giving love.
Builds the comparative and critical skills assessed across the course.
| Shared context | A period or theme linking texts for study. |
| Dystopian | Describing an imagined society where life is deliberately made worse. |
| Feminism | A movement and critical approach concerned with women’s rights and representation. |
| Post-colonial | Concerning life after empire. |
| Modernity | The condition of the modern world. |
| Zeitgeist | The spirit of a time. |
| Contextual linking | Connecting an unseen text to a studied one. |
| Synchronic | Comparing texts from the same period. |
| Marginalised | Pushed to the edges of power or society. |
| Fragmentation | A broken or disjointed structure. |
The Preferential Option for the Poor.Modern literature often gives voice to the marginalised; reading it sharpens our concern for justice and the overlooked.
Feeds the NEA and comparative study.
Your own work:the Independent Critical Study is your own comparative essay of about 2,500 words on two texts (one pre-1900). The question, argument and writing must be entirely your own.
| Comparative | Exploring two texts together. |
| Thesis | The central argument of an essay. |
| Bibliography | A referenced list of sources used. |
| Secondary reading | Criticism and scholarship on a text. |
| Diachronic | Comparing across time periods. |
| Plagiarism | Using others’ work as your own. |
| Moderation | AQA’s check on centre marking. |
| Autonomy | Working independently. |
The Dignity of Work and Truth.Independent scholarship is a discipline of honesty: crediting others’ work and pursuing truth with integrity.
The most independent piece of the course, modelling undergraduate research.
| Feminist criticism | Reading for gender and power. |
| Marxist criticism | Reading for class and economics. |
| Post-colonial criticism | Reading for empire and its legacies. |
| Reception | How readers have responded over time. |
| Lens | A critical perspective on a text. |
| Ambiguity | Openness to more than one meaning. |
| Discourse | Language use within a context. |
| Intertextuality | Connections between texts. |
The Dignity of the Human Person.Weighing many readings teaches intellectual humility — that truth is pursued together, in dialogue.
Underpins every component of the A-level.
Suggested starting points. Your teacher will give you any class logins.
An integrated course drawing on stylistics, where literary and non-literary texts are studied side by side: words create worlds. Students analyse how meaning is shaped across genres and modes, write creatively and re-creatively, and complete an independent investigation connecting a literary text with real-world data. Set texts are the department’s current choices.
Two written papers (40% each) and a coursework NEA (20%), integrating linguistic and literary study. Set texts are the department’s current choices.
After your report, tap your grade band to see what you can already do in each assessment objective, and your next step up.
AO1 · Apply integrated linguistic and literary methods; terminology and expression
AO2 · Analyse how meanings are shaped in texts
AO3 · Significance and influence of contexts
AO4 · Explore connections across texts (literary and non-literary)
AO5 · Expertise and creativity in using English
Four organisers — two papers, the NEA (with its rules) and a stylistics toolkit.
| Stylistics | The linguistic study of literary style. |
| Narratology | The study of narrative structure. |
| Representation | How language constructs a version of reality. |
| Mode | Spoken or written channel of a text. |
| Discourse | Language use within a context. |
| Point of view | The perspective a story is told from. |
| Register | The level of formality of language. |
| Genre | A type or category of text. |
The Dignity of the Human Person.Attending to how places and people are represented trains us to see others truthfully and with respect.
Builds the integrated method used across the course.
| Re-creative writing | New writing based on a studied text. |
| Commentary | A reflective analysis of your own writing. |
| Dramatic discourse | The language of drama and dialogue. |
| Turn-taking | How speakers exchange in talk. |
| Politeness | Language managing social relationships. |
| Idiolect | An individual’s distinctive language. |
| Pragmatics | Meaning in context. |
| Conflict | Opposition driving a text. |
Peace and Reconciliation.Studying conflict in language and drama can teach us to listen, to disagree well and to seek reconciliation.
Feeds the NEA and creative-analytical writing.
Your own work:the Making Connections investigation (2,500–3,000 words) is your own study connecting a literary text with non-literary data. The focus, analysis and writing must be entirely your own.
| Investigation | A small-scale research study. |
| Data | The non-literary texts collected for study. |
| Corpus | A collected body of language data. |
| Stylistics | The linguistic study of style. |
| Secondary reading | Scholarship informing the study. |
| Bibliography | A referenced list of sources used. |
| Plagiarism | Using others’ work as your own. |
| Moderation | AQA’s check on centre marking. |
The Dignity of Work and Truth.Honest research — crediting sources and following the evidence — is a discipline of integrity.
The most independent piece of the course, modelling degree-level research.
| Phonology | The study of sound in language. |
| Lexis | The vocabulary of a text. |
| Semantics | The study of meaning. |
| Pragmatics | Meaning in context. |
| Graphology | The visual presentation of a text. |
| Cohesion | How a text links together. |
| Foregrounding | Making a feature stand out. |
| Deixis | Words pointing to context (here, now). |
The Dignity of the Human Person.Careful attention to language honours the truth of what people say and how they are represented.
Underpins every component of the A-level.
Suggested starting points. Your teacher will give you any class logins.
Our CurriculumGeography
After your report, use the knowledge & skills ladders to see where you are and your next step. Then use the knowledge organisers to revise and make that step.
The world — and your place in it.
Shows your stage in each subject, from Building foundations to Deepening mastery.
Our students are growing up, and will live in a rapidly changing world. The topics taught have been chosen to help students understand the underpinning physical and human processes that are causing these changes, as well as those which have helped to shape the past. We aim to help students become global citizens, understand their place in the world and the impact of the choices and decisions they make. As well as ensuring students have the underpinning knowledge, tasks and assessments are used to help students think critically, develop their own opinions about key issues and to be able to justify them, whilst appreciating that other people may have different views.
As a Catholic school we aim to develop in our students a sense of awe and wonder so that they appreciate the world around them and are able to act as stewards of creation. Catholic Social Teaching and Lasallian values permeate the curriculum as we address key global issues and provide students with the knowledge and competencies to be active citizens, taking practical action to support the wider world and their local communities.
Fieldwork and trips allow students to develop their cultural capital by visiting different human and physical landscapes, bringing their learning to life.
Mrs Jen Ewings, Head of Department
Geography at St Augustine’s is taught through a coherent three-year Key Stage 3 curriculum that is designed to build year on year. In Year 7, students lay strong foundations through the geography of the UK — core map and fieldwork skills, settlement and population, the rocks and coasts that shape our landscapes, and our weather, climate and ecosystems. Year 8 widens the lens to the wider world and the issues that connect us — the geography of food, natural hazards, a changing world of work, and the global water crisis. Year 9 takes a fully global perspective, exploring climate and energy, our oceans, why development is uneven, and the geography of Africa and China.
Throughout the three years, students return to the subject’s big concepts — Place, Space, Earth Systems, Environment, Interconnections and Diversity — and every unit is built to develop what came before and to prepare the way for GCSE and A-Level. The knowledge & skills ladders below show what progress looks like at each stage, from Building foundations to Deepening mastery, and the knowledge organisers give students everything they need to revise and climb to the next rung.
Start here: choose what you are studying now to jump to the right resources.
The three-year journey through Geography, term by term. Open a year to see what your child studies and how the journey builds.
Assessment: Explain why a composting latrine can be considered sustainable.
Assessment: Knowledge checker test.
Assessment: Should tourists be limited in National Parks?
Assessment: Knowledge checker test.
Geographical skills developed: Compass directions; four- and six-figure grid references; using OS maps; drawing bar, line and climate graphs; drawing proportional bar graphs; choropleth shading.
Assessment: Should we import food from other countries? (Evaluate.)
Assessment: Knowledge checker test.
Assessment: Knowledge checker test (processes and landforms).
Assessment: Knowledge checker test.
Assessment: Knowledge checker test.
Assessment: What obstacles stand in the way of Malawi’s development? (Assess.)
Assessment: Desertification: causes and impacts. (Assess.)
Geographical skills developed: Map skills; drawing climate graphs; calculating averages and percentages; choropleth shading.
Each skill is a ladder you climb. Tap the wording from your report below — every ladder will show the rung you are on now and the rung to aim for next.
Locational knowledge
Application of geographical skills
Understanding geographical patterns & processes
Environmental change & sustainability
Locational knowledge
Application of geographical skills
Understanding geographical patterns & processes
Environmental change & sustainability
Locational knowledge
Application of geographical skills
Understanding geographical patterns & processes
Environmental change & sustainability
The key command words students meet in lessons and assessments:
A library of revision sheets — one per unit. Open the one for whatever you're studying now to revise the key knowledge and vocabulary, and to help you climb to the next rung.
Year 7
| Physical geography | Features made by natural forces; the study of natural processes on earth. |
| Human geography | Features made by humans; the study of how humans affect or are influenced by earth. |
| Atmosphere | The gases surrounding the earth. |
| Biosphere | The areas of the earth in which living organisms are found, or in which life can be sustained. |
| Cryosphere | The areas of the earth covered in ice. |
| Hydrosphere | All the water areas on earth. |
| Lithosphere | The rocky, hard part of the earth's surface, including the crust and upper mantle. |
| Stewardship | To look after the earth for future generations, as stewards rather than consumers. |
| Biodiversity | The number of different species in an area, or the total number on earth. |
Care for Creation (Stewardship).This unit’s focus on the Earth’s spheres, biodiversity and natural resources connects directly to our call to be stewards of creation — protecting the planet as a gift for future generations (Laudato Si’).
| Continent | A continuous expanse of land; there are considered to be 7 globally. |
| Equator | An imaginary line around the Earth at 0° latitude, equidistant from the Poles. |
| Latitude | Lines that tell you how far north or south of the Equator a place is. |
| Longitude | Lines that tell you how far east or west of the Prime Meridian a place is. |
| Prime Meridian | The 0° line of longitude. |
| Map projection | A method to represent the Earth's curved surface on a flat plane. |
Solidarity.Knowing where places and people are in the world helps us recognise that we belong to one human family and share responsibility for one another, wherever they live.
| Geology | The study of the structure and formation of the Earth, including rocks and resources. |
| Geologist | A scientist who studies the structure of the Earth and its rocks. |
| Igneous rocks | |
| Metamorphic rocks | |
| Sedimentary rocks | |
| Weathering | The breaking down of rocks by biological and weather processes such as rainfall, ice and plant roots. |
| Erosion | The wearing down and moving of rocks by wind, waves, rivers and glaciers. |
| Relief | The difference between the highest and lowest points in the landscape. |
| Topography | The shape of the land, e.g. hills, mountains and valleys. |
Care for Creation & the Common Good.National Parks protect distinctive landscapes for everyone; managing them well means balancing different people’s needs and using the land responsibly for the common good.
| Population | The number of people in an area or country. |
| Birth rate | The number of live births per 1,000 people. |
| Death rate | The number of deaths per 1,000 people. |
| Population density | The number of people in 1 km². |
| Migration | The movement of people from one place to another. |
| Push / pull factors | Things that make someone want to leave / go to an area. |
| Globalisation | The increasing links between countries through movement of people, money, goods and services. |
Solidarity & the Dignity of the Human Person.Studying migration reminds us that every migrant has equal dignity; Catholic Social Teaching calls us to welcome, protect and stand in solidarity with those who move in search of a better life.
Year 8
| Food insecurity | A lack of access to sufficient food. |
| Famine | Extreme and widespread scarcity of food. |
| Subsistence | Supporting yourself, mainly through farming. |
| Cash crops | Crops grown for sale rather than for the grower’s own use. |
| Export | Sending goods or services to another country for sale. |
| Irrigation | Bringing water from a source to use on land or crops. |
| Sustainable development | Development that meets the needs of the present without compromising future generations. |
| GNI | Gross National Income — a country’s total income, including income from foreign sources. |
Solidarity & Option for the Poor.Food insecurity and hunger call us to solidarity with the poorest and to share the world’s resources justly.
| Lithosphere | The rocky, hard part of the earth’s surface, including the crust and upper mantle. |
| Tectonic plates | Large, moving slabs of rock that make up the earth’s crust. |
| Plate boundary | A line along which tectonic plates meet. |
| Magnitude | A measure of the size of an earthquake. |
| Tsunami | A series of large ocean waves, usually caused by an underwater earthquake or eruption. |
| Pyroclastic flow | A dense cloud of hot gas and shattered rock flowing downhill at high speed. |
| Lahar | A fast-moving flow of ash and water down a river valley. |
| Liquefaction | When an earthquake turns wet soil into liquid mud. |
Care for Creation & Solidarity.Living safely with natural hazards means protecting the vulnerable and standing in solidarity with communities affected by disasters.
| Globalisation | The increasing links between countries through the movement of goods, services, people and money. |
| Manufacturing | Making products from raw materials by hand or machine. |
| Primary sector | Extracting raw materials, e.g. mining, farming and fishing. |
| Secondary sector | Making (manufacturing) things from raw materials. |
| Tertiary sector | Providing a service to others. |
| Quaternary sector | Research and development. |
| Sustainability | Using resources to meet present needs without compromising the future. |
Dignity of Work & the Rights of Workers.The Rana Plaza disaster reminds us that every worker has dignity and a right to safe, fair conditions — and that our choices as consumers carry a moral weight.
| Water scarcity | A lack of freshwater resources to meet the demands of water use in an area. |
| Virtual water | The water used to produce the goods and services we use. |
| Water footprint | The amount of freshwater used by a person, organisation or country in a year. |
| Desalination | Removing salt from seawater to create freshwater. |
| Evaporation | The conversion of liquid water into water vapour. |
| Condensation | The conversion of water vapour into a liquid. |
| Precipitation | Water falling from the sky as rain, hail or snow. |
The Common Good & Dignity of the Human Person.Clean water is a human right; ensuring everyone can access it is central to the common good and to caring for creation.
Year 9
| HDI | Human Development Index — combines health, wealth and education into a value between 0 and 1. |
| GNI | Gross National Income — a country’s total income, including income from foreign sources. |
| GDP | Gross Domestic Product — the total value of goods and services in a country. |
| Development gap | The gap between the richest and poorest countries of the world. |
| Bottom-up development | A project led by local people and communities. |
| Inequality | The uneven distribution of wealth in a society. |
| Sustainable development | Meeting present needs without compromising future generations. |
Option for the Poor & Solidarity.Uneven development calls us to stand with the world’s poorest and to work to close the development gap (the Sustainable Development Goals; the work of CAFOD).
| Biome | A large-scale ecosystem characterised by its vegetation, soil, climate and wildlife. |
| Desertification | The process by which land turns into desert. |
| Arid | Dry regions that receive less than 250mm of precipitation per year. |
| Drought | A lack of precipitation over a long period that can cause a water shortage. |
| Deforestation | Removing trees from a forested area by cutting them down or burning them. |
| Climate change | Changes in the climate, now usually used in relation to changes caused by human activity. |
| Soil erosion | When topsoil is washed away by water or blown away by the wind. |
Care for Creation & Solidarity.Desertification and climate change hit the world’s poorest hardest; we are called to care for creation and to stand with the communities affected.
| Globalisation | The increasing links between countries through the movement of goods, services and money. |
| Urbanisation | The increasing percentage of a country’s population living in towns and cities. |
| Rural to urban migration | The movement of people from the countryside to towns and cities. |
| Ecological footprint | The amount of the environment required to support a particular lifestyle. |
| Raw materials | The basic materials from which products are made. |
| Inequality | Differences in wealth, wellbeing and access to jobs, housing and education. |
| Quality of life | The general wellbeing of people, including income, health, education and environment. |
Dignity of the Human Person & Care for Creation.The mining of phone components can involve exploitation; justice means protecting workers’ dignity and reducing the harm done to the environment.
| Global commons | Resources, such as the oceans, that are shared by everyone and owned by no single country. |
| Overfishing | Removing fish from the ocean at an unsustainable rate. |
| Bycatch | The capture of unwanted animals while fishing for other species. |
| Biodiversity | The number of different plant and animal species in a given area. |
| Sustainability | Using resources to meet present needs without compromising the future. |
| Climate change | A long-term change in the earth’s climate, especially due to rising average temperatures. |
Care for Creation & the Common Good.The oceans are a shared gift — part of the “global commons” — and protecting them is part of our stewardship of creation for everyone.
Suggested starting points. Your teacher will give you any class logins.
At GCSE we follow Edexcel Geography B (specification 1GB0), a theme-based course built around three big enquiries: global issues, the UK, and people and the environment. It deepens the knowledge and skills started at Key Stage 3 and is assessed by three written exams (grades 1–9) sat at the end of Year 11 — there is no coursework, though two fieldwork investigations are examined within Paper 2.
Across the course students study physical and human geography together, learning to describe and explain patterns and processes, work with real data and fieldwork, and make and justify decisions about geographical issues. Use the selector below to find your current unit, follow the course route-through to see how it all fits together, track yourself on the knowledge & skills ladder, and revise with the knowledge organisers.
Pick the unit you’re studying now to jump to its revision organiser and progress ladder.
Edexcel GCSE Geography B (specification 1GB0) is a linear, theme-based course assessed by three written papers at the end of Year 11 (252 marks in total). There is no coursework, though two fieldwork investigations are examined within Paper 2. Open the tile below for the full breakdown of each paper, the assessment objectives, geographical skills and how marks are gained.
Built around the four Edexcel B assessment objectives (AO1–AO4). Tap the stage from your report to see where you are and your next step up in each objective.
AO1 · Knowledge (15%)
AO2 · Understanding (25%)
AO3 · Application, analysis & judgement (35%)
AO4 · Geographical & fieldwork skills (25%)
One organiser per topic. Open the unit you’re studying to revise its key knowledge and vocabulary.
Paper 1 — Global Geographical Issues
| Tropical cyclone | An intense low-pressure storm forming over warm tropical oceans. |
| Storm surge | A rise in sea level during a storm that causes coastal flooding. |
| Plate boundary | Where two tectonic plates meet; most earthquakes and volcanoes occur here. |
| Magnitude | The size or energy of an earthquake. |
| Vulnerability | How exposed and able to cope people are when a hazard strikes. |
| Mitigation | Actions that reduce the severity of a hazard’s impact. |
Care for Creation & Solidarity.We are called to protect the most vulnerable from disasters and to care responsibly for a changing planet.
| Development gap | The difference in wealth and wellbeing between richer and poorer areas. |
| HDI | A measure of development combining income, education and life expectancy. |
| GDP per capita | The average economic output per person. |
| Emerging economy | A country undergoing rapid economic growth and industrialisation. |
| TNC | A transnational corporation operating across several countries. |
| Globalisation | The growing connection of the world’s economies and cultures. |
Option for the Poor & Solidarity.We are called to stand with the poorest and to work for a fairer sharing of the world’s resources.
| Urbanisation | The rising proportion of people living in towns and cities. |
| Megacity | A city with more than 10 million people. |
| Rural–urban migration | Movement of people from the countryside to cities. |
| Informal economy | Unofficial, unregulated work and trade. |
| Squatter settlement | Unplanned housing built on land without legal ownership. |
| Infrastructure | The basic services and structures a city needs to function. |
Dignity of the Human Person & the Common Good.Every person deserves decent housing and services; cities should be planned for the good of all.
Paper 2 — UK Geographical Issues
| Erosion | The wearing away and removal of material. |
| Longshore drift | The movement of sediment along a coast by waves. |
| Deposition | The dropping of material carried by water. |
| Hard engineering | Built defences such as sea walls and groynes. |
| Managed retreat | Allowing the sea to flood low-value land in a planned way. |
| Hydrograph | A graph showing river discharge over time. |
Care for Creation & Stewardship.We are stewards of the land and coast, managing change responsibly for future generations.
| Regeneration | Improving a rundown area, socially and economically. |
| Rebranding | Changing the image of a place to attract people and investment. |
| Deindustrialisation | The decline of manufacturing industry. |
| Migration | The movement of people to live in a new place. |
| Gentrification | Wealthier people moving into and changing an area. |
| Counter-urbanisation | Movement of people from cities to rural areas. |
The Common Good & Solidarity.Change should benefit whole communities, not leave the poorest behind.
| Hypothesis | A statement to be tested by an investigation. |
| Primary data | Data collected first-hand in the field. |
| Secondary data | Data collected by someone else. |
| Sampling | Choosing where and what to measure in a fair way. |
| Reliability | How trustworthy and repeatable results are. |
| Anomaly | A result that does not fit the pattern. |
Stewardship & Truth.We seek the truth honestly and use evidence responsibly and fairly.
Paper 3 — People and Environment Issues
| Biome | A large-scale ecosystem, e.g. tropical rainforest or desert. |
| Biosphere | The zone of the Earth where living things exist. |
| Ecosystem services | The benefits people gain from ecosystems. |
| Resource | A natural material people use, e.g. water or timber. |
| Sustainability | Meeting needs today without harming the future. |
| Climate | The average weather conditions of a place. |
Care for Creation (Laudato Si’).Creation is a gift to be protected; we share responsibility for the web of life.
| Tropical rainforest | A dense forest in hot, wet equatorial regions. |
| Taiga | The cold coniferous forest of high latitudes. |
| Nutrient cycle | The movement of nutrients through an ecosystem. |
| Deforestation | The clearance of forest. |
| Biodiversity | The variety of living things in an area. |
| Sustainable management | Using a resource without using it up. |
Care for Creation & the Common Good.The world’s forests are a shared inheritance to be protected for everyone.
| Renewable | Energy from sources that do not run out, e.g. wind or solar. |
| Non-renewable | Energy from finite sources, e.g. coal, oil and gas. |
| Fossil fuel | Carbon-based fuel formed from ancient organisms. |
| Energy security | Reliable, affordable access to energy. |
| Energy mix | The combination of energy sources a country uses. |
| Carbon footprint | The greenhouse gases produced by an activity. |
Care for Creation & Stewardship.We are called to use the Earth’s energy wisely and justly, for today and tomorrow.
Suggested starting points. Your teacher will give you any class logins.
In the Sixth Form we follow Edexcel A-Level Geography (specification 9GE0), a linear two-year course covering physical geography, human geography, a synoptic investigation and an independent fieldwork investigation (the NEA). It builds directly on GCSE, developing deeper conceptual understanding and the independent analytical and evaluative skills needed for university and beyond.
Students are assessed through three written papers sat at the end of Year 13 — Physical (30%), Human (30%) and a Synoptic investigation (20%) — together with the independent investigation (20%). The three papers test knowledge and understanding, application, and analysis and evaluation. Use the selector below to find your current unit, follow the route-through, track yourself on the knowledge & skills ladder, and revise with the knowledge organisers.
Pick the unit you’re studying now to jump to its revision organiser and progress ladder.
Edexcel A-Level Geography (specification 9GE0) is a linear two-year course assessed by three written papers at the end of Year 13, alongside an independent investigation (NEA) completed during the course (350 marks in total). Open the tile below for the full breakdown of each paper, the assessment objectives, skills and how marks are gained.
Built around the three Edexcel A-Level assessment objectives (AO1–AO3). Tap the stage from your report to see your next step up in each objective.
AO1 · Knowledge & understanding (≈30%)
AO2 · Application, analysis & evaluation (≈40%)
AO3 · Geographical & fieldwork skills (≈30%)
One organiser per topic. Open the unit you’re studying to revise its key knowledge and vocabulary.
Paper 1 — Physical Geography
| Plate boundary | Where tectonic plates meet; the focus of most tectonic activity. |
| Magnitude | The energy released by an earthquake. |
| Vulnerability | How exposed and able to cope a population is. |
| Resilience | The capacity to absorb and recover from a hazard. |
| Disaster risk | The likely loss from a hazard, given vulnerability. |
| Governance | How decisions and management are organised. |
Solidarity & Option for the Poor.Disasters fall hardest on the vulnerable; justice calls us to reduce risk and stand with those affected.
| Open system | A system exchanging energy and matter with its surroundings. |
| Sub-aerial process | Weathering and mass movement acting on the land. |
| Equilibrium | A balanced state within a system. |
| Sediment budget | The balance of sediment inputs and outputs. |
| Hard engineering | Built defences against natural processes. |
| Managed retreat | Planned, controlled withdrawal from the coast. |
Care for Creation & Stewardship.We are entrusted with the care of landscapes, managing change wisely for the generations to come.
| Drainage basin | The area drained by a river and its tributaries. |
| Water budget | The balance of water inputs and outputs. |
| Water scarcity | A shortage of available freshwater. |
| Aquifer | An underground store of water in rock. |
| Over-abstraction | Removing water faster than it is replaced. |
| Integrated management | Coordinated management of a whole water system. |
Option for the Poor & the Common Good.Access to clean water is a basic human right; we are called to share it justly.
| Carbon store / flux | Where carbon is held / how it moves. |
| Sequestration | The capture and long-term storage of carbon. |
| Greenhouse effect | Warming caused by atmospheric gases trapping heat. |
| Energy security | Reliable, affordable access to energy. |
| Mitigation | Reducing the causes of climate change. |
| Adaptation | Adjusting to the effects of climate change. |
Care for Creation (Laudato Si’).The climate is a common good; we must protect it for the whole human family.
Paper 2 — Human Geography
| Globalisation | Growing interconnection of economies and cultures. |
| Global shift | The movement of industry to new regions. |
| TNC | A transnational corporation operating worldwide. |
| Interdependence | Mutual reliance between places. |
| Outsourcing | Contracting work to other firms or countries. |
| Glocalisation | Adapting global products to local markets. |
Solidarity & the Common Good.A connected world should serve the good of all, not deepen inequality.
| Regeneration | Renewing a rundown area socially and economically. |
| Rebranding | Changing a place’s image. |
| Players | The people and organisations who shape places. |
| Lived experience | How people actually experience a place. |
| Representation | How a place is portrayed. |
| Inequality | Uneven access to wealth and opportunity. |
Dignity of the Human Person & the Common Good.Every community deserves to flourish; place-making should include and value all people.
| Superpower | A state with dominant global influence. |
| Hegemony | Leadership or dominance over others. |
| Sphere of influence | An area shaped by a power’s influence. |
| Global governance | International rules and institutions. |
| Emerging power | A rising state gaining influence. |
| Neo-colonialism | Indirect control through economic means. |
Solidarity & the Common Good.Power carries responsibility; it should serve peace and the global common good.
| Human rights | Basic rights and freedoms for all people. |
| Sovereignty | A state’s authority over itself. |
| Intervention | Action by one state or body in another’s affairs. |
| Migration | Movement of people to live elsewhere. |
| Identity | A sense of who people and places are. |
| Development | Improvement in wellbeing and opportunity. |
Option for the Poor, Human Dignity & Solidarity.Every person has equal dignity; development and rights belong to all.
Paper 3 & the independent investigation
| Synoptic | Making links across different parts of the course. |
| Players | The people and organisations involved in an issue. |
| Mitigation | Reducing the causes of a problem. |
| Resilience | The capacity to cope with and recover from change. |
| Uncertainty | Limits to what can be known about the future. |
| Sustainability | Meeting needs without harming the future. |
Prudence & the Common Good.Wise judgement weighs evidence and many viewpoints to choose well for the common good.
Your investigation must meet JCQ and Pearson requirements. Breaking these rules is malpractice and can cost you marks — or your result.
| NEA | Non-examination assessment — the independent investigation. |
| Primary data | Data collected first-hand. |
| Sampling | Choosing fair, representative data points. |
| Hypothesis | A statement to be tested. |
| Reliability | How trustworthy and repeatable results are. |
| Evaluation | Honest reflection on methods and limitations. |
Truth & Stewardship.We pursue truth with integrity and use evidence responsibly and fairly.
Suggested starting points. Your teacher will give you any class logins.
Interactive demo. The crest and the "About Geography" text are taken from the school's own materials and live website (the GCSE section was blank there, flagged). Knowledge & skills are shown as Model B ladders: tap your report stage to highlight your current rung and your next step. Knowledge organisers follow as a separate revision library. Grid gaps and three 7.3 rock definitions are flagged for the HoD.
Our CurriculumComputing
After your report, use the knowledge & skills ladders to see where you are and your next step. Then use the knowledge organisers to revise and make that step.
Think in logic. Build what’s next.
Shows your stage in each subject, from Building foundations to Deepening mastery.
Our Computer Science programmes across KS3, KS4 and KS5 are designed to provide students with a strong foundation in digital skills, programming, media analysis and creative design. With a focus on engaging and interactive learning, we help students develop problem-solving abilities, teamwork and time management skills.
Throughout all levels, our programmes expose students to the project life cycle, a crucial process they will encounter in further academia and the workplace. We prepare students for the computing world by focusing on programming skills, media analysis and creative design. In KS5, we emphasise independence and personal interest exploration, culminating in a comprehensive programming project.
Our department fosters a sense of investigation, problem-solving and resilience in our students. By encouraging teamwork and personal growth, we help students develop a strong foundation in computer science and IT, preparing them for success in university and the workplace.
Mr Dan Taylor, Head of Department
Key Stage 3 units are based on the NCCE Teach Computing Curriculum, created by the Raspberry Pi Foundation and updated by STEM Learning, used under the Open Government Licence v3.0.
Computing at St Augustine’s is taught through a coherent three-year Key Stage 3 curriculum that builds year on year. In Year 7, students lay strong foundations — communicating clearly with digital media, understanding networks and the internet, learning the essentials of programming in Scratch, and modelling data in spreadsheets. Year 8 deepens the computer-science core — how computing systems and the web work, how computers represent data, app development, and the move into text-based programming with Python. Year 9 applies these skills with more independence — programming with data, 3D animation, data science, cyber security and physical computing, alongside a bespoke Creative iMedia unit.
Throughout the three years, students revisit the NCCE strands — Algorithms, Programming, Computing systems, Networks, Data & information, Creating media, Design & development, Effective use of tools, Impact of technology, and Safety & security — and every unit builds on what came before to prepare the way for GCSE and A-Level. The knowledge & skills ladders below show what progress looks like from Building foundations to Deepening mastery, and the knowledge organisers give students everything they need to revise and climb to the next rung.
Start here: choose what you are studying now to jump to the right resources.
The Key Stage 3 journey follows the NCCE Teach Computing curriculum, one unit per half-term. Open a year to see what your child studies and how the journey builds.
Each skill is a ladder you climb. Tap the wording from your report below — every ladder will show the rung you are on now and the rung to aim for next. These are the same stages used on your school report.
Computational thinking & programming
Computer systems & networks
Data & information
Creating media & digital literacy
Online safety & the impact of technology
Computational thinking & programming
Computer systems & networks
Data & information
Creating media & digital literacy
Online safety & the impact of technology
Computational thinking & programming
Computer systems & networks
Data & information
Creating media & digital literacy
Online safety & the impact of technology
A library of revision sheets — one per unit. Open the one for whatever you’re studying now to revise the key knowledge, skills and vocabulary, and to help you climb to the next rung. The department’s existing knowledge organisers use older unit titles and should be refreshed to match these NCCE units.
Year 7
| Audience | The people a digital product is designed for. |
| Purpose | The reason a product is made — to inform, persuade or entertain. |
| Layout | How text and graphics are arranged on a page or slide. |
| Rubric | A checklist of success criteria used to judge work. |
| Logo | A symbol or design that represents an organisation. |
The Dignity of the Human Person.Communicating clearly and truthfully respects the people who receive our message; this unit is about creating media that informs and serves its audience honestly, rather than misleading it.
| Network | Two or more devices connected to share data. |
| Protocol | A set of rules for how devices communicate. |
| Packet | A small block of data sent across a network. |
| Bandwidth | The rate at which data can be transmitted. |
| Server | A computer that provides services or data to others. |
| The internet | The global network of connected networks. |
Solidarity.Networks connect us into one global human family. Understanding how the internet links people helps students use connectivity to build community and include others.
| Algorithm | A set of step-by-step instructions to solve a problem. |
| Sequence | Instructions carried out in order, one after another. |
| Variable | A named store that holds a value that can change. |
| Selection | Choosing what to do next using a condition (if…). |
| Iteration | Repeating instructions (a loop). |
| Debug | To find and fix errors in a program. |
Participation.Learning to program means becoming a creator of technology rather than a passive consumer — able to take an active part in shaping the digital world.
| Cell | A single box in a spreadsheet where data is entered. |
| Cell reference | The address of a cell, e.g. B3. |
| Formula | A calculation entered into a cell, starting with =. |
| Function | A built-in formula such as SUM or AVERAGE. |
| Data | Raw facts and figures. |
| Information | Data that has been given meaning. |
The Common Good.Handling and presenting data honestly supports good, fair decisions that serve everyone; misrepresenting data can mislead and harm.
| Subroutine | A named block of code that can be reused when called. |
| Decomposition | Breaking a problem into smaller, manageable parts. |
| List | A collection of related items stored under one name. |
| Condition-controlled loop | A loop that repeats until a condition is met. |
| Count-controlled loop | A loop that repeats a set number of times. |
The Dignity of Work.Developing perseverance and skill in breaking down and solving problems reflects the value of using our God-given talents well.
| Credibility | How trustworthy and reliable a source is. |
| Plagiarism | Passing off someone else's work as your own. |
| Referencing | Crediting the sources you have used. |
| Creative Commons | Licences that state how work may be reused. |
| Copyright | The legal right of a creator over their work. |
Solidarity.Using media to campaign for a cause gives students the tools to stand with, and speak up for, others — especially those whose voices are not always heard.
Year 8
| Raster | An image made of pixels. |
| Vector | An image made of paths and shapes. |
| Layer | A stackable level of an image that can be edited separately. |
| Resolution | The amount of detail in an image, measured in pixels. |
| Export | To save work in a format suitable for a purpose. |
The Dignity of the Human Person.Editing images carries a responsibility to represent people honestly and respectfully, rather than manipulating images in ways that deceive or demean.
| Hardware | The physical parts of a computer. |
| Software | The programs that run on a computer. |
| Operating system | Software that controls the computer and runs programs. |
| Logic gate | A component that outputs true/false from its inputs. |
| Binary | A number system of 0s and 1s used by computers. |
| Artificial intelligence | Systems that perform tasks that seem to need human intelligence. |
The Common Good.As students meet artificial intelligence and machine learning, they consider how such powerful technology should be designed to serve the whole human family fairly.
| HTML | The language used to structure web page content. |
| CSS | The language used to style web pages. |
| Tag | An HTML element that marks up content. |
| Hyperlink | A link that connects one page to another. |
| Search engine | A service that finds and ranks web pages. |
| Crawl | How a search engine explores web pages. |
The Common Good.Building accessible, well-structured websites — and understanding how search engines shape what we see — helps ensure information serves everyone.
| Representation | A way of storing or communicating information. |
| Bit | A single binary digit, 0 or 1. |
| Byte | A group of 8 bits. |
| Binary | A base-2 number system of 0s and 1s. |
| Character set | The set of symbols a computer can represent, e.g. ASCII. |
The Common Good.Accurate, reliable representation of information is the foundation of trustworthy systems that serve people well.
| Event | Something that triggers code to run, e.g. a button press. |
| Event-driven | A program controlled by events and user actions. |
| GUI | Graphical user interface — the buttons and screens users see. |
| User input | Data provided by the user. |
| Test | Checking a program works as intended. |
The Dignity of the Human Person.Designing apps around real users’ needs — including accessibility — puts the dignity of the person at the centre of technology.
| Python | A popular text-based programming language. |
| Syntax | The rules for how code must be written. |
| Assignment | Storing a value in a variable using =. |
| Selection | Choosing what to run using if/elif/else. |
| Syntax error | A mistake that breaks the rules of the language. |
| Logic error | Code that runs but gives the wrong result. |
Participation.Text-based programming further equips students to take an active, creative part in the digital world rather than being shaped by it.
Year 9
| Keyframe | A point that sets an object's position/state at a moment in time. |
| Render | To produce the final image or animation output. |
| Timeline | Where the timing of an animation is arranged. |
| Material | The surface appearance applied to a 3D object. |
| Transform | To move, scale or rotate an object. |
The Dignity of the Human Person.Human creativity is a gift that reflects our dignity as made in God’s image; this unit lets students create and express ideas responsibly.
| List | An ordered collection of items in Python. |
| String | A sequence of characters, e.g. text. |
| Index | The position of an item in a sequence. |
| For loop | A loop that repeats over items in a sequence. |
| While loop | A loop that repeats while a condition is true. |
The Common Good.Programming is a means of solving real problems for real people; students learn to use it in the service of others.
| Data science | Using data to gain insights and support decisions. |
| Correlation | A relationship between two sets of data. |
| Outlier | A value that is very different from the rest. |
| Data cleansing | Fixing or removing incorrect or messy data. |
| Visualisation | A chart or graphic that represents data. |
The Common Good.Handling data brings responsibilities of accuracy, privacy and fairness; students learn to draw honest conclusions that serve the common good and to be alert to bias.
| Client brief | A statement of what a client wants a product to do. |
| Target audience | The specific group a product is aimed at. |
| House style | A consistent look agreed for a set of products. |
| Mood board | A collection of images that sets a visual direction. |
| Visualisation diagram | A planning sketch of a final graphic product. |
The Dignity of Work.Working to a client brief with integrity — respecting copyright and the work of others — reflects the dignity of honest, skilled work done in service of others.
| Cyber security | Protecting systems and data from attack. |
| Malware | Malicious software designed to cause harm. |
| Brute-force attack | Trying many passwords until one works. |
| DDoS | Overwhelming a service so it cannot respond. |
| Data Protection Act | UK law governing how personal data is used. |
| Social engineering | Tricking people into giving up information. |
Rights and Responsibilities.With the skills to access and protect systems comes the responsibility to use them lawfully and ethically, protecting other people’s data and rights.
| micro:bit | A small programmable physical computing device. |
| Input | A device that senses, e.g. a button or sensor. |
| Output | A device that acts, e.g. LEDs. |
| GPIO | General-purpose input/output pins for connecting components. |
| Embedded system | A computer built into a device to do a specific job. |
The Dignity of Work.Applying programming to build real, physical solutions reflects the value of using our skills and creativity to make things that help others.
Suggested starting points. Your teacher will give you any class logins.
At GCSE, students follow OCR Computer Science (J277). The course has two equally weighted written papers and no coursework, though students build substantial practical programming skills throughout. Paper 1 — Computer systems covers how computers, networks and systems work and their wider impact. Paper 2 — Computational thinking, algorithms and programming covers problem-solving, algorithms and writing robust programs.OCR Computer Science (J277). The course has two equally weighted written papers and no coursework, though students build substantial practical programming skills throughout. Paper 1 — Computer systems covers how computers, networks and systems work and their wider impact. Paper 2 — Computational thinking, algorithms and programming covers problem-solving, algorithms and writing robust programs. the department’s programming language and unit order.
Choose the topic you are studying to jump to its organiser and the progress ladder.
OCR GCSE Computer Science (J277) is assessed by two written exams at the end of Year 11, with practical programming skills developed throughout the course. Open the tile below for the full breakdown of each paper, the assessment objectives and how marks are gained.
Each row below is one of the three OCR assessment objectives. Tap your predicted-grade band to highlight the rung you are on in each objective, then read the next rung up to see exactly what to do to move up a grade.
AO1 · Knowledge & understanding (30%)
AO2 · Apply knowledge & understanding (40%)
AO3 · Analyse, design, program, evaluate & refine (30%)
One revision sheet per specification topic, following the OCR J277 topic structure.
Paper 1 — Computer systems
| CPU | The central processing unit — the 'brain' that runs instructions. |
| Register | A tiny, very fast store inside the CPU. |
| Clock speed | How many cycles a CPU performs per second. |
| Embedded system | A computer built into a device for a specific job. |
The Common Good.Understanding the technology that underpins modern life helps students shape and use it for the good of all.
| RAM | Fast, temporary memory used while the computer runs. |
| ROM | Read-only memory storing start-up instructions. |
| Binary | A base-2 number system of 0s and 1s. |
| Hexadecimal | A base-16 shorthand for binary. |
| Compression | Reducing file size, either lossy or lossless. |
Care for Creation.Compression and efficient storage reduce the energy and resources technology consumes — a small but real way of caring for creation.
| LAN | A local area network covering a small area. |
| WAN | A wide area network covering a large area. |
| Protocol | Rules for how devices communicate. |
| Packet | A small block of data sent across a network. |
| DNS | The system that turns web addresses into IP addresses. |
Solidarity.Networks bind people together across the world; understanding them helps students appreciate our interdependence as one human family.
| Malware | Malicious software designed to cause harm. |
| Social engineering | Tricking people into giving up information. |
| Firewall | A barrier that filters network traffic. |
| Encryption | Scrambling data so only authorised people can read it. |
| Penetration testing | Ethically testing systems for weaknesses. |
Rights and Responsibilities.Protecting networks and data is about respecting other people’s rights and privacy, and using technical skills responsibly and lawfully.
| Operating system | Software that manages the computer and its resources. |
| Utility software | Tools that help maintain the system. |
| User interface | How a user interacts with the system. |
| Defragmentation | Reorganising files to speed up access. |
The Common Good.Reliable, well-managed systems serve their users and the wider community.
| Data Protection Act | UK law on how personal data is used. |
| Computer Misuse Act | UK law against unauthorised access to computers. |
| Copyright | The legal right of a creator over their work. |
| Open source | Software whose code is freely available. |
Care for Creation & the Common Good.This topic looks directly at technology’s impact on people and the planet — its environmental cost, its effect on society, and our duty to use it justly for the common good.
Paper 2 — Computational thinking, algorithms & programming
| Algorithm | A precise set of steps to solve a problem. |
| Abstraction | Focusing on the important detail and hiding the rest. |
| Decomposition | Breaking a problem into smaller parts. |
| Pseudocode | A plain, structured way of writing an algorithm. |
| Binary search | A fast search that halves the data each step. |
The Common Good.Designing clear, efficient algorithms is about solving problems well so that technology genuinely serves people.
| Variable | A named store whose value can change. |
| Selection | Choosing what to run using a condition. |
| Iteration | Repeating instructions (a loop). |
| Data type | The kind of data, e.g. integer, string, boolean. |
| Array | A structure that stores many items under one name. |
The Dignity of Work.Learning to write clear, working code develops the craft and skill that give work its dignity and purpose.
| Defensive design | Writing code that copes with unexpected input. |
| Validation | Checking input is sensible before using it. |
| Maintainability | How easy code is to understand and change. |
| Test data | Values used to check a program (normal, boundary, erroneous). |
| Debugging | Finding and fixing errors. |
Rights and Responsibilities.Writing safe, reliable, well-tested software is a responsibility to the people who will depend on it.
| Logic gate | A component that outputs true/false from inputs. |
| AND | True only when all inputs are true. |
| OR | True when at least one input is true. |
| NOT | Reverses the input. |
| Truth table | A table of all input/output combinations. |
The Dignity of the Human Person.Reason and logic are gifts that reflect our dignity as thinking persons; here students use them to build systems that behave predictably and fairly.
| High-level language | A human-readable language like Python. |
| Low-level language | Language close to machine code. |
| Compiler | Translates whole code before running it. |
| Interpreter | Translates and runs code line by line. |
| IDE | A program that helps you write and debug code. |
The Dignity of Work.Choosing and using the right tools well is part of doing skilled work with care and integrity.
Suggested starting points. Your teacher will give you any class logins.
At A-Level, students follow OCR Computer Science (H446). It has two written papers and an independent programming project. Component 01 — Computer systems (40%) covers processors, software, data exchange, data structures and the legal and ethical dimension. Component 02 — Algorithms and programming (40%) develops computational thinking and problem-solving. The Programming project (20%) is a substantial independent investigation.OCR Computer Science (H446). It has two written papers and an independent programming project. Component 01 — Computer systems (40%) covers processors, software, data exchange, data structures and the legal and ethical dimension. Component 02 — Algorithms and programming (40%) develops computational thinking and problem-solving. The Programming project (20%) is a substantial independent investigation. the department’s programming language and option choices.
Choose what you are studying to jump to its organiser and the progress ladder.
OCR A-Level Computer Science (H446) is a linear course assessed by two written exams at the end of Year 13 and a substantial programming project (NEA) completed during the course. Open the tile below for the full breakdown of each component, the assessment objectives and how marks are gained.
Each row below is one of the three OCR assessment objectives. Tap your predicted-grade band to highlight the rung you are on in each objective, then read the next rung up to see exactly what to do to move up.
AO1 · Knowledge & understanding (35%)
AO2 · Apply & analyse (30%)
AO3 · Design, program & evaluate (35%)
One revision sheet per specification topic, plus the programming project, following the OCR H446 topic structure.
Component 01 — Computer systems
| Pipelining | Overlapping stages of instructions to work faster. |
| Von Neumann | An architecture with shared memory for data and instructions. |
| RISC | Reduced instruction set computing. |
| GPU | A processor specialised for parallel tasks. |
The Common Good.Understanding how computing systems work equips students to shape technology for the benefit of society.
| Paradigm | A style of programming, e.g. procedural or object-oriented. |
| Compiler | Translates whole programs before running. |
| Agile | An iterative approach to developing software. |
| Library | Reusable, pre-written code. |
The Dignity of Work.Professional, disciplined software development — done honestly and to a high standard — reflects the dignity of work done in service of others.
| Encryption | Scrambling data so only authorised users can read it. |
| Hashing | Turning data into a fixed-length value. |
| Normalisation | Organising a database to reduce redundancy. |
| SQL | A language for querying databases. |
Rights and Responsibilities.Encryption, databases and networks carry responsibilities to protect people’s privacy and their rights over their own data.
| Data structure | A way of organising data, e.g. a stack or queue. |
| Stack | A last-in, first-out structure. |
| Queue | A first-in, first-out structure. |
| Tree | A hierarchical data structure. |
| Boolean algebra | The algebra of true/false logic. |
The Common Good.Efficient data structures and algorithms let systems serve many people reliably and fairly.
| Legislation | Laws that govern the use of technology. |
| Ethics | Principles of right and wrong conduct. |
| Bias | Unfairness built into a system or data. |
| Privacy | A person's right to control their data. |
The Dignity of the Human Person & the Common Good.This topic is explicitly about the moral and social responsibilities of computing — ensuring powerful technology upholds human dignity and serves the common good.
Component 02 — Algorithms & programming
| Abstraction | Focusing on essential detail and hiding the rest. |
| Decomposition | Breaking a problem into smaller parts. |
| Concurrency | Doing several things at the same time. |
| Precondition | Something that must be true before a step runs. |
The Common Good.Thinking clearly and abstractly about problems is a means of finding solutions that genuinely help people.
| Procedure | A named, reusable block of code. |
| Object-oriented | A paradigm based on objects and classes. |
| Class | A template for creating objects. |
| Inheritance | When a class takes on features of another. |
The Dignity of Work.Designing and building software with skill and care reflects the dignity and purpose of good work.
| Big-O notation | A way of describing how an algorithm scales. |
| Binary search | A search that halves the data each step. |
| Merge sort | A divide-and-conquer sorting algorithm. |
| Dijkstra's algorithm | Finds the shortest path in a graph. |
The Common Good.Efficient, well-chosen algorithms help ensure technology treats people fairly and serves the many.
Programming project
Your programming project must meet JCQ and OCR requirements. Breaking these rules is malpractice and can cost you marks — or your result.
| NEA | Non-exam assessment — your independent programming project. |
| Success criteria | Measurable statements of what the solution must do. |
| Iterative development | Building and testing in repeated cycles. |
| Stakeholder | Someone with an interest in or need for the solution. |
| Evaluation | Judging how well the solution meets its criteria. |
The Common Good & Subsidiarity.The project asks students to identify a real person’s or group’s need and build a genuine solution for them — putting their skills at the service of others and the common good.
The project must be yourown work. You may research and use libraries, but you must reference sources and not copy others’ solutions. Your teacher can give general guidance and must authenticate that the work is yours; there are limits on the help that can be given. Keep your work saved and backed up.deadlines, the chosen language and the department’s NEA policy, in line with JCQ rules.
Suggested starting points. Your teacher will give you any class logins.
Our CurriculumArt & Design
After your report, use the knowledge & skills ladders to see where you are and your next step. Then use the knowledge organisers to revise and make that step.
See differently. Make boldly.
Shows your stage in each subject, from Building foundations to Deepening mastery.
Welcome to our Art department! We are driven by the idea that all students are artists. We want to inspire creativity, confidence and pride in students’ artistic practice, so we plan projects that are accessible, relevant and ambitious. Projects encourage students to generate their own ideas, look at historical and contemporary artists from a variety of cultures, and work across a range of techniques and materials in high-quality art sketchbooks.
Throughout their artistic journey, students learn to engage with art on a deeper level: thinking critically, learning to research, and learning how to analyse and interpret artworks. As they advance, they gain more independence over their projects, allowing their GCSE and A-Level coursework to reflect their unique views, opinions and beliefs. Our aim is that students become lifelong learners, with a passion for art, a breadth of mastery skills, and an engagement in the world around them.
Ms Lily Magenis, Head of Department
Art & Design at St Augustine’s is taught through a coherent three-year Key Stage 3 curriculum built around the formal elements and the key disciplines of drawing, painting, printmaking and three-dimensional work. In Year 7, students lay strong foundations — the formal elements and colour theory, the imaginative world of the Surrealists, and the power of print. Year 8 widens their view of what art is for — reading and making protest images, close observation and clay sculpture, and observational watercolour painting. Year 9 works with more independence — tonal portraiture, identity through ceramics, and colour-rich painting of natural forms, alongside formal analysis and careers in art.
Across the three years, students revisit the key strands — drawing & observation, colour and the formal elements, making & techniques, ideas & artists, and analysis & presentation — with every project building on the last to prepare the way for GCSE and A-Level. The knowledge & skills ladders below show what progress looks like from Building foundations to Deepening mastery, and the knowledge organisers give students what they need to revise and climb to the next rung.
Start here: choose what you are studying now to jump to the right resources.
Each year runs across three terms. Open a year to see the projects and what they cover.
Each skill is a ladder you climb. Tap the wording from your report below — every ladder will show the rung you are on now and the rung to aim for next. These are the same stages used on your school report.
Drawing & observation
Colour, painting & the formal elements
Making, media & techniques
Ideas, creativity & artists
Analysis, review & presentation
Drawing & observation
Colour, painting & the formal elements
Making, media & techniques
Ideas, creativity & artists
Analysis, review & presentation
Drawing & observation
Colour, painting & the formal elements
Making, media & techniques
Ideas, creativity & artists
Analysis, review & presentation
A library of revision sheets — one per project, colour-matched to the Year 7, 8 and 9 ladders above. Open the one for whatever you’re studying now to revise the key knowledge, skills and vocabulary.
| Formal elements | Line, tone, texture, shape, form, pattern and colour. |
| Hue | The colour family a colour belongs to. |
| Tint | A hue lightened by adding white. |
| Tone | How light or dark something is. |
The Dignity of the Human Person.Creativity is a gift that reflects our dignity as people made in the image of a creator; this unit celebrates each student’s ability to make and express.
Colour theory feeds every later Art project; see the Year 7 Colour Theory knowledge organiser.
| Surrealism | An art movement exploring dreams and the unconscious. |
| Collage | Making an image by sticking materials together. |
| Composition | How parts are arranged in an artwork. |
The Dignity of the Human Person.Surrealism explores imagination and the inner life; the unit values each person’s unique way of seeing and dreaming.
Links to RE (religious narrative in art, e.g. Matisse) and English (imagery and imagination).
| Mono print | A one-off print taken from a prepared surface. |
| Audience | Who a design is made for. |
| Registration | Lining up a print accurately. |
Solidarity.Designing a poster for a cause gives students the tools to speak up for others and stand in solidarity with those who are marginalised.
Links to PSHE & RSE (identity, respect and inclusion) and designing for an audience.
| Protest art | Art made to argue for a cause or against an injustice. |
| Typography | The style and arrangement of lettering so that it carries a message. |
| Mono print | A print that produces a single, one-off image. |
Solidarity.Speaking up for those who have no voice is at the heart of the Church’s call to justice. Protest art gives students a way to say something true about the world.
Links to English (persuasive language and audience), History (protest movements) and RE (justice and speaking out).
| Tone | How light or dark something is, used to show form and depth. |
| Ceramics | Objects made from clay and hardened by firing. |
| Coil | A rope of clay used to build up a hollow form. |
Care for Creation.Looking closely at the smallest parts of creation invites wonder at how carefully the world is made, and at our responsibility to care for it.
Links to Science (cells and microscopy) and the Formal Elements knowledge organiser.
| Wash | A thin, even layer of watercolour. |
| Wet-on-wet | Adding paint to a wet surface so colours blend. |
| Observation | Drawing/painting from the real thing. |
Care for Creation.Painting from observation trains students to look closely at, and treasure, the beauty of creation.
Links to Science (close observation) and the Colour Theory knowledge organiser.
| Proportion | The relative size of parts of the face. |
| Highlight | The lightest area where light hits. |
| Shadow | The darkest, unlit area. |
The Dignity of the Human Person.Portraiture asks students to represent the human face with care and respect, honouring the dignity of every person.
Links to Science (light and the eye) and the Formal Elements (tone) knowledge organiser.
| Identity | What makes a person or group who they are. |
| Slab | A flat sheet of rolled clay. |
| Score & slip | Roughening and gluing clay to join it. |
The Dignity of the Human Person.Exploring identity in clay affirms that every person is unique and valued.
Links to PSHE & RSE and RE (identity and the dignity of the person).
| Natural form | An object from nature, e.g. a flower or shell. |
| Complementary colours | Opposite colours that contrast strongly. |
| Composition | How a picture is arranged. |
Care for Creation.Close study of natural forms deepens appreciation and care for the created world.
Links to Science (natural forms) and the Colour Theory knowledge organiser.
Suggested starting points. Your teacher will give you any class logins.
GCSE Art & Design: Fine Art (OCR J171) builds a personal, creative portfolio. Students investigate artists and sources, experiment with a range of media — drawing, painting, printmaking, sculpture and mixed media — and develop their own ideas into resolved, personal outcomes. The course is assessed entirely through practical work, in two components.
Everything is marked against the four assessment objectives — Develop, Explore & refine, Record, and Present — each worth 25%. The grid below shows how to move up a grade in each objective, and the route-through sets out what each component involves.
Choose what you are working on to jump to the right resources.
GCSE Fine Art is 100% coursework and exam practical work, in two components. Tap the tile below to open the full breakdown.
Each row below is one of the four OCR assessment objectives. Tap your predicted-grade band to highlight the rung you are on, then read the next rung up to see exactly what to do to move up a grade.
AO1 · Develop ideas (25%)
AO2 · Explore & refine (25%)
AO3 · Record ideas & observations (25%)
AO4 · Present a personal response (25%)
Revision sheets for the GCSE course.
| Portfolio | A body of practical work showing your creative journey. |
| Annotation | Written notes explaining your thinking. |
| Refine | Improve work through experimentation. |
The Dignity of Work.Sustained, honest creative work developed with care reflects the dignity and purpose of good work.
| Externally set assignment | The exam component set by OCR. |
| Preparatory period | Time to develop ideas before the exam. |
| Final piece | The outcome made in supervised time. |
The Common Good.Art communicates ideas and beauty that enrich the whole community, not just the individual.
| Formal analysis | Explaining how an artwork uses the formal elements. |
| Context | The time, place and ideas behind a work. |
| Composition | How a work is arranged. |
The Dignity of the Human Person.Engaging thoughtfully with the art of others develops empathy and respect for different people and viewpoints.
Suggested starting points. Your teacher will give you any class logins.
A-Level Fine Art (OCR H601) is about deepening a personal interest and refining practical and creative skills through sketchbooks, study sheets and resolved final pieces. Students follow their own tutored programme of study, working with increasing independence to build a substantial, personal body of work.
Like GCSE, the course is assessed against the four assessment objectives (each 25%) across two components. The grid below shows how to move up in each objective, and the route-through explains the Personal Investigation and the Externally Set Assignment.
Choose what you are working on to jump to the right resources.
A-Level Fine Art is assessed through two practical components. Tap the tile below to open the full breakdown.
Each row below is one of the four OCR assessment objectives. Tap your predicted-grade band to highlight the rung you are on, then read the next rung up to see what to do to move up.
AO1 · Develop ideas (25%)
AO2 · Explore & refine (25%)
AO3 · Record ideas & observations (25%)
AO4 · Present a personal response (25%)
Revision sheets for the A-Level course.
Your Personal Investigation must meet JCQ and OCR requirements. Breaking these rules is malpractice and can cost you marks — or your result.
| Personal Investigation | The self-directed A-Level portfolio. |
| Related study | The written element of Component 1. |
| Sustained | Developed with depth over time. |
The Dignity of Work.A sustained, independent body of work made with integrity reflects the dignity and purpose of good work.
| Contextual study | Writing that sets art in its time and ideas. |
| Citation | Crediting the sources you use. |
| Analysis | Explaining how and why a work works. |
Truth & the Dignity of the Human Person.Honest research and proper crediting of others’ work respects the truth and the people behind the ideas.
| Externally set assignment | The exam component set by OCR. |
| Preparatory period | Time to develop ideas before the exam. |
| Resolution | Bringing a piece to a finished state. |
The Common Good.Art made and shared enriches the culture and life of the whole community.
Suggested starting points. Your teacher will give you any class logins.
Our CurriculumHistory
After your report, use the knowledge & skills ladders to see where you are and your next step. Then use the knowledge organisers to revise and make that step.
The past, and how it shapes now.
Shows your stage in each subject, from Building foundations to Deepening mastery.
What we love about teaching History is how fundamentally important it is to understanding the world we live in today. At St Augustine’s we aim to give students a broad, diverse and engaging curriculum that represents a range of time periods, locations and people, and we bring them into contact with real historians to help them understand the discipline.
From Peter Frankopan’s work on the Silk Roads to Ian Mortimer’s Time Traveller’s Guides and Emma Griffin’s Liberty’s Dawn, students explore historical skills such as change and continuity, cause and consequence, and significance. We are embedding David Olusoga’s seminal Black and British to explore the complex history of Britain and beyond. By studying the GCSE thematic study — Health and the People for students starting the course now, and Power and the People for those completing it — and British political history from 1930 to 1997 at A-Level, students build a picture of how past events have shaped the British values we see today.
History at St Augustine’s offers insight into the local history of Trowbridge and beyond, as well as trips to Berlin for GCSE. We hope students relish the chance to take incredible journeys through the past — and to be inspired to make history in the future.
Ms Suzie Webb, Head of Department
History at St Augustine’s is taught through a coherent, chronological three-year Key Stage 3 curriculum organised around “golden threads” — Monarchy, Power & government, Empire, Democracy, Religion & the Church, Rebellion,andWar & conflict. In Year 7, students trace the roots of British society from before 1066, through the Norman Conquest and medieval life, to great world civilisations in the Mali Empire and along the Silk Roads. Year 8 moves from the Reformation and the turbulent 17th century to the growth of the British Empire, transatlantic slavery and the Industrial Revolution. Year 9 examines the 20th-century world — the two World Wars, the Holocaust, and the fight for rights.
Across the three years, students build the core disciplinary skills of the historian — chronology, cause & consequence, change & continuity, significance, interpretations, and working with sources. The knowledge & skills ladders below show what progress looks like from Building foundations to Deepening mastery, and the knowledge organisers give students what they need to revise and climb to the next rung.
Start here: choose what you are studying now to jump to the right resources.
A chronological journey across three years. Open a year to see the topics and what they cover.
Each history skill is a ladder you climb. Tap the wording from your report below — every ladder will show the rung you are on now and the rung to aim for next. These are the same stages used on your school report.
Chronology
Cause & consequence
Change & continuity
Significance
Interpretations
Sources
Chronology
Cause & consequence
Change & continuity
Significance
Interpretations
Sources
Chronology
Cause & consequence
Change & continuity
Significance
Interpretations
Sources
A library of revision sheets — one per topic, colour-matched to the Year 7, 8 and 9 ladders above. Open the one for whatever you’re studying now to revise the key knowledge, skills and vocabulary.
| Neolithic | The New Stone Age farming period. |
| BC / AD | Dating before and after the birth of Christ. |
| Chronology | The order in which events happened. |
| Empire | Lands ruled by one power. |
Care for Creation.Early peoples shaped and depended on the land, prompting reflection on humanity’s relationship with creation.
Links with the primary National Curriculum; leads to the Norman Conquest.
| Succession | Who inherits the throne. |
| Feudal system | The medieval pyramid of land and loyalty. |
| Domesday Book | William’s 1086 survey of England. |
| Conquest | Taking control by force. |
The Common Good.The unit asks how rulers should use power — for the good of all, or for control.
Builds on Britain before 1066; leads to medieval rulers and the GCSE thematic study.
| Plague | A deadly disease (the Black Death). |
| Magna Carta | 1215 charter limiting the king’s power. |
| Parliament | A body to advise and check the monarch. |
| Continuity | Things that stay the same. |
Solidarity.Communities’ responses to the Black Death raise questions of how we support one another in crisis.
Builds on Norman England; leads to the Reformation and GCSE Britain: Health and the People.
| Monarch | A king or queen. |
| Crusade | A medieval religious war. |
| Significance | How important something was, and why. |
| Judgement | A supported conclusion. |
The Common Good.Students judge whether rulers governed justly, for the good of their people.
Builds on Norman England; leads to the Tudors and GCSE Elizabethan England.
| Empire | Lands ruled by one power. |
| Pilgrimage | A religious journey (e.g. Mansa Musa’s hajj). |
| Trade | The exchange of goods. |
| Civilisation | A complex, organised society. |
The Dignity of the Human Person.Studying African civilisations affirms the dignity and achievements of all peoples.
Builds on medieval rulers; leads to the Silk Roads and the study of empire.
| Silk Road | Trade routes linking East and West. |
| Merchant | A person who trades goods. |
| Exchange | Giving and receiving goods or ideas. |
| Interpretation | A historian’s view of the past. |
Solidarity.The Silk Roads show humanity connected as one family through exchange and encounter.
Builds on the Mali Empire; leads to the British Empire.
| Reformation | The 16th-century split in Western Christianity. |
| Protestant | A Christian who broke with the Pope. |
| Catholic | A Christian in communion with the Pope. |
| Supremacy | Being supreme head of the Church. |
Freedom of Conscience.The Reformation raises questions about religious freedom and respecting differing beliefs.
Builds on medieval religion; leads to GCSE Elizabethan England and A-Level Witchcraze.
| Civil war | A war between people of the same country. |
| Regicide | The killing of a king. |
| Persecution | Cruel treatment of a group. |
| Parliament | The body that challenged the king. |
The Dignity of the Human Person.The persecution of accused ‘witches’ shows the danger of scapegoating and denying human dignity.
Builds on Tudor England; leads to A-Level Popular Culture and the Witchcraze.
| Empire | Lands ruled by one country. |
| Colony | A territory controlled by another country. |
| Imperialism | Extending a country’s power over others. |
| Interpretation | A historian’s view of the past. |
Solidarity & the Option for the Poor.The unit weighs the impact of empire on colonised peoples and the call to stand with the vulnerable.
Builds on the Silk Roads and Tudor exploration; leads to transatlantic slavery.
| Transatlantic | Across the Atlantic Ocean. |
| Triangular trade | The three-leg trade route. |
| Enslaved person | A person held in slavery. |
| Middle Passage | The brutal Atlantic crossing. |
The Dignity of the Human Person.Slavery is a grave denial of the God-given dignity of every person — the moral heart of this unit.
Builds on the British Empire; leads to resistance and abolition.
| Abolition | The ending of slavery. |
| Rebellion | Organised resistance. |
| Plantation | A large estate worked by enslaved people. |
| Legacy | The long-term effects of something. |
Solidarity & the Option for the Poor.The abolition movement models standing in solidarity with the oppressed.
Builds on the origins of slavery; leads to the fight for rights in Year 9.
| Industrialisation | The shift to factory production. |
| Urbanisation | The growth of towns and cities. |
| Reform | Change to improve conditions. |
| Trade union | A workers’ organisation. |
The Dignity of Work.The unit examines working conditions and the fight for the just treatment of workers.
Builds on the British Empire; leads to the GCSE thematic study.
| Militarism | Building up armed forces. |
| Alliance | An agreement between countries. |
| Nationalism | Strong pride in one’s nation. |
| Assassination | The murder of a public figure. |
The Promotion of Peace.Studying how war broke out prompts reflection on peace and the cost of conflict.
Builds on the Industrial Revolution and empire; leads to the experience of the war.
| Trench | A defensive ditch on the Western Front. |
| Armistice | An agreement to stop fighting. |
| Treaty of Versailles | The 1919 peace settlement. |
| Home front | Civilian life during the war. |
The Dignity of the Human Person.Remembrance honours the dignity and sacrifice of those who suffered and died.
Builds on the causes of the First World War and leads towards the Second World War. There is no separate study of the interwar period.
| Evacuation | Moving people to safety (e.g. Dunkirk). |
| Blitz | German bombing of British cities. |
| RAF | The Royal Air Force. |
| Source | Evidence from the time. |
The Promotion of Peace & Solidarity.The unit reflects on standing together against tyranny.
Builds on WW1 and the interwar years; leads to the global war and the Holocaust.
| Front | A line of fighting. |
| Total war | War involving whole societies. |
| Alliance | Countries fighting together. |
| Consequence | A result of an event. |
The Promotion of Peace.The moral questions of total war and the atomic bomb invite reflection on peace and conscience.
Builds on the opening of WW2; leads to the Holocaust and GCSE Cold War.
| Holocaust | The Nazi genocide of six million Jews. |
| Antisemitism | Hostility towards Jewish people. |
| Genocide | The deliberate destruction of a people. |
| Persecution | Cruel, targeted treatment. |
The Dignity of the Human Person.The Holocaust is the gravest violation of human dignity; the unit builds the duty to remember and to resist hatred.
Builds on WW2; leads to GCSE Germany 1890–1945.
| Civil rights | The rights of citizens to equality. |
| Segregation | Enforced separation of groups. |
| Boycott | Refusing a service in protest. |
| Protest | Public action for change. |
Solidarity & the Dignity of the Human Person.The rights movements embody the pursuit of justice and the equal dignity of all people.
Builds on the study of slavery and empire; leads to the GCSE thematic study.
Suggested starting points. Your teacher will give you any class logins.
GCSE History (AQA 8145) builds students into confident young historians who can argue from evidence. At St Augustine’s, students study four rich topics across two exam papers, covering modern world history, a long thematic sweep of British history, and a period in depth.
Everything is assessed against the four assessment objectives — knowledge & understanding, explanation & analysis, sources, and interpretations. The grid below shows how to move up a grade in each, and the route-through sets out the two papers.
Choose your current topic to jump to its organiser and the assessment-objective grid.
GCSE History is assessed through two written papers, each worth 50%. Tap the tile below to open the full breakdown.
Each row below is one of the four AQA assessment objectives. Tap your predicted-grade band to highlight the rung you are on, then read the next rung up to see exactly what to do to move up a grade.
AO1 · Knowledge & understanding (35%)
AO2 · Explain & analyse (second-order concepts) (35%)
AO3 · Analyse & evaluate sources (15%)
AO4 · Analyse & evaluate interpretations (15%)
These organisers are built from the AQA 8145 specification and the department’s chosen options.
| Weimar Republic | Germany’s democracy 1919–33. |
| Dictatorship | Rule by one leader or party. |
| Propaganda | Information used to promote a view. |
| Persecution | Cruel, targeted treatment of a group. |
The Dignity of the Human Person.The collapse into dictatorship underlines the value of democracy and human dignity.
Builds on KS3 WW1 and the Holocaust; leads to A-Level modern history.
| Cold War | Tension between the USA and USSR without direct war. |
| Superpower | A dominant world state. |
| Ideology | A set of political beliefs. |
| Détente | An easing of tension. |
The Promotion of Peace.The Cold War invites reflection on how nations avoid and resolve conflict.
Builds on KS3 WW2; leads to A-Level modern history.
| Democracy | Government by the people. |
| Reform | Change to improve something. |
| Suffrage | The right to vote. |
| Protest | Public action for change. |
The Common Good & Solidarity.The theme traces the pursuit of rights, justice and the common good.
Builds on KS3 medieval and modern rights units; leads to A-Level.
| Thematic study | A study of one theme across a long period rather than a single era. |
| Four humours | The ancient belief that health depended on a balance of four bodily fluids. |
| Germ theory | The understanding that micro-organisms cause disease. |
| Vaccination | Protecting a person against disease by introducing a weakened form of it. |
| Public health | Action by government and councils to improve the health of the whole population. |
| NHS | The National Health Service, founded in 1948, providing care free at the point of use. |
Care for the sick is a corporal work of mercy. The story of medicine is also a story of who was cared for, and who was overlooked.
Links to Science (germ theory, vaccination and the human body), PSHE (public health and healthy living) and RE (the dignity of the sick and care for others).
| Court | The monarch’s advisers and household. |
| Armada | The Spanish fleet defeated in 1588. |
| Historic environment | A specified site studied in depth. |
| Society | How people lived and were organised. |
The Common Good.Students weigh how Elizabeth sought stability and the good of the realm.
Builds on KS3 Tudors; leads to A-Level early modern history.
Suggested starting points. Your teacher will give you any class logins.
A-Level History (OCR History A, H505) develops students into independent historians who can build and defend an argument from evidence and from the work of other historians. At St Augustine’s, students study British and non-British history in depth, a broad thematic study with historical interpretations, and complete an independently researched essay.
Assessment is against three assessment objectives — knowledge, analysis & judgement (AO1), sources (AO2), and interpretations (AO3). The grid below shows how to move up in each, and the route-through explains the four units.
Choose your current unit to jump to its organiser and the assessment-objective grid.
A-Level History is assessed through three exams and one non-exam assessment. Tap the tile below to open the full breakdown.
Each row below is one of the three OCR assessment objectives. Tap your predicted-grade band to highlight the rung you are on, then read the next rung up to see what to do to move up.
AO1 · Knowledge, analysis & judgement (60%)
AO2 · Analyse & evaluate sources (20%)
AO3 · Analyse & evaluate interpretations (20%)
These organisers are built from the OCR H505 specification and the department’s confirmed units.
| Consensus | Broad political agreement. |
| Enquiry | A source-based investigation. |
| Provenance | The origin of a source. |
| Judgement | A supported conclusion. |
The Common Good.Students weigh how governments pursued the common good across the century.
Builds on KS3 20th-century units and GCSE.
| Manifest Destiny | The belief the USA was destined to expand. |
| Secession | Withdrawing from the Union. |
| Reconstruction | Rebuilding the South after the war. |
| Frontier | The edge of settlement. |
The Dignity of the Human Person.The unit confronts slavery and the treatment of Native Americans as questions of human dignity.
Builds on KS3 empire and slavery.
| Witch-craze | The wave of witch trials in early modern Europe. |
| Popular culture | The beliefs and customs of ordinary people. |
| Interpretation | A historian’s view of the past. |
| Historiography | The study of how history is written. |
The Dignity of the Human Person.The persecution of accused witches highlights the danger of fear, scapegoating and injustice.
Builds on KS3 Tudors and the 17th century.
Your topic-based essay must meet JCQ and OCR requirements. Breaking these rules is malpractice and can cost you marks — or your result.
| NEA | Non-exam assessment (coursework). |
| Bibliography | A list of sources used. |
| Interpretation | A historian’s view of the past. |
| Citation | Crediting the sources you use. |
Truth & the Dignity of the Human Person.Honest research and the fair crediting of others’ work respect the truth and the people behind the ideas.
The independent skills here prepare students for university study.
Suggested starting points. Your teacher will give you any class logins. Students should work from their coursebooks.
Our CurriculumMathematics
After your report, use the knowledge & skills ladders to see where you are and your next step. Then use the knowledge organisers to revise and make that step.
Patterns, logic, and the language of everything.
Shows your stage in each subject, from Building foundations to Deepening mastery.
Our Mathematics department is dedicated to helping students develop essential mathematical skills and knowledge, empowering them to solve problems with confidence, enjoyment and success.
Our lessons follow the TEEP teaching cycle — identifying learning outcomes, retrieval practice, constructing meaning, and applying techniques to a variety of contexts. Assessments at each key stage inform our planning, and review lessons give students the chance to reflect on their progress and consolidate their understanding.
Mathematics plays a vital role in society and is crucial for developing intellectual capacities. A strong foundation in Mathematics enhances rational thinking and problem-solving, enabling students to tackle real-life challenges and communicate ideas effectively.
Mr Simon Hunt, Head of Department
Mathematics at St Augustine’s is taught in sets from Year 7, following a spiral curriculum that revisits and deepens the core strands each year — Number, Algebra, Ratio & proportion, Geometry & measures,andStatistics & probability. Teachers plan the order of topics to suit each class, so the journey below shows the topics studied across each year rather than a fixed term-by-term route.
Higher sets extend further within each topic — for example into standard form, quadratics, trigonometry and compound percentages — while every student builds fluency in the fundamentals. The knowledge & skills ladders show what progress looks like from Building foundations to Deepening mastery, and the knowledge organisers (added topic by topic) give students what they need to revise and climb to the next rung.
Start here: choose what you are studying now to jump to the right resources. More topics will appear as they are added.
The topics studied in each year. Teachers choose the order to suit each class, and higher sets extend further within each topic, so this is a guide to content rather than a fixed term-by-term route.
Coordinates in all four quadrants; using a scientific calculator.
Place value, the four operations, negatives, BIDMAS, squares, cubes and roots.
Collecting like terms, expanding brackets, substitution and solving linear equations.
Units, and the perimeter and area of rectangles, triangles and compound shapes.
Factors, multiples, HCF, LCM, prime numbers and rounding.
Equivalence, the four operations with fractions, FDP conversions and percentages of amounts.
Straight-line graphs of the form y = mx + c.
Reading clocks and timetables, and calculating durations.
Measuring and drawing angles, angle facts, and constructing triangles.
Mean, median, mode and range; representing and comparing data.
Simplifying and finding equivalent ratios, sharing, and proportion problems.
Symmetry, reflection, rotation and classifying 2D and 3D shapes.
Open-ended tasks: timetables, Fibonacci, Rangoli patterns and the history of number.
Securing the four operations, negatives, BIDMAS, powers, roots and index notation.
Expanding, substituting, solving equations, sequences and nth terms.
Area of parallelograms, trapezia and circles; converting metric units.
Prime factorisation for HCF and LCM, rounding, estimation and bounds.
All four operations with fractions, percentage change, multipliers and reverse percentages.
The probability scale, equally likely outcomes, two-way tables and mutually exclusive events.
Parallel-line angles, polygon angles, proofs and constructions.
The statistical enquiry cycle, pie charts, scatter graphs and correlation.
Sharing in a ratio, combined ratios and worded proportion problems.
Translations, enlargements, similarity and combined transformations.
Isometric drawing, plans and elevations, nets, and the history of number.
Index laws, exact versus rounded answers, and standard form.
Quadratics, changing the subject, simultaneous equations and inequalities.
Volume and surface area of prisms and cylinders; the dimensions of formulae.
Prime factorisation, significant figures, estimation and bounds.
Compound interest, repeated proportional change, reverse percentages and recurring decimals.
Gradients and intercepts, parallel and perpendicular lines, and real-life graphs.
Polygon angles, Pythagoras’ theorem, congruence, similarity and trigonometry.
Comparing distributions, quartiles, the interquartile range and box plots.
Tree diagrams, Venn diagrams and the probability of successive events.
Combined ratios, algebraic proportion and inverse proportion.
Finance and interest, world population statistics, and the wartime work of mathematicians such as Alan Turing.
Each maths strand is a ladder you climb. Tap the wording from your report below — every ladder will show the rung you are on now and the rung to aim for next. These are the same stages used on your school report.
Number
Algebra
Data handling & probability
Shape & space
Number
Algebra
Data handling & probability
Shape & space
Number
Algebra
Data handling & probability
Shape & space
A revision sheet for each topic, colour-matched to the Year 7 ladder above. Open the one for whatever you’re studying now to revise the key knowledge, methods and vocabulary. Each sheet is tagged with its year group (Year 7, Year 8 or Year 9). Organisers are grouped by year — open Year 7,Year 8orYear 9 to see that year’s topics.
| Integer | A whole number — positive, negative or zero (e.g. −3, 0, 92). |
| Place value | The value of a digit from its position (the 2 in 726 is worth 20). |
| BIDMAS | The order of operations: Brackets, Indices, Division/Multiplication, Addition/Subtraction. |
| Square number | A number multiplied by itself (92= 81). |
| Square root | The reverse of squaring (√36 = 6). |
| Cube number | A number multiplied by itself twice (23= 8). |
| Product | The result of multiplying numbers together. |
| Remainder | The amount left over after dividing one integer by another. |
| Standard form | A × 10nwhere 1 ≤ A < 10 (8400 = 8.4 × 103) — higher sets. |
Care for Creation.The order and pattern within number invites awe at the logical beauty of God’s creation.
Builds on primary number; used across Number 2, fractions, percentages, ratio and all of algebra.
| Term | A single number or variable, or numbers and variables multiplied (4x, 7). |
| Variable | A letter representing an unknown number. |
| Expression | A statement of symbols, numbers or letters (3x + 2). |
| Equation | A statement that two expressions are equal (2y − 17 = 15). |
| Identity | True for all values, using the symbol ≡ (2x ≡ x + x). |
| Formula | A rule linking variables (area of a rectangle, A = L × W). |
| Expand | Multiply each term in a bracket by the term outside (3(m + 7) = 3m + 21). |
| Factorise | The reverse of expanding — take out a common factor (6x − 15 = 3(2x − 5)). |
| Substitute | Replace letters with numbers. |
| Solve | Use inverse operations on both sides to find the unknown. |
Truth & the Dignity of the Human Person.Algebra trains the logical reasoning that helps us test whether an argument is valid and seek the truth.
Builds on number; used in graphs, angles, measures and transformations; leads to GCSE algebra.
| Perimeter | The total distance around the outside of a shape. |
| Area | The amount of space inside a shape (units mm2, cm2, m2). |
| Area of a rectangle | Length × width. |
| Area of a triangle | ½ × base × height. |
| Area of a parallelogram | Base × perpendicular height (not the slant height). |
| Area of a trapezium | ½(a + b) × h. |
| Compound shape | A shape made from other known shapes put together. |
| Metric system | Units based on the metre, kilogram and second (mm, cm, m, km; g, kg; ml, l). |
| Circle | Radius, diameter and circumference are its key parts. |
| Area / circumference of a circle | A = πr2and C = πd, where π ≈ 3.14. |
The Dignity of Work.Accurate measurement underpins honest trade, building and craftsmanship — work done well in the service of others.
Builds on number; used in algebra, angles and ratio; leads to GCSE geometry and measures.
| Multiple | The result of multiplying by an integer (multiples of 7: 7, 14, 21…). |
| Factor | A number that divides exactly into another (factors of 18: 1, 2, 3, 6, 9, 18). |
| LCM | The lowest common multiple of two or more numbers. |
| HCF | The highest common factor of two or more numbers. |
| Prime number | A number with exactly two factors (2, 3, 5, 7, 11…). |
| Product of prime factors | The primes that multiply to make a number (prime factorisation). |
| Rounding | Making a number simpler while keeping it close in value. |
| Decimal place | The position of a digit to the right of the decimal point. |
| Significant figure | The digits that carry meaning to the size of a number. |
| Estimate | A value close to the correct answer (round each value to 1 significant figure). |
The Common Good.Sound estimation and rounding help us make honest, sensible judgements with money and resources for the good of all.
Builds on Number 1; used in fractions, percentages, measures and probability.
| Fraction | One integer divided by another, written as a numerator over a denominator. |
| Numerator / denominator | The top / bottom number of a fraction. |
| Equivalent fractions | Fractions of the same value (2/5 = 4/10 = 20/50). |
| Simplifying | Divide the numerator and denominator by their highest common factor. |
| Mixed number | An integer part and a fraction part (e.g. 3 and 2/5). |
| Fraction of an amount | Divide by the bottom, times by the top. |
| Percentage | A number of parts per 100 (31% means 31/100). |
| Percentage change | Difference ÷ original × 100%. |
| Dividing fractions | ‘Keep it, flip it, change it’ — multiply by the reciprocal. |
| Reciprocal | A fraction turned upside down. |
Option for the Poor & Vulnerable.Understanding percentages, interest and loans helps people make just financial decisions and guards against unfair lending.
Builds on Number 1 and Number 2; used in algebra, probability and ratio; leads to GCSE proportion.
| Coordinate | A pair (x, y) giving a point’s position across then up/down. |
| Origin | The point (0, 0) where the axes cross. |
| x-coordinate | The first number in a pair — movement across. |
| y-coordinate | The second number in a pair — movement up or down. |
| Linear graph | A straight-line graph. |
| Table of values | A table used to work out coordinates to plot. |
| Gradient | How steep a line is; positive slopes up, negative slopes down. |
| Intercept | Where a graph crosses an axis. |
The Common Good.Clear, honest graphs let a community see information plainly and make fair, well-informed decisions together.
Builds on primary coordinates; used across algebra, angles, transformations and data handling.
| Acute | An angle less than 90°. |
| Obtuse | An angle between 90° and 180°. |
| Reflex | An angle between 180° and 360°. |
| Vertex | A corner where two lines meet. |
| Parallel | Lines that never meet. |
| Perpendicular | Lines that meet at a right angle. |
| Vertically opposite | Equal angles formed when two lines cross. |
| Alternate angles | Equal angles in a Z-shape between parallel lines. |
| Corresponding angles | Equal angles in an F-shape between parallel lines. |
Care for Creation.The order, symmetry and structure found in angles and shapes invite wonder at the pattern woven through creation.
Builds on primary shape work; used across transformations, algebra and later geometry.
| Qualitative | Non-numerical data (e.g. eye colour). |
| Quantitative | Numerical data (e.g. height). |
| Discrete | Data taking only specific values (e.g. shoe size). |
| Continuous | Data taking any value in a range (e.g. weight). |
| Mean | Total of the values divided by how many there are. |
| Median | The middle value when data is in order. |
| Mode | The most common value. |
| Range | Largest value subtract smallest — a measure of spread. |
| Frequency | How often each value occurs. |
Option for the Poor and Vulnerable.Handled honestly, statistics reveal inequalities and unmet needs — helping us notice and respond to those who are overlooked.
Builds on primary charts; used across graphs, probability, ratio and the sciences.
| Ratio | A comparison of one part to another, written with ‘:’. |
| Proportion | A comparison of one part to the whole, often a fraction. |
| Simplify | Divide all parts of a ratio by a common factor. |
| Unitary method | Finding the value of one unit, then scaling. |
| Bar model | A diagram that represents the parts of a ratio. |
| Multiplicative reasoning | Comparing by scaling rather than adding. |
Solidarity.Sharing a quantity fairly in a ratio mirrors the call to distribute the world’s resources justly, so that everyone receives their due.
Builds on fractions; used across FDP, measures, probability and similar shapes.
| Translation | A slide of a shape with no change in size or turn. |
| Column vector | Top number moves across, bottom number up/down. |
| Rotation | A turn about a fixed point. |
| Reflection | A flip in a mirror line. |
| Enlargement | Resizing a shape by a scale factor. |
| Scale factor | How many times larger (or smaller) a shape becomes. |
| Centre of enlargement | The fixed point an enlargement is measured from. |
| Invariant | A point that does not move under a transformation. |
Dignity of the Human Person.Symmetry and tessellation appear in the art of many cultures and faiths, reminding us to value the creativity and dignity of all peoples.
Builds on coordinates and angles; used across graphs, ratio, art and design.
| Index (power) | How many times a number is multiplied by itself. |
| Base | The number being raised to a power. |
| Index law | A rule for combining powers of the same base. |
| Standard form | A × 10nfor very large or small numbers. |
| Reciprocal | 1 divided by a number. |
| Square root | The reverse of squaring (√36 = 6). |
| Cube number | A number multiplied by itself twice (2³ = 8). |
Care for Creation.Standard form lets us describe both the vast scale of the cosmos and the tiniest particles — inviting wonder at the order of creation.
Builds on Year 7 number; underpins Number 2, standard form and science.
| Term | A single number or variable, or these multiplied. |
| Expression | A statement of symbols and numbers (e.g. 3x + 2). |
| Equation | A statement that two expressions are equal. |
| Expand | Multiply out brackets. |
| Factorise | Write as a product by taking out a common factor. |
| Substitute | Replace letters with numbers. |
| nth term | A rule for the term in position n of a sequence. |
The Common Good.Algebra is a shared, universal language that lets people from every background work together to solve problems for the good of all.
Builds on Year 7 algebra; leads to equations, sequences and graphs.
| Perimeter | The total distance around a shape. |
| Area | The amount of space inside a shape. |
| Circumference | The distance around a circle (πd). |
| Radius | Centre of a circle to its edge. |
| Diameter | The full width through the centre. |
| Sector | A region enclosed by two radii and an arc. |
| π (pi) | Circumference ÷ diameter, about 3.14. |
Care for Creation.Measuring carefully means using only what is needed, avoiding waste and acting as good stewards of materials and resources.
Builds on Year 7 measures; leads to volume, surface area and ratio.
| Multiple | The result of multiplying by an integer. |
| Factor | A number that divides exactly into another. |
| HCF | Highest common factor of two numbers. |
| LCM | Lowest common multiple of two numbers. |
| Prime | A number with exactly two factors. |
| Significant figure | A digit that carries meaning to a number’s size. |
| Estimate | A value close to the correct answer. |
The Common Good.Rounding and estimating honestly matters when numbers inform shared decisions — misleading figures can harm the trust a community depends on.
Builds on Year 7 Number 2; leads to bounds, surds and FDP.
| Numerator | The top number of a fraction. |
| Denominator | The bottom number of a fraction. |
| Equivalent | Fractions representing the same value. |
| Percentage | A number of parts per 100. |
| Multiplier | The number you multiply by to change by a percentage. |
| Percentage change | Difference ÷ original × 100%. |
| Reciprocal | 1 divided by a number (used to divide fractions). |
The Common Good.Understanding percentages, discounts and interest helps people make fair financial choices and avoid being exploited.
Builds on Year 7 FDP; leads to interest, ratio and probability.
| Probability | The chance of something happening (0 to 1). |
| Theoretical | Probability worked out from equally likely outcomes. |
| Relative frequency | Successes ÷ total trials. |
| Exhaustive | Outcomes covering every possibility. |
| Mutually exclusive | Events that cannot happen together. |
| Sample space | The set of all possible outcomes. |
| Expected outcome | Probability × number of trials. |
The Common Good.Weighing risk fairly and honestly helps communities plan wisely — from health to safety — for the good of everyone.
Builds on Year 7 data; leads to tree diagrams and conditional probability.
| Alternate angles | Equal angles in a Z-shape (parallel lines). |
| Corresponding angles | Equal angles in an F-shape (parallel lines). |
| Co-interior angles | Angles in a C-shape that add to 180°. |
| Polygon | A 2D shape with straight edges. |
| Interior angle | An angle inside a polygon. |
| Exterior angle | The angle formed by extending a side. |
| Locus | A path of points that follow a rule. |
Care for Creation.The repeating pattern and symmetry of polygons echoes the ordered beauty found throughout the natural world.
Builds on Year 7 angles; leads to Pythagoras, trigonometry and constructions.
| Outlier | A value far from the others in a data set. |
| Correlation | A connection between two variables. |
| Positive correlation | As one value rises, the other rises. |
| Negative correlation | As one value rises, the other falls. |
| Line of best fit | A line summarising a scatter graph. |
| Scatter graph | A graph comparing two variables. |
| Time series | Data recorded at regular time intervals. |
Option for the Poor and Vulnerable.Charts and correlation can expose inequalities — in health, income or opportunity — prompting us to act for those most in need.
Builds on Year 7 data; leads to box plots, quartiles and the sciences.
| Ratio | A comparison of one part to another. |
| Proportion | A comparison of a part to the whole. |
| Unitary method | Find one unit, then scale. |
| Direct proportion | As one rises, the other rises in step (y = kx). |
| Inverse proportion | As one rises, the other falls (y = k/x). |
| Best buy | The option with the lowest unit cost. |
| Scale | A ratio linking a diagram to real life. |
Solidarity.Finding fair value and sharing quantities justly reflects the call to use resources wisely and share them with others.
Builds on Year 7 ratio; leads to proportion with powers and similar shapes.
| Translation | A slide described by a column vector. |
| Column vector | Across (top) and up/down (bottom) movement. |
| Rotation | A turn about a centre point. |
| Reflection | A flip in a mirror line. |
| Enlargement | Resizing by a scale factor. |
| Centre of enlargement | The fixed point of an enlargement. |
| Invariant | A point that does not move under a transformation. |
Dignity of the Human Person.Symmetry and tessellation feature in the art of many cultures and faiths, reminding us to value the creativity and dignity of all peoples.
Builds on Year 7 transformations; leads to vectors and similar shapes.
| Integer | A whole number, positive, negative or zero. |
| Index (power) | The small raised number showing how many times to multiply the base. |
| Base | The number being raised to a power. |
| Reciprocal | 1 divided by a number; the result of a negative power. |
| Standard form | A number written as A × 10n, where 1 ≤ A < 10. |
| Surd | A root that cannot be written exactly as a decimal. |
Care for Creation.Standard form lets us describe the scale of creation, from atoms to galaxies, deepening our wonder at and responsibility for the world.
Builds on Year 8 Number 1; leads to surds, FDP and ratio.
| Term | A single number or variable, or numbers and variables multiplied together. |
| Expression | A statement written using numbers, letters and symbols. |
| Identity | An equation true for all values, using the symbol ≡. |
| Coefficient | The number in front of a variable. |
| Quadratic | An expression of the form ax² + bx + c, with a ≠ 0. |
| Simultaneous equations | Equations solved together to satisfy all of them. |
The Common Good.Algebra expresses fair relationships between quantities, helping design systems and rules that work justly for everyone.
Builds on Year 8 Algebra; leads to graphs, measures and angles.
| Perimeter | The total distance around the outside of a shape. |
| Area | The amount of space inside a 2D shape. |
| Circumference | The distance around the outside of a circle. |
| Radius | The distance from the centre of a circle to its edge. |
| Sector | The region of a circle enclosed by two radii and an arc. |
| Cross-section | The shape that continues all the way through a prism. |
Care for Creation.Accurate measurement helps us use materials and space efficiently and avoid waste, caring for the resources of creation.
Builds on Year 8 Measures; leads to angles, ratio and trigonometry.
| Factor | A number that divides exactly into another number. |
| Multiple | The result of multiplying a number by an integer. |
| LCM | The lowest common multiple of two or more numbers. |
| HCF | The highest common factor of two or more numbers. |
| Significant figure | A digit that carries meaning to the size of a number. |
| Bound | The smallest or largest value a rounded number could have been. |
The Common Good.Reporting figures to honest accuracy and clear bounds supports fair, trustworthy decisions that serve everyone.
Builds on Year 8 Number 2; leads to FDP, ratio and probability.
| Numerator | The top number of a fraction. |
| Denominator | The bottom number of a fraction. |
| Multiplier | The number you multiply by to change by a percentage. |
| Percentage change | Difference ÷ original × 100%. |
| Reverse percentage | Working backwards from a changed amount to the original. |
| Compound interest | Interest calculated on the current, growing amount. |
The Common Good.Understanding interest, discounts and reverse percentages helps people make fair financial choices and avoid being exploited.
Builds on Year 8 FDP; leads to ratio, probability and algebra.
| Coordinate | A pair (x, y) giving a position across then up or down. |
| Gradient | How steep a line is: change in y ÷ change in x. |
| y-intercept | Where a graph crosses the y-axis. |
| Midpoint | The point half way between two coordinates. |
| Perpendicular | Lines meeting at a right angle; gradients multiply to −1. |
| Parabola | The U-shaped curve of a quadratic graph. |
The Common Good.Clear, honest graphs make information understandable, helping communities grasp costs and trends and decide together.
Builds on Year 8 graphs; leads to algebra, ratio and data handling.
| Alternate angles | Equal angles in a Z-shape between parallel lines. |
| Corresponding angles | Equal angles in an F-shape between parallel lines. |
| Co-interior angles | Angles in a C-shape that add up to 180°. |
| Polygon | A 2D shape with only straight edges. |
| Hypotenuse | The longest side of a right-angled triangle. |
| Scale factor | The ratio of corresponding sides of similar shapes. |
Care for Creation.Geometry underpins careful design and construction that respects and works in harmony with the world we build in.
Builds on Year 8 Angles; leads to measures, transformations and trigonometry.
| Continuous data | Data that can take any value in a range. |
| Discrete data | Data that can take only specific values. |
| Median | The middle value when data is put in order. |
| Interquartile range | The spread of the middle half: Q₃ − Q₁. |
| Correlation | A connection between two sets of data. |
| Line of best fit | A straight line that best represents scatter data. |
Option for the Poor and Vulnerable.Honest data analysis can reveal inequality and give a voice to those who are too often overlooked.
Builds on Year 8 Handling data; leads to probability, ratio and graphs.
| Ratio | A comparison of the size of one part to another part. |
| Proportion | A comparison of one part to the whole. |
| Unitary method | Finding the value of one unit, then scaling up. |
| Direct proportion | As one quantity increases, so does the other (y = kx). |
| Inverse proportion | As one quantity increases, the other decreases (y = k/x). |
| Constant of proportionality | The fixed multiplier k linking the quantities. |
Solidarity.Sharing fairly in a ratio reflects solidarity and the just distribution of resources within a community.
Builds on Year 8 Ratio & proportion; leads to FDP, measures and probability.
| Mutually exclusive | Events that cannot happen at the same time. |
| Exhaustive | Outcomes that cover every possibility. |
| Sample space | The set of all possible outcomes. |
| Independent events | Events where one does not affect the other. |
| Conditional probability | The probability of A given that B has happened. |
| Intersection | A ∩ B: the outcomes in both A and B. |
The Common Good.Understanding risk and chance helps communities plan wisely and protect people from avoidable harm.
Builds on Year 8 Probability; leads to data handling and ratio.
Suggested starting points. Your teacher will give you any class logins. The department uses Dr Frost Maths for homework, revision and practice.
At GCSE, students follow Edexcel GCSE Mathematics (1MA1). It is assessed by three equally-weighted papers, each 1 hour 30 minutes and 80 marks: Paper 1 is non-calculator, while Papers 2 and 3 allow a calculator. The course is tiered — Foundation (grades 1–5) and Higher (grades 4–9) — and every paper can draw on all six content areas: number; algebra; ratio, proportion & rates of change; geometry & measures; probability; and statistics. High-attaining sets may also sit AQA Level 2 Further Maths (8365) alongside.Edexcel GCSE Mathematics (1MA1). It is assessed by three equally-weighted papers, each 1 hour 30 minutes and 80 marks: Paper 1 is non-calculator, while Papers 2 and 3 allow a calculator. The course is tiered — Foundation (grades 1–5) and Higher (grades 4–9) — and every paper can draw on all six content areas: number; algebra; ratio, proportion & rates of change; geometry & measures; probability; and statistics. High-attaining sets may also sit AQA Level 2 Further Maths (8365) alongside. tier entry and set arrangements.
Choose the topic you are studying to jump to its organiser and the progress ladder.
Edexcel GCSE Mathematics (1MA1) is a linear course assessed by three equally-weighted papers at the end of Year 11, sat at Foundation (grades 1–5) or Higher (grades 4–9). Open the tile below for the full breakdown; high-attaining students also sit AQA Level 2 Further Maths.
Built around the three Edexcel assessment objectives (AO1–AO3). Tap the stage from your report to see where you are and your next step up in each objective.
AO1 · Use and apply standard techniques (F 50% · H 40%)
AO2 · Reason, interpret and communicate mathematically (F 25% · H 30%)
AO3 · Solve problems within mathematics and in context (F 25% · H 30%)
| Integer | A whole number, positive, negative or zero. |
| Surd | A root that cannot be written exactly as a decimal. |
| Standard form | A number written as A × 10n. |
| Bound | The limit a rounded value could have taken. |
| Reciprocal | 1 divided by a number. |
| Significant figure | A digit that carries meaning to a number’s size. |
The Common Good.Accurate, honest calculation supports fair decisions that serve the whole community.
Builds on KS3 number; leads to A-Level surds and indices.
| Expression | Numbers and letters combined with operations. |
| Quadratic | An expression of the form ax²+bx+c. |
| Simultaneous equations | Equations solved together. |
| Gradient | The steepness of a line. |
| Function | A rule with one output per input. |
| nth term | A rule for any term of a sequence. |
The Common Good.Algebra models fair relationships between quantities, helping design rules and systems that work justly.
Builds on KS3 algebra; leads to A-Level functions and calculus.
| Ratio | A comparison of one part to another. |
| Direct proportion | Both quantities grow together (y=kx). |
| Inverse proportion | One grows as the other falls (y=k/x). |
| Compound measure | A measure combining units, e.g. speed. |
| Multiplier | The factor for a percentage change. |
| Rate | How one quantity changes with another. |
Solidarity.Fair sharing in a ratio reflects solidarity and the just distribution of resources.
Builds on KS3 ratio; leads to A-Level rates of change.
| Hypotenuse | The longest side of a right-angled triangle. |
| Similar | Same shape, different size. |
| Congruent | Identical in shape and size. |
| Vector | A quantity with size and direction. |
| Sector | Part of a circle between two radii. |
| Bearing | An angle measured clockwise from north. |
Care for Creation.Careful design and measurement use materials and space wisely, caring for creation.
Builds on KS3 geometry; leads to A-Level trigonometry and vectors.
| Mutually exclusive | Events that cannot both happen. |
| Independent | One event does not affect the other. |
| Conditional probability | Probability of A given B. |
| Sample space | All possible outcomes. |
| Union | A or B or both (A∪B). |
| Intersection | Both A and B (A∩B). |
The Common Good.Understanding risk and chance helps communities plan wisely and protect people.
Builds on KS3 probability; leads to A-Level distributions.
| Median | The middle value in order. |
| Interquartile range | The spread of the middle half. |
| Correlation | A link between two variables. |
| Outlier | A value far from the others. |
| Cumulative frequency | A running total of frequency. |
| Sample | A selection from a population. |
Option for the Poor and Vulnerable.Honest data analysis can reveal inequality and give a voice to those often overlooked.
Builds on KS3 handling data; leads to A-Level statistics.
Suggested starting points. Your teacher will give you any class logins. The department uses Dr Frost Maths for homework, revision and practice.
At A-Level, students follow Edexcel Mathematics (9MA0), a two-year linear course examined by three papers, each 2 hours and 100 marks: Paper 1 (Pure Mathematics 1) and Paper 2 (Pure Mathematics 2) cover pure content, and Paper 3 (Statistics & Mechanics) is split equally between the two applied strands. All content is compulsory — there are no optional routes — and a calculator is allowed in every paper. Further Mathematics (Edexcel) can be studied alongside your A-Levels. Students who wish to study a Maths-related subject at university can take AS Further Maths (8FM0E) in Year 13.
Choose the topic you are studying to jump to its organiser and the progress ladder.
Edexcel A-Level Mathematics (9MA0) is a linear course assessed by three equally-weighted 2-hour papers at the end of Year 13, covering pure mathematics, statistics and mechanics. Open the tile below for the full breakdown; students may also take Further Mathematics.
Built around the three Edexcel A-Level assessment objectives (AO1–AO3). Tap the stage from your report to see your next step up in each objective.
AO1 · Use and apply standard techniques (≈50%)
AO2 · Reason, interpret and communicate mathematically (≈25%)
AO3 · Solve problems within mathematics and in context (≈25%)
| Proof by exhaustion | Checking every possible case. |
| Discriminant | b²−4ac, giving the number of roots. |
| Factor theorem | If f(a)=0 then (x−a) is a factor. |
| Composite function | One function applied after another. |
| Modulus | The size of a number, ignoring sign. |
| Binomial expansion | Expanding (a+b)n. |
The Common Good.Sound reasoning and honest proof build shared, trustworthy knowledge for everyone.
Builds on GCSE algebra; leads to calculus and Further Maths.
| Gradient | Steepness of a line. |
| Tangent to a circle | A line touching a circle once. |
| Arithmetic series | Constant difference between terms. |
| Geometric series | Constant ratio between terms. |
| Common ratio | The multiplier in a geometric sequence. |
| Sigma notation | Shorthand for a sum. |
Care for Creation.Modelling pattern and space reflects, and helps us steward, the order within creation.
Builds on GCSE graphs and sequences; leads to calculus.
| Radian | An angle measure based on the radius. |
| Identity | An equation true for all values. |
| Exponential function | A function of the form axor ex. |
| Natural logarithm | The inverse of ex. |
| Amplitude | Half the range of a wave. |
| Period | The length of one cycle. |
The Common Good.Modelling growth and periodic change informs decisions — from public health to the economy — that serve society.
Builds on GCSE trigonometry; leads to calculus of these functions.
| Derivative | The rate of change of a function. |
| Stationary point | Where the gradient is zero. |
| Definite integral | An integral giving an exact area. |
| Chain rule | Differentiating a function of a function. |
| Differential equation | An equation involving a derivative. |
| Vector | A quantity with size and direction. |
Care for Creation.Calculus describes motion and change in the natural world, deepening our understanding of creation.
Builds on GCSE gradients; leads to mechanics and differential equations.
| Sampling | Selecting a subset of a population. |
| Large data set | The prescribed real data studied. |
| Binomial distribution | Model for successes in n trials. |
| Normal distribution | A symmetric bell-shaped model. |
| Hypothesis test | A test of a claim about data. |
| Significance level | The threshold for a test. |
Option for the Poor and Vulnerable.Sound statistics can expose inequality and inform just, evidence-based policy.
Builds on GCSE statistics; leads to statistical modelling in research.
| Displacement | Distance in a given direction. |
| Acceleration | Rate of change of velocity. |
| Resultant force | The single equivalent force. |
| Newton’s second law | F = ma. |
| Moment | The turning effect of a force. |
| Projectile | An object moving under gravity. |
Dignity of Work and the Rights of Workers.Mechanics underpins safe engineering that protects workers and the public.
Builds on GCSE compound measures; leads to engineering and physics.
Suggested starting points. Your teacher will give you any class logins. The department uses Dr Frost Maths for revision and practice, alongside practice books and other sites.
Our CurriculumReligious Education
After your report, use the knowledge & skills ladders to see where you are and your next step. Then use the knowledge organisers to revise and make that step.
Big questions, deep answers.
Shows your stage in each subject, from Building foundations to Deepening mastery.
Religious Education is at the heart of the curriculum at St Augustine’s. Following the new Religious Education Directory, To Know You More Clearly, students encounter Jesus Christ and the richness of the Catholic faith through six branches studied each year: Creation and Covenant, Prophecy and Promise, Galilee to Jerusalem, Desert to Garden, To the ends of the earth, and Dialogue and Encounter.
Through these branches students come to know and understand the faith, engage with Scripture, Tradition and the teaching of the Church, and respond thoughtfully to the big questions of life. We study other religions — Hinduism, Islam and Judaism — with respect, fostering dialogue and a shared commitment to the common good.
Rooted in Catholic Social Teaching and the Lasallian values of our community, RE helps students grow in faith, develop the skills to think, question and evaluate, and act as people of conscience in the service of others.
Louisa Marr, Head of Department
Start here: choose what you are studying now to jump to the right resources.
Assessment: Evaluate whether pollution is a necessary consequence of development.
Each skill is a ladder you climb. Tap the wording from your report below — every ladder will show the rung you are on now and the rung to aim for next.
Beliefs & teachings
Sources of wisdom & authority
Analysis & evaluation
Reflection & response
Beliefs & teachings
Sources of wisdom & authority
Analysis & evaluation
Reflection & response
Beliefs & teachings
Sources of wisdom & authority
Analysis & evaluation
Reflection & response
A library of revision sheets — one per branch. Open the one for whatever you’re studying now to revise the key knowledge and vocabulary, and to help you climb to the next rung.
Year 7
| Creation | Everything God has made, brought into being out of love. |
| Creator | God, the origin and source of all that exists. |
| Revelation | God making himself and his plan known to us. |
| Stewardship | Caring for creation as a gift, for future generations. |
| Creationism | The belief that Genesis is a literal, scientific account of creation. |
| Scientism | The belief that science alone can explain everything. |
Care for Creation (Stewardship).Studying God as Creator and our call to care for the earth connects directly to our responsibility to protect creation as a gift for future generations (Laudato Si’).
Science (the Big Bang and evolution), English (literary form and interpreting texts), Art (symbolism in the religious artwork of Donald Jackson) and Geography (protecting the environment, and climate change).
| Scripture | The sacred writings of the Bible, inspired by God. |
| Tradition | The living handing-on of the faith in the Church. |
| Magisterium | The teaching authority of the Church. |
| Inspiration | The Holy Spirit guiding the human authors of the Bible. |
| Gospel | ‘Good news’; the four accounts of the life of Jesus. |
| Liturgy of the Word | The part of the Mass where Scripture is proclaimed. |
The Common Good.God’s word calls the whole community to live justly and to share the good news for the benefit of all.
English (literary form) and Art (the use and importance of illuminated manuscripts).
| Incarnation | God the Son becoming man in Jesus. |
| Trinity | One God in three Persons: Father, Son and Holy Spirit. |
| Messiah | The anointed one promised by God; ‘Christ’ in Greek. |
| Creed | A summary statement of Christian belief. |
| Nicaea | The council (AD 325) that affirmed Jesus is true God. |
| Discipleship | Following Jesus and living as he taught. |
Human Dignity.Because God became man, every human life has immense dignity — seen in the service of Mother Teresa and the Missionaries of Charity.
English (the use and purpose of parables), History (the context and outcome of the Council of Nicaea) and Art (interpreting symbols for the Trinity).
| Sacrament | An effective sign of God’s grace, instituted by Christ. |
| Eucharist | The sacrament of the Body and Blood of Christ. |
| Paschal Mystery | Christ’s passion, death, resurrection and ascension. |
| Real Presence | The true presence of Christ in the Eucharist. |
| Consecration | The part of Mass when bread and wine become Christ’s Body and Blood. |
| Liturgy | The public worship of the Church. |
Solidarity and Service.The Eucharist sends us out to serve; asking whether it is more important to serve the poor or to celebrate Mass shows that both flow from the same love.
PSHE (coping with suffering), English (interpreting symbolic language in scripture) and Art (interpreting depictions of suffering and crucifixion).
| Holy Spirit | The third Person of the Trinity, God present and active. |
| Confirmation | The sacrament that seals the baptised with the Spirit. |
| Pentecost | When the Holy Spirit came upon the apostles; the ‘birthday’ of the Church. |
| Marks of the Church | One, holy, catholic and apostolic. |
| Gifts of the Spirit | Wisdom, understanding, counsel and more, given at Confirmation. |
| Fruits of the Spirit | Signs of the Spirit at work, e.g. love, joy, peace. |
Community and Participation.The Spirit builds up the Church as a community in which each person has gifts to share for the good of all.
English (themes of life, death and rebirth in literature), Art (artistic representations of resurrection and heaven) and History (Christian burial customs and historic funeral traditions).
| Ecumenism | Working towards the unity of all Christians. |
| Council | A gathering of Church leaders to decide matters of faith. |
| Dialogue | Respectful conversation to build understanding. |
| Hinduism | An ancient faith originating in India. |
| Common good | The conditions that let everyone flourish together. |
| Denomination | A branch of the Christian family. |
Solidarity.Dialogue among Christians and with people of other faiths builds solidarity and a shared commitment to peace and the common good.
PSHE (respect and tolerance for all beliefs), Geography (the beliefs and practices of global religious communities) and Art (iconography and religious symbolism in Eastern Catholic traditions).
Year 8
| Original sin | The fallen human condition we inherit. |
| Personal sin | A wrong freely chosen by an individual. |
| Covenant | A sacred, binding promise between God and his people. |
| Decalogue | The Ten Commandments. |
| Conscience | The inner voice that helps us judge right from wrong. |
| Baptism | The sacrament of new birth and entry into the Church. |
Human Dignity.Made in God’s image yet marked by sin, each person is called to form their conscience and to live in freedom and responsibility.
| Prophet | One who speaks God’s message to his people. |
| Messianic | Pointing to the promised Messiah. |
| Advent | The season of preparation for Christmas. |
| Priest, Prophet, King | The threefold office shared by the baptised. |
| Martyrdom | Witnessing to faith even to the point of death. |
| Covenant | A binding promise between God and his people. |
The Common Good.Like the prophets, Christians are called to speak up for justice and truth for the good of all.
| Kingdom of God | God’s reign of justice, peace and love. |
| Parable | A story of Jesus with a deeper meaning. |
| Miracle | A sign of God’s power that points to his Kingdom. |
| Works of Mercy | Acts of care for body and soul. |
| Anointing of the Sick | The sacrament of Christ’s healing for the ill. |
| Pilgrimage | A journey to a holy place for prayer. |
Option for the Poor and Vulnerable.Jesus’ care for the sick and marginalised calls us to serve those most in need — lived out in the SVP and the works of mercy.
| Suffering | Pain or hardship; Christians find meaning in it through Christ. |
| Triduum | The three holiest days from Holy Thursday to Easter. |
| Reconciliation | The sacrament of God’s forgiveness. |
| Contrition | Being truly sorry for sin. |
| Absolution | God’s forgiveness given through the priest. |
| Penance | A sign of sorrow and a resolve to do better. |
Human Dignity.In suffering and in forgiveness the dignity of each person is upheld and restored.
| Resurrection | Jesus rising from the dead; the basis of Christian hope. |
| Eternal life | Life with God for ever. |
| Funeral rite | The Church’s prayers for the dead and the bereaved. |
| Hope | Trust in God’s promises for the future. |
| Salvation | Being saved from sin and death by Christ. |
Solidarity.In honouring the dead and comforting the bereaved, the Christian community stands together in solidarity and hope.
| Vatican II | The council (1962–65) that renewed the Church. |
| Orthodox | Eastern Christian Churches, e.g. Ukrainian Orthodox. |
| Judaism | The faith of the Jewish people, rooted in the Covenant. |
| Torah | The first five books of the Hebrew Scriptures; God’s law. |
| Covenant | The sacred bond between God and his people. |
| Dialogue | Respectful conversation to build understanding. |
Solidarity.Dialogue with Judaism and other traditions expresses solidarity and respect for the dignity of all.
Year 9
| Human dignity | The immense worth of every human person. |
| Sanctity of life | The belief that all life is holy and God-given. |
| Conception | The beginning of a new human life. |
| Image of God | The truth that humans reflect God (imago Dei). |
| Conscience | The inner judgement of right and wrong. |
Human Dignity.The value of every human life, from conception, is at the very heart of Catholic Social Teaching.
| Prophet | One who speaks God’s message. |
| Covenant | A binding promise between God and his people. |
| Justice | Giving each person what they are due. |
| Messiah | The promised, anointed one. |
| Fulfilment | The completion of God’s promises in Jesus. |
The Common Good.The prophets’ call for justice challenges us to build a society that serves the common good.
| Messiah | The promised, anointed saviour. |
| Ministry | Jesus’ work of teaching, healing and serving. |
| Disciple | A follower and learner of Jesus. |
| Parable | A story of Jesus with a deeper meaning. |
| Kingdom of God | God’s reign of justice, peace and love. |
Option for the Poor and Vulnerable.Jesus’ ministry to the poor and the outcast models God’s special love for those in need.
| Passion | The suffering and death of Jesus. |
| Salvation | Being saved from sin and death by Christ. |
| Redemption | Being ‘bought back’ and freed by Christ. |
| Resurrection | Jesus rising from the dead. |
| Atonement | Being made one with God through Christ. |
Human Dignity.Christ’s saving death affirms the immeasurable worth of every human person.
| Church | The community of Christ’s followers. |
| Mission | Being sent to share the Gospel and serve. |
| Apostle | One sent by Jesus to lead and spread the Church. |
| Evangelisation | Sharing the good news of Jesus. |
| Pentecost | When the Spirit came upon the apostles. |
Solidarity.Mission expresses the Church’s solidarity with all peoples and cultures.
| Dialogue | Respectful conversation to build understanding. |
| Diversity | The variety of religions and beliefs in society. |
| Judaism | The faith of the Jewish people. |
| Torah | God’s law; the first five books of the Hebrew Scriptures. |
| Common good | The conditions that let everyone flourish. |
Solidarity and the Common Good.Dialogue between faiths helps to build a more peaceful and just world for everyone.
Your teacher may point you to specific booklets and knowledge organisers.
At GCSE, students follow WJEC/Eduqas GCSE Religious Studies Route B (C120PB) — the route designed for Catholic schools, integrating a 75% study of Catholic Christianity with a 25% study of Judaism. It is assessed by three written examinations: Foundational Catholic Theology (37.5%), Applied Catholic Theology (37.5%) and a Study of a World Faith — Judaism (25%). The two assessment objectives are weighted roughly equally — AO1 knowledge and understanding and AO2 analysis and evaluation — and there is no tiered entry; all students sit the same papers.WJEC/Eduqas GCSE Religious Studies Route B (C120PB) — the route designed for Catholic schools, integrating a 75% study of Catholic Christianity with a 25% study of Judaism. It is assessed by three written examinations: Foundational Catholic Theology (37.5%), Applied Catholic Theology (37.5%) and a Study of a World Faith — Judaism (25%). The two assessment objectives are weighted roughly equally — AO1 knowledge and understanding and AO2 analysis and evaluation — and there is no tiered entry; all students sit the same papers. exact exam durations.
Choose the topic you are studying to jump to its organiser and the progress ladder.
WJEC/Eduqas GCSE Religious Studies Route B (C120) is assessed by three written exams. Components 1 and 2 study Catholic Christianity and Component 3 studies a world faith. Open the tile below for the full breakdown.
Built around the two assessment objectives — AO1 (knowledge and understanding) and AO2 (analysis and evaluation). Tap the stage from your report to see your next step up in each objective.
AO1 · Knowledge and understanding (≈50%)
AO2 · Analysis and evaluation (≈50%)
| Creation | All that God has made. |
| Imago Dei | Made in the image of God. |
| Original sin | The fallen state humanity inherits. |
| Stewardship | Caring for creation as a gift. |
| Omnipotent | All-powerful (a quality of God). |
Care for Creation.Belief in God as Creator grounds our call to protect creation for future generations.
| Trinity | One God in three Persons. |
| Incarnation | God the Son becoming man. |
| Redemption | Being freed from sin by Christ. |
| Free will | The God-given freedom to choose. |
| Conscience | The inner judgement of right and wrong. |
Human Dignity.The Incarnation affirms the dignity of every human person, made and redeemed by God.
| Resurrection | Rising to new life after death. |
| Purgatory | A state of purification before heaven. |
| Soul | The spiritual, immortal part of a person. |
| Eschatology | Teaching about the last things. |
| Euthanasia | Deliberately ending life to relieve suffering. |
Human Dignity.Belief in the sanctity of life shapes Catholic care for the dying and the bereaved.
| Sin | A deliberate thought, word or act against God’s law. |
| Reconciliation | The sacrament of God’s forgiveness. |
| Salvation | Being saved from sin by Christ. |
| Retribution | Punishment as deserved. |
| Reformation | Punishment aimed at change. |
Solidarity and the Common Good.Justice tempered by mercy builds a society that upholds the dignity of every person.
| Monotheism | Belief in one God. |
| Covenant | The bond between God and the Jewish people. |
| Torah | God’s law; the first five books of the Hebrew Bible. |
| Messiah | The anointed one awaited in Judaism. |
| Synagogue | The Jewish place of worship and study. |
Solidarity.Respectful study of Judaism, our elder brothers and sisters in faith, builds understanding and solidarity.
| Shabbat | The Jewish day of rest. |
| Pesach | Passover, recalling the Exodus. |
| Yom Kippur | The Day of Atonement. |
| Bar/Bat Mitzvah | Coming of age in Judaism. |
| Kosher | Food that is permitted under Jewish law. |
The Common Good.Understanding how others worship and live fosters respect and the common good in a diverse society.
Your teacher will point you to the exact specification resources.
At A-Level, students follow WJEC GCE Religious Studies (A120), a two-year linear course examined by three equally-weighted components (33⅓% each): A Study of Religion (Christianity), Philosophy of Religion and Religion and Ethics. Each paper has an AO1 knowledge part (a) and an AO2 analysis-and-evaluation part (b), so evaluation carries the greater share of marks (AO1 ≈40%, AO2 ≈60%).WJEC GCE Religious Studies (A120), a two-year linear course examined by three equally-weighted components (33⅓% each): A Study of Religion (Christianity),Philosophy of ReligionandReligion and Ethics. Each paper has an AO1 knowledge part (a) and an AO2 analysis-and-evaluation part (b), so evaluation carries the greater share of marks (AO1 ≈40%,AO2 ≈60%). exact exam durations and set texts.
Choose the topic you are studying to jump to its organiser and the progress ladder.
WJEC GCE A-Level Religious Studies (A120) is a linear course assessed by three equally-weighted written exams, combining a study of Christianity with philosophy of religion and religion and ethics. Open the tile below for the full breakdown.
Built around the two assessment objectives — AO1 (knowledge and understanding) and AO2 (analysis and evaluation). Tap the stage from your report to see your next step up in each objective.
AO1 · Knowledge and understanding (≈40%)
AO2 · Analysis and evaluation (≈60%)
| Incarnation | God the Son becoming man. |
| Salvation | Being saved from sin by Christ. |
| Grace | God’s free gift of his life and help. |
| Atonement | Reconciliation of God and humanity through Christ. |
| Ecclesiology | The study of the Church. |
Human Dignity.Christian belief in the Incarnation underpins the dignity of every human person.
| Sacrament | An effective sign of grace. |
| Liturgy | The public worship of the Church. |
| Secularism | The decline of religion’s role in public life. |
| Pluralism | The presence of many faiths and worldviews. |
| Magisterium | The teaching authority of the Church. |
Community and Participation.Christian practice builds communities of faith that serve the wider common good.
| Cosmological | Argument from cause to a first cause. |
| Teleological | Argument from design/purpose. |
| Ontological | Argument from the concept of God. |
| A priori | Known independently of experience. |
| A posteriori | Known from experience. |
The dignity of reason.Catholic thought holds that faith and reason work together in the search for truth (Fides et Ratio).
| Theodicy | A defence of God’s goodness given evil. |
| Problem of evil | The challenge evil poses to belief in God. |
| Religious experience | A direct encounter with the divine. |
| Miracle | An event attributed to divine action. |
| Immortality | Life beyond bodily death. |
Solidarity in suffering.Wrestling with suffering deepens compassion and solidarity with those who suffer.
| Natural moral law | Morality grounded in human nature and reason. |
| Situation ethics | Doing the most loving thing in each situation. |
| Virtue ethics | Ethics based on good character. |
| Deontological | Duty-based ethics. |
| Teleological | Outcome-based ethics. |
Human Dignity.Catholic ethics is rooted in the dignity of the person and the pursuit of the good.
| Conscience | The judgement of reason about right and wrong. |
| Determinism | The view that acts are fully caused. |
| Meta-ethics | The study of the meaning of moral language. |
| Autonomy | Self-governance in moral choices. |
| Relativism | The view that morality varies by context. |
Human Dignity and the Common Good.Sound conscience, formed in truth, guides us to act for the dignity of all and the common good.
Your teacher will point you to the exact specification resources.
Our CurriculumScience
After your report, use the knowledge & skills ladders to see where you are and your next step. Then use the knowledge organisers to revise and make that step.
Ask how. Find out why.
Shows your stage in each subject, from Building foundations to Deepening mastery.
Science at St Augustine’s is taught as one integrated subject across Key Stage 3, weaving biology, chemistry and physics together rather than teaching them in isolation. Our three-year curriculum follows a spiral model that builds on the KS2 national curriculum and revisits key ideas in greater depth each year, so that understanding deepens as students move through the school.
Five golden threads — energy, particles, forces, structure & properties, and interactions & systems — run underneath every topic, helping students carry key vocabulary and ideas from one lesson to the next and see how the disciplines connect. Alongside subject knowledge, students steadily develop their working-scientifically skills: asking questions, planning investigations, measuring accurately, analysing data and evaluating their conclusions.
In Year 7 students begin with concrete, observable science and the foundations of working safely and scientifically. Year 8 develops the core ideas and introduces more abstract thinking. Year 9 consolidates Key Stage 3 and begins to bridge into GCSE.Year 7 students begin with concrete, observable science and the foundations of working safely and scientifically. Year 8 develops the core ideas and introduces more abstract thinking. Year 9 consolidates Key Stage 3 and begins to bridge into GCSE.
Ms Elizabeth Edwards, Head of Department
Science at St Augustine’s is taught through a coherent three-year Key Stage 3 curriculum that integrates biology, chemistry and physics and builds year on year. In Year 7, students lay strong foundations — forces, the particle model and states of matter, cells, sound, light, the human body, and space — alongside the essentials of working safely and scientifically. Year 8 develops the core — the periodic table and separation techniques, energy, electricity and magnetism, biological processes, ecosystems, health and inheritance. Year 9 consolidates Key Stage 3 and begins GCSE content, applying ideas with more independence in preparation for the required practicals ahead.biology, chemistry and physics and builds year on year. In Year 7, students lay strong foundations — forces, the particle model and states of matter, cells, sound, light, the human body, and space — alongside the essentials of working safely and scientifically. Year 8 develops the core — the periodic table and separation techniques, energy, electricity and magnetism, biological processes, ecosystems, health and inheritance. Year 9 consolidates Key Stage 3 and begins GCSE content, applying ideas with more independence in preparation for the required practicals ahead.
Throughout the three years, students revisit the five golden threads — energy, particles, forces, structure & properties, and interactions & systems — and every topic builds on what came before to prepare the way for GCSE and A-Level. The knowledge & skills ladders below show what progress looks like from Building foundations to Deepening mastery, and the knowledge organisers give students everything they need to revise and climb to the next rung.
Start here: choose what you are studying now to jump to the right resources.
Science is taught as one subject, with biology, chemistry and physics interleaved across the year. Each year runs across three terms (six half-terms). Open a year to see the topics and what they cover.
Each skill is a ladder you climb. Tap the wording from your report below — every ladder will show the rung you are on now and the rung to aim for next. These are the same stages used on your school report.
Biology
Chemistry
Physics
Working scientifically
Biology
Chemistry
Physics
Working scientifically
Biology
Chemistry
Physics
Working scientifically
A library of revision sheets — one per unit, colour-matched to the Year 7, 8 and 9 ladders above. Open the one for whatever you’re studying now to revise the key knowledge, skills and vocabulary.
Year 7
| Force | A push, pull or twist that changes the shape or motion of an object. |
| Newton | The unit of force (N). |
| Mass | The amount of matter in an object (kg). |
| Weight | The force of gravity acting on a mass (N). |
| Friction | A force between two surfaces that are moving over each other. |
| Resultant force | The single force that has the same effect as all the forces acting. |
The Dignity of Work.Understanding forces underpins the skilled work of engineers, builders and carers who use their talents to keep people safe and serve others.
Links to Maths (calculations, scales and graphs).
| Particle | The tiny pieces that substances are made from. |
| Diffusion | The spreading of particles from high to low concentration. |
| Density | The mass of a substance for its size (mass ÷ volume). |
| Evaporation | A change from liquid to gas at the surface, at any temperature. |
| Sublimation | A change directly from solid to gas. |
| Melting point | The temperature at which a substance melts. |
The Common Good.Understanding matter helps people develop materials, food and clean water that serve the whole community.
Links to Physics (particle model) and Maths (graphing and number lines).
| Cell | The smallest functional unit of a living thing. |
| Microscope | An instrument that magnifies very small objects. |
| Chloroplast | Where photosynthesis happens in a plant cell. |
| Mitochondria | Where respiration happens in a cell. |
| Diffusion | Movement of particles from high to low concentration. |
| Unicellular | An organism made of a single cell. |
The Dignity of the Human Person.Studying the building blocks of life deepens our wonder at the human body and our respect for the dignity of every person.
Links to the Body systems knowledge organiser and to Maths (magnification calculations).
| Frequency | The number of waves each second, measured in hertz (Hz). |
| Amplitude | The size of a wave’s vibration; it sets loudness. |
| Pitch | How high or low a sound is, set by frequency. |
| Longitudinal | A wave that vibrates along its direction of travel. |
| Ultrasound | Sound above the range of human hearing. |
| Echo | A reflected sound wave. |
The Common Good.Understanding sound leads to medical imaging and communication that serve people’s health and connection.
Links to Music (pitch and sound) and Maths (interpreting graphs).
| Organ | A group of tissues working together for a function. |
| Tissue | A group of similar cells working together. |
| Antagonistic muscles | A pair of muscles that move a joint in opposite ways. |
| Cartilage | Smooth tissue that protects the ends of bones. |
| Alveolus | A tiny air sac where gas exchange happens. |
| Gas exchange | The transfer of gases between an organism and its surroundings. |
The Dignity of the Human Person.Learning how wonderfully the body is made deepens respect for the dignity and health of every person.
Links to PE (movement and the body) and the Cells knowledge organiser.
| Gametes | The sex cells — sperm and egg. |
| Fertilisation | When a sperm nucleus joins an egg nucleus. |
| Uterus | Where a baby develops before birth. |
| Ovary | The organ that contains egg cells. |
| Menstrual cycle | The monthly cycle of the uterus lining. |
| Sex hormones | Chemical messengers that control puberty and reproduction. |
The Dignity of the Human Person.Human life is a gift; studying reproduction with care and respect honours the dignity of every person from the very beginning.
Links to PSHE and RSE (growing up and relationships).
| Metal | An element that is shiny, conducts heat and electricity, and can be hammered into shape. |
| Non-metal | An element that is usually dull, brittle and a poor conductor. |
| Malleable | Can be hammered or rolled into shape without breaking. |
| Conductor | A material that lets heat or electricity pass through it. |
| pH scale | A scale from 0 to 14 that measures how acidic or alkaline a solution is. |
Care for creation. Knowing what materials can do helps us choose them wisely and waste less of what the earth provides.
Links to Maths (tables, sorting and comparing data).
| Solar System | The Sun and everything in orbit around it. |
| Galaxy | A huge group of stars, such as the Milky Way. |
| Axis | The imaginary line the Earth spins around. |
| Satellite | A natural or artificial object orbiting a planet. |
| Eclipse | When one body passes into the shadow of another. |
| Orbit | The path of one body around another. |
Care for Creation.Contemplating the vastness of the universe inspires awe at creation and our place within it.
Links to Maths (calculations and scale) and RE (creation and wonder). It also links to the Year 7 project lessons.
| Current | The rate of flow of electric charge, measured in amps (A). |
| Potential difference | The “push” on charge, measured in volts (V). |
| Resistance | How hard it is for current to flow, measured in ohms. |
| Series | Components connected in a single loop. |
| Parallel | A circuit with more than one path for current. |
| Ammeter | A device that measures current. |
The Common Good.Reliable, safe electricity powers hospitals, homes and communities — a shared good that serves everyone.
Links to Maths (using equations). Students rearrange the equation in the Year 9 electricity topic, not here.
Year 8
| Group | A vertical column; elements with similar properties. |
| Period | A horizontal row of the periodic table. |
| Alkali metal | A very reactive metal in Group 1. |
| Halogen | A reactive non-metal in Group 7. |
| Noble gas | An unreactive element in Group 0. |
| Displacement reaction | A more reactive element takes the place of a less reactive one. |
The Common Good.The periodic table is a shared achievement of scientists worldwide, used to develop materials that benefit everyone.
Links to Physics (atomic structure) and Maths (interpreting graphical data).
| Mixture | Substances together but not chemically joined. |
| Solution | A solute dissolved evenly in a solvent. |
| Solvent | The liquid a solute dissolves in. |
| Filtration | Separating an insoluble solid from a liquid. |
| Distillation | Separating a solvent from a solution by evaporation and condensation. |
| Chromatography | Separating soluble substances in the same solvent. |
Care for Creation.Separation techniques let us purify water and protect the environment — caring for the creation we all share.
Links to Biology (chromatography of chlorophyll) and Geography (water purification).
| Magnet | A material with a north and south pole and a magnetic field. |
| Magnetic field | A region where a magnetic material feels a force. |
| Attract | Pulled together, as with opposite poles. |
| Repel | Pushed apart, as with like poles. |
| Electromagnet | A temporary magnet made using an electric current. |
| Core | A magnetic material inside a coil to strengthen the field. |
The Common Good.Magnetism drives motors, generators and medical scanners that serve people across society.
Links to the Electricity knowledge organiser (electromagnets).
| Energy store | Energy held in an object, such as food or a hot object. |
| Joule | The unit of energy (J). |
| Conservation of energy | Energy cannot be created or destroyed, only transferred. |
| Conduction | Energy transfer through a solid by vibrating particles. |
| Convection | Energy transfer by movement of a fluid. |
| Work | Energy transferred when a force moves an object. |
Care for Creation.Choosing and using energy wisely is central to caring for creation and protecting it for future generations.
Links to Geography (energy resources) and Maths (calculations and units).
| Photosynthesis | How plants make glucose from carbon dioxide and water. |
| Chlorophyll | The green pigment that absorbs light. |
| Aerobic respiration | Releasing energy from glucose using oxygen. |
| Anaerobic respiration | Releasing energy from glucose without oxygen. |
| Fermentation | Anaerobic respiration in yeast, making ethanol and carbon dioxide. |
| Haemoglobin | The protein in red blood cells that carries oxygen. |
Care for Creation.Photosynthesis sustains life on Earth; understanding it deepens our care for the living world.
Links to Chemistry (chemical reactions) and the Ecosystems knowledge organiser.
| Ecosystem | The interaction of living things with their habitat. |
| Producer | An organism that makes its own food by photosynthesis. |
| Food web | A set of linked food chains for an area. |
| Adaptation | A feature that helps an organism survive. |
| Bioaccumulation | The build-up of toxins along a food chain. |
| Decomposer | An organism that breaks down dead material. |
Care for Creation.Understanding how ecosystems depend on one another calls us to protect the balance of the natural world.
Links to Geography (habitats and environments) and the Biological processes knowledge organiser.
| Enzyme | A protein that speeds up reactions such as digestion. |
| Catalyst | A substance that speeds up a reaction without being used up. |
| Bile | A substance that breaks fat into small droplets. |
| Villi | Tiny projections that increase absorption in the intestine. |
| Stimulant | A drug that speeds up the nervous system. |
| Balanced diet | Eating the right amounts of each nutrient. |
The Dignity of the Human Person.Caring for our health and making informed choices honours the dignity of the body as a gift to be respected.
Links to PE and PSHE (healthy lifestyles).
| Variation | Differences between individuals of the same species. |
| DNA | The chemical that carries genetic information. |
| Chromosome | A long strand of DNA containing many genes. |
| Gene | A section of DNA coding for a characteristic. |
| Natural selection | Better-adapted individuals survive and reproduce. |
| Evolution | The gradual change of species over time. |
Care for Creation.Understanding the diversity of life deepens our respect for every living thing and our duty to protect biodiversity.
Links to Maths (choosing and plotting graphs) and the Ecosystems knowledge organiser.
| Reflection | Light bouncing off a surface. |
| Refraction | Light changing direction as its speed changes. |
| Normal | A line at right angles to a surface where a ray meets it. |
| Transparent | Lets light through so you can see through it. |
| Dispersion | Splitting white light into a spectrum of colours. |
| Photoreceptor | A cell in the eye sensitive to light. |
Care for Creation.The beauty of light and colour invites wonder at creation and gratitude for the gift of sight.
Links to Art (colour and light) and the Sound knowledge organiser (waves). It also links to plants and photosynthesis.
Year 9
Year 9 begins by consolidating Key Stage 3 skills and knowledge and working through the harder parts of the Key Stage 3 curriculum, before GCSE content starts in January.
| Combustion | Burning — an oxidation reaction that releases energy. |
| Oxidation | A reaction in which a substance gains oxygen. |
| Thermal decomposition | Breaking a compound down using heat. |
| Reactant | A substance you start with in a reaction. |
| Product | A substance made in a reaction. |
Care for Creation.Understanding combustion and the fuels we burn helps students weigh the impact of energy use on the world we are called to protect.
— this is Key Stage 3 national curriculum content taught at the start of Year 9, which links on to the GCSE chemistry topics.
| Resultant force | The single force with the same effect as all the forces. |
| Acceleration | How quickly velocity changes. |
| Free-body diagram | A diagram showing all forces on one object. |
| Equilibrium | When forces are balanced. |
| Newton | The unit of force (N). |
The Common Good.A sound grasp of forces underpins the engineering that keeps transport, buildings and workplaces safe for everyone.
| Resistance | How hard it is for current to flow (ohms). |
| Ohm’s law | V = I × R for a fixed resistor. |
| Series | Components in a single loop. |
| Parallel | More than one path for current. |
| Ohm | The unit of resistance. |
The Common Good.Reliable electricity is a shared good; understanding circuits helps students use and design it safely for the benefit of all.
— builds on the Year 7 electricity topic and links to the GCSE electricity topic.
| Conservation of mass | Total mass of reactants equals total mass of products. |
| Balanced equation | An equation with equal atoms on each side. |
| Reactivity series | Metals ordered from most to least reactive. |
| Displacement | A more reactive metal takes the place of a less reactive one. |
| Salt | A compound formed when a metal replaces the hydrogen in an acid. |
Care for Creation.Using and recovering metals wisely reduces waste and cares for the finite resources of creation.
— links to chemical changes in GCSE chemistry.
| Aerobic respiration | Releasing energy from glucose using oxygen. |
| Anaerobic respiration | Releasing energy from glucose without oxygen. |
| Mitochondria | Where aerobic respiration happens. |
| Metabolism | All the chemical reactions in the body. |
| Oxygen debt | Extra oxygen needed after anaerobic exercise. |
The Dignity of the Human Person.Understanding how the body releases energy deepens respect for the wonder of the human body and the care it deserves.
— links to the GCSE bioenergetics topic.
| Catalyst | A substance that speeds up a reaction without being used up. |
| Rate of reaction | How quickly reactants are used or products form. |
| Variable | A factor that can change in an investigation. |
| Repeatable | Getting similar results when you repeat a test. |
| Anomaly | A result that does not fit the pattern. |
The Dignity of Work.Careful, honest investigation reflects the dignity of scientific work done with integrity and in the service of truth.
— links to the GCSE chemistry rates of reaction topic.
| Atmosphere | The layer of gases surrounding the Earth. |
| Greenhouse gas | A gas that traps heat, e.g. carbon dioxide or methane. |
| Greenhouse effect | Warming caused by gases trapping heat. |
| Climate change | Long-term changes in global climate. |
| Carbon dioxide | A greenhouse gas released by burning fuels. |
Care for Creation.The atmosphere is part of our common home; understanding it calls us to protect the climate for the whole human family and future generations.
— a GCSE topic, following on from the Year 8 topic on climate change.
| Energy store | Energy held in a system, e.g. thermal or kinetic. |
| Dissipation | Energy spreading out to the surroundings, often as heat. |
| Efficiency | The fraction of energy transferred usefully. |
| Conservation of energy | Energy cannot be created or destroyed. |
| Insulation | Reducing unwanted energy transfer. |
Care for Creation.Using energy efficiently and reducing waste is a practical way of caring for creation and its resources.
— a GCSE topic, building on energy transfers from Year 8.
| Eukaryotic | A cell with a nucleus (plants, animals). |
| Prokaryotic | A cell without a true nucleus (bacteria). |
| Sub-cellular structure | A part of a cell, e.g. a mitochondrion. |
| Magnification | How much bigger an image is than the object. |
| Resolution | The smallest detail that can be seen. |
The Dignity of the Human Person.Studying the building blocks of life renews our wonder at the human body and our respect for the dignity of every person.
— a GCSE topic, building on the cells topic taught in Year 7.
| Proton | A positive particle in the nucleus. |
| Neutron | A neutral particle in the nucleus. |
| Electron | A negative particle in shells around the nucleus. |
| Isotope | Atoms of an element with different numbers of neutrons. |
| Electronic structure | How electrons are arranged in shells. |
The Common Good.The atomic model is a shared human achievement, refined by many scientists across time and nations for the good of all.
— a GCSE topic, building on the periodic table topic taught in Year 8.
| Tissue | A group of similar cells working together. |
| Organ | A group of tissues working together. |
| Organ system | A group of organs working together. |
| Enzyme | A biological catalyst that speeds up reactions. |
| Substrate | The molecule an enzyme acts on. |
The Dignity of the Human Person.Learning how the body is organised deepens respect for the dignity and health of the human person.
— a GCSE topic, building on the systems topics taught in Year 7 (muscles) and Year 8 (breathing).
| Work done | Energy transferred when a force moves an object. |
| Joule | The unit of energy and work (J). |
| Power | The rate of transferring energy. |
| Watt | The unit of power (W). |
| Force | A push or pull measured in newtons. |
The Dignity of Work.Understanding work and power values the effort and skill of the many kinds of work that keep society running.
— a GCSE topic, building on energy transfers taught earlier in Year 9 and in Year 8.
| Ecosystem | The interaction of living things with their habitat. |
| Community | All the populations living in a habitat. |
| Population | All the members of one species in an area. |
| Interdependence | How organisms depend on one another. |
| Quadrat | A square frame used to sample populations. |
Care for Creation.Understanding how living things depend on one another calls us to protect the balance of the natural world entrusted to us.
— a GCSE topic, building on ecology in Year 7 and adaptation and conservation in Year 8.
| Pure substance | A single element or compound. |
| Formulation | A mixture made to an exact recipe for a purpose. |
| Chromatography | Separating soluble substances in the same solvent. |
| Group | A column of the periodic table with similar properties. |
| Trend | A pattern in properties across a group or period. |
Care for Creation.Separation and analysis let us purify water and monitor pollution, caring for the environment we all share.
— a GCSE topic, building on the periodic table in Year 8 and chemical reactions at the start of Year 9.
| Reactivity series | A list of metals from most to least reactive. |
| Salt | A compound where a metal replaces the hydrogen of an acid. |
| Displacement reaction | A more reactive metal displaces a less reactive one. |
| Ceramic | A hard, brittle material made by firing clay. |
| Polymer | A material made of very long molecules. |
| Composite | A material combining others to gain their properties. |
Care for Creation.Choosing and recycling materials wisely reduces waste and protects the resources of creation.
Links to Design & Technology (materials and their uses).
Suggested starting points. Your teacher will give you any class logins.
At GCSE, students follow AQA Science. Most take Combined Science: Trilogy (8464), worth two GCSEs, at 9 hours per fortnight; students taking the separate sciences — Biology (8461), Chemistry (8462) and Physics (8463) — have 14 hours per fortnight. All are linear, tiered (Foundation and Higher) and assessed entirely by written papers, with 21 required practicals underpinning the course. AQA Science. Most take Combined Science: Trilogy (8464), worth two GCSEs, at 9 hours per fortnight; students taking the separate sciences — Biology (8461), Chemistry (8462) and Physics (8463) — have 14 hours per fortnight. All are linear, tiered (Foundation and Higher) and assessed entirely by written papers, with 21 required practicals underpinning the course. the department’s pathway and tier-of-entry decisions.
Choose your GCSE science course to see its route through the exam papers. The grade ladder and revision guidance below apply to all of them.
Most students take Combined Science: Trilogy (AQA 8464). It is worth two GCSEs and covers biology, chemistry and physics across six papers — two per science, each 1 hour 15 minutes and 70 marks. It shares its content with the separate sciences but in less depth, and includes 21 required practicals (7 biology, 6 chemistry, 8 physics). Combined Science: Trilogy (AQA 8464). It is worth two GCSEs and covers biology, chemistry and physics across six papers — two per science, each 1 hour 15 minutes and 70 marks. It shares its content with the separate sciences but in less depth, and includes 21 required practicals (7 biology, 6 chemistry, 8 physics). tier of entry (Foundation or Higher).
Triple Biology (AQA 8461) is a separate GCSE, assessed through two papers, each 1 hour 45 minutes and 100 marks. It covers the same topics as Combined Science biology in greater depth, with additional separate-science content (shown as “Triple” below).
Triple Chemistry (AQA 8462) is a separate GCSE, assessed through two papers, each 1 hour 45 minutes and 100 marks. It covers the same topics as Combined Science chemistry in greater depth, with additional separate-science content (shown as “Triple” below).
Triple Physics (AQA 8463) is a separate GCSE, assessed through two papers, each 1 hour 45 minutes and 100 marks. It covers the same topics as Combined Science physics in greater depth, and adds Space physics.
Each row below is one of the three AQA assessment objectives, which are the same across Combined Science and the separate sciences. Tap your predicted-grade band to highlight the rung you are on in each objective, then read the next rung up to see what to do to move up a grade.
AO1 · Knowledge & understanding
AO2 · Apply knowledge & understanding
AO3 · Analyse, interpret & evaluate
A revision sheet for every GCSE topic, grouped by science. The same organisers apply to Combined Science and the separate sciences — the separate sciences simply go into more depth, and Triple-only content is marked.
Biology
| Eukaryotic | A cell that has a nucleus. |
| Prokaryotic | A cell with no true nucleus; DNA is a single loop. |
| Organelle | A specialised structure within a cell. |
| Magnification | How many times larger an image is than the real object. |
| Resolution | The smallest distance between two points that can still be told apart. |
| Mitosis | Cell division producing two genetically identical cells. |
| Differentiation | How a cell becomes specialised for its function. |
| Active transport | Movement against a gradient, requiring energy from respiration. |
The Dignity of the Human Person.Studying the building blocks of life renews our wonder at the human body and respect for the dignity of every person.
| Enzyme | A protein that catalyses (speeds up) a reaction. |
| Substrate | The molecule an enzyme acts upon. |
| Active site | The part of an enzyme where the substrate binds. |
| Denature | The permanent change in an enzyme’s shape that stops it working. |
| Artery | A vessel carrying blood away from the heart at high pressure. |
| Vein | A vessel carrying blood back to the heart; has valves. |
| Transpiration | The loss of water vapour from a plant’s leaves. |
| Risk factor | A variable linked to an increased rate of a disease. |
The Dignity of the Human Person.Understanding how the body is organised deepens respect for its dignity and the importance of caring for health.
| Pathogen | A microorganism that causes disease. |
| Communicable | A disease that can be passed from one organism to another. |
| Antigen | A unique marker on the surface of a cell or pathogen. |
| Antibody | A protein made by lymphocytes that targets a specific antigen. |
| Vaccination | Introducing a dead or weakened pathogen to build immunity. |
| Herd immunity | Protection of a population when enough people are immune. |
| Antibiotic | A medicine that kills bacteria inside the body. |
| Placebo | A dummy treatment used as a control in a drug trial. |
The Common Good.Vaccination and public health protect the whole community, especially the most vulnerable — a shared responsibility for the common good.
| Photosynthesis | Making glucose from carbon dioxide and water using light energy. |
| Endothermic | A reaction that takes in energy from the surroundings. |
| Limiting factor | The factor in shortest supply that caps the rate of a process. |
| Aerobic respiration | Releasing energy from glucose using oxygen. |
| Anaerobic respiration | Releasing energy without oxygen; produces lactic acid in muscles. |
| Exothermic | A reaction that releases energy to the surroundings. |
| Metabolism | The sum of all reactions in a cell or the body. |
| Oxygen debt | The extra oxygen needed after exercise to remove lactic acid. |
Care for Creation.Photosynthesis sustains life on Earth; understanding it deepens our care for the living world and food security.
| Homeostasis | Maintaining a stable internal environment. |
| Negative feedback | A response that reverses a change to restore the norm. |
| Receptor | A cell that detects a stimulus. |
| Effector | A muscle or gland that carries out a response. |
| Hormone | A chemical messenger transported in the blood. |
| Reflex | A rapid, automatic response that is not conscious. |
| Insulin | The hormone that lowers blood glucose concentration. |
| Synapse | The gap between two neurones, crossed by chemicals. |
The Dignity of the Human Person.The finely balanced systems that keep us alive inspire respect for the dignity and wonder of the human body.
| Gene | A section of DNA that codes for a protein. |
| Allele | A different version of the same gene. |
| Genome | The entire genetic material of an organism. |
| Dominant | An allele that is expressed even if only one copy is present. |
| Recessive | An allele expressed only when two copies are present. |
| Meiosis | Cell division that halves the chromosome number to form gametes. |
| Natural selection | Survival and reproduction of the best-adapted organisms. |
| Mutation | A random change to the DNA base sequence. |
The Dignity of the Human Person.Genetics carries real ethical weight; understanding it helps us use new powers wisely and always in service of human dignity.
| Ecosystem | The interaction of a community with the abiotic environment. |
| Community | All the populations of different species in a habitat. |
| Interdependence | The reliance of species on one another to survive. |
| Abiotic | A non-living factor, such as light or temperature. |
| Biotic | A living factor, such as predation or competition. |
| Biodiversity | The variety of all living things in an ecosystem. |
| Quadrat | A square frame used to sample organisms. |
| Trophic level | A feeding stage in a food chain. |
Care for Creation.Understanding how life depends on balance calls us to protect biodiversity and our common home for future generations.
Chemistry
| Atom | The smallest part of an element that can exist. |
| Element | A substance made of only one type of atom. |
| Compound | Two or more elements chemically bonded together. |
| Isotope | Atoms of an element with the same protons but different neutrons. |
| Relative atomic mass | The mean mass of atoms allowing for isotopes. |
| Group | A vertical column of the periodic table. |
| Period | A horizontal row of the periodic table. |
| Electronic structure | The arrangement of electrons in shells around a nucleus. |
The Common Good.The periodic table is a shared human achievement, developed across nations for the good of all.
| Ionic bond | The electrostatic attraction between oppositely charged ions. |
| Covalent bond | A shared pair of electrons between two atoms. |
| Metallic bond | Attraction between positive ions and delocalised electrons. |
| Ion | A charged particle formed when atoms lose or gain electrons. |
| Giant lattice | A huge, regular, repeating arrangement of particles. |
| Delocalised | Electrons that are free to move through a structure. |
| Intermolecular force | A weak force of attraction between molecules. |
| Polymer | A large molecule made from many repeating units. |
The Common Good.Understanding materials lets us create things that serve society, from medicines to clean technologies.
| Mole | The unit for amount of substance (6.02 × 10²³ particles). |
| Relative formula mass | The sum of the relative atomic masses in a formula. |
| Conservation of mass | No atoms are lost or made in a chemical reaction. |
| Concentration | The amount of solute dissolved in a given volume. |
| Limiting reactant | The reactant that is used up first and stops the reaction. |
| Percentage yield | The actual yield as a percentage of the theoretical yield. |
| Atom economy | The percentage of reactant atoms that become useful product. |
| Titration | A technique to find an unknown concentration accurately. |
The Dignity of Work.Careful, honest measurement reflects the integrity and dignity of scientific work done in service of truth.
| Oxidation | The loss of electrons or the gain of oxygen. |
| Reduction | The gain of electrons or the loss of oxygen. |
| Reactivity series | A list of metals in order of their reactivity. |
| Neutralisation | The reaction of an acid with a base to form a salt and water. |
| Electrolysis | Breaking down an ionic compound using electricity. |
| Electrode | A conducting rod through which current enters or leaves. |
| Ore | A rock containing enough metal to make extraction worthwhile. |
| Half equation | An equation showing electron loss or gain at an electrode. |
Care for Creation.Extracting and using metals wisely, and recycling them, cares for the finite resources of creation.
| Exothermic | A reaction that transfers energy to the surroundings. |
| Endothermic | A reaction that takes in energy from the surroundings. |
| Activation energy | The minimum energy needed for a reaction to occur. |
| Reaction profile | A diagram showing energy changes during a reaction. |
| Bond energy | The energy needed to break, or released on making, a bond. |
| Catalyst | A substance that speeds up a reaction and lowers activation energy. |
| Fuel cell | A cell that produces electricity from a fuel and oxygen. |
| Dissipated | Energy that has spread out to the surroundings. |
Care for Creation.Developing cleaner reactions and fuel cells supports a more sustainable stewardship of energy.
| Rate of reaction | How quickly reactants turn into products. |
| Collision theory | Particles must collide with enough energy to react. |
| Activation energy | The minimum energy needed for a successful collision. |
| Catalyst | A substance that increases rate without being used up. |
| Reversible reaction | A reaction that can go both forwards and backwards. |
| Equilibrium | When forward and backward reactions occur at the same rate. |
| Le Chatelier | A system shifts to oppose any change to its conditions. |
| Tangent | A straight line touching a curve, used to find rate. |
The Dignity of Work.Patient, rigorous investigation of how reactions work reflects the value and dignity of careful scientific work.
| Hydrocarbon | A compound of hydrogen and carbon only. |
| Alkane | A saturated hydrocarbon with only single bonds. |
| Alkene | An unsaturated hydrocarbon with a C=C double bond. |
| Fractional distillation | Separating a mixture using differences in boiling point. |
| Cracking | Breaking long hydrocarbons into shorter, more useful ones. |
| Combustion | Burning a fuel, releasing energy. |
| Monomer | A small molecule that joins to form a polymer. |
| Polymer | A long molecule made from many monomers. |
Care for Creation.How we use crude oil and plastics has a real impact on creation; understanding organic chemistry helps us choose more responsibly.
| Pure substance | A single element or compound with a fixed melting point. |
| Formulation | A mixture made in set proportions for a purpose. |
| Chromatography | A method to separate substances in a mixture. |
| R f value | Distance moved by a substance ÷ distance moved by solvent. |
| Mobile phase | The solvent that moves through the chromatography paper. |
| Stationary phase | The paper (or medium) that does not move. |
| Flame test | Identifying a metal ion by the colour it produces in a flame. |
| Precipitate | An insoluble solid formed in a solution. |
The Common Good.Accurate analysis keeps food, water and medicines safe, protecting the health of the whole community.
| Atmosphere | The layer of gases surrounding the Earth. |
| Greenhouse gas | A gas that absorbs and re-emits heat radiation. |
| Greenhouse effect | The warming of the Earth by trapped heat radiation. |
| Climate change | A long-term change in global weather patterns. |
| Carbon footprint | The total greenhouse gases produced by an activity. |
| Pollutant | A substance released that harms the environment or health. |
| Particulate | Tiny solid particles released when fuels burn. |
| Combustion | Burning a fuel in oxygen, releasing energy and gases. |
Care for Creation.The atmosphere is part of our common home; understanding it calls us to protect the climate for the whole human family.
| Finite resource | A resource that is being used up faster than it forms. |
| Renewable resource | A resource that can be replaced as it is used. |
| Potable water | Water that is safe to drink. |
| Sustainable development | Meeting present needs without harming the future. |
| Life-cycle assessment | An assessment of impact from raw material to disposal. |
| Recycling | Processing used materials so they can be used again. |
| Alloy | A mixture of a metal with other elements. |
| Corrosion | The gradual destruction of a metal by reaction with its surroundings. |
Care for Creation.Using resources wisely, providing clean water and recycling are practical acts of stewardship of creation.
Physics
| Energy store | A way energy is held, e.g. kinetic or thermal. |
| Dissipation | Energy spreading out and becoming less useful. |
| Efficiency | Useful energy transferred ÷ total energy supplied. |
| Specific heat capacity | Energy to raise 1 kg of a substance by 1°C. |
| Power | The rate of transferring energy or doing work (watts). |
| Work done | Energy transferred when a force moves an object. |
| Conservation of energy | Energy cannot be created or destroyed, only transferred. |
| Renewable | An energy resource that will not run out. |
Care for Creation.Using energy efficiently and choosing cleaner resources is a practical way of caring for creation.
| Current | The rate of flow of electric charge (amperes). |
| Potential difference | The energy transferred per unit charge (volts). |
| Resistance | How much a component opposes the current (ohms). |
| Ohm’s law | Current is proportional to p.d. at constant temperature. |
| Series | A circuit with a single loop for the current. |
| Parallel | A circuit with more than one branch for the current. |
| Alternating current | Current that repeatedly reverses direction. |
| National Grid | The system of cables and transformers distributing electricity. |
The Common Good.Safe, reliable electricity powers hospitals, homes and communities — a shared good serving everyone.
| Density | The mass per unit volume of a substance. |
| Internal energy | The total kinetic and potential energy of the particles. |
| Specific heat capacity | Energy to raise 1 kg by 1°C without a state change. |
| Specific latent heat | Energy to change the state of 1 kg without a temperature change. |
| Change of state | A physical change such as melting or boiling. |
| Conservation of mass | Mass stays the same during a change of state. |
| Gas pressure | Force per unit area from particle collisions with a surface. |
| Absolute zero | The lowest possible temperature, −273°C. |
The Common Good.Understanding matter and heat underpins safe, comfortable homes and technologies that serve people.
| Isotope | Atoms with the same protons but different numbers of neutrons. |
| Radioactive decay | The random breakdown of an unstable nucleus. |
| Half-life | The time for half the unstable nuclei to decay. |
| Alpha particle | Two protons and two neutrons; highly ionising, low penetration. |
| Beta particle | A fast electron from the nucleus; moderately penetrating. |
| Irradiation | Exposing an object to radiation from a source. |
| Contamination | Getting radioactive material onto or into an object. |
| Fission | The splitting of a large, unstable nucleus. |
Rights and Responsibilities.The power of the nucleus can heal or harm; it must be used responsibly, with care for human life and safety.
| Scalar | A quantity with size only, e.g. speed. |
| Vector | A quantity with size and direction, e.g. velocity. |
| Resultant force | The single force equal to all forces acting. |
| Acceleration | The rate of change of velocity. |
| Newton’s first law | An object stays at rest or constant velocity unless acted on. |
| Terminal velocity | The steady speed reached when forces are balanced. |
| Momentum | Mass multiplied by velocity. |
| Hooke’s law | Extension is proportional to the force applied (to a limit). |
The Dignity of Work.Understanding forces underpins the skilled engineering that keeps people safe at work and on the move.
| Transverse wave | A wave where vibrations are at right angles to travel. |
| Longitudinal wave | A wave where vibrations are along the direction of travel. |
| Frequency | The number of waves passing a point each second (hertz). |
| Wavelength | The distance between two matching points on a wave. |
| Amplitude | The maximum displacement from the rest position. |
| Refraction | The change in direction of a wave as its speed changes. |
| Electromagnetic spectrum | The continuous range of EM waves by wavelength. |
| Black body | A perfect absorber and emitter of radiation. |
The Common Good.Waves power the communication and medical imaging that connect and heal people across society.
| Magnetic field | The region where a magnetic material feels a force. |
| Induced magnet | A material that becomes magnetic in a magnetic field. |
| Solenoid | A coil of wire that produces a magnetic field. |
| Motor effect | The force on a current-carrying wire in a magnetic field. |
| Fleming’s left-hand rule | A rule linking field, current and force directions. |
| Electromagnetic induction | Generating a p.d. by a changing magnetic field. |
| Transformer | A device that changes the size of an alternating p.d. |
| Alternator | A generator that produces alternating current. |
The Common Good.Electromagnetism drives the motors, generators and scanners that serve homes, industry and hospitals.
| Solar System | The Sun and everything that orbits it. |
| Orbit | The path of one object around another under gravity. |
| Satellite | An object that orbits a larger body. |
| Nebula | A cloud of dust and gas where stars form. |
| Main sequence | The long, stable stage of a star’s life. |
| Supernova | The explosion of a massive star at the end of its life. |
| Red-shift | The shift of light to longer wavelengths from receding galaxies. |
| Big Bang | The theory that the universe began from a hot, dense point. |
Care for Creation.Contemplating the vastness of the universe inspires awe at creation and our place within it.
Suggested starting points. Your teacher will give you any class logins.
At A-Level, students can study Biology (AQA 7402), Chemistry (AQA 7405) and Physics (AQA 7408) as three separate A-Levels, each taught at 9 hours per fortnight. All three are full two-year linear A-Levels — the school does not run AS qualifications — assessed through three written papers at the end of Year 13, together with a separate practical endorsement based on twelve required practicals. Biology (AQA 7402), Chemistry (AQA 7405) and Physics (AQA 7408) as three separate A-Levels, each taught at 9 hours per fortnight. All three are full two-year linear A-Levels — the school does not run AS qualifications — assessed through three written papers at the end of Year 13, together with a separate practical endorsement based on twelve required practicals. the physics optional topic and the assessment-objective weightings.
Choose an A-Level science to see its route through the exam papers. All three are full linear A-Levels — the school does not run AS courses — and each includes a separate practical endorsement. The grade ladder and revision guidance below apply to all three.linear A-Levels — the school does not run AS courses — and each includes a separate practical endorsement. The grade ladder and revision guidance below apply to all three.
A-Level Biology (AQA 7402) is a full two-year linear A-Level assessed through three papers plus a practical endorsement. Papers 1 and 2 each cover half the course; Paper 3 is synoptic and ends with a 25-mark essay. There are 12 required practicals, and at least 15% of marks assess practical skills.
A-Level Chemistry (AQA 7405) is a full two-year linear A-Level assessed through three papers plus a practical endorsement. Paper 1 covers inorganic and physical chemistry, Paper 2 organic and physical, and Paper 3 is synoptic with a multiple-choice section. There are 12 required practicals.
A-Level Physics (AQA 7408) is a full two-year linear A-Level assessed through three papers plus a practical endorsement. Papers 1 and 2 cover the compulsory content; Paper 3 has a compulsory practical-skills section and one optional topic. There are 12 required practicals.
Each row is one of the three AQA assessment objectives, which are the same across A-Level Biology, Chemistry and Physics. Tap your target-grade band to highlight the rung you are on, then read the next rung up.
AO1 · Knowledge & understanding
AO2 · Apply knowledge & understanding
AO3 · Analyse, interpret & evaluate
A revision sheet for every A-Level topic, grouped by subject.
Biology
| Polymer | A large molecule made of many repeating monomers. |
| Condensation | A reaction joining molecules and releasing water. |
| Hydrolysis | A reaction splitting molecules using water. |
| Induced fit | The active site changes shape to fit the substrate. |
| Denaturation | The loss of an enzyme’s tertiary structure and function. |
| Competitive inhibitor | A molecule that competes for the active site. |
| ATP | Adenosine triphosphate, the universal energy currency. |
| Monomer | A single unit that bonds to form a polymer. |
The Dignity of the Human Person.The intricate chemistry that underlies every living cell inspires awe at the gift of life and respect for the human person.
| Ultrastructure | The fine detail of a cell seen with an electron microscope. |
| Cell fractionation | Separating organelles by ultracentrifugation. |
| Mitotic index | The proportion of cells undergoing mitosis. |
| Facilitated diffusion | Diffusion through carrier or channel proteins. |
| Antigen | A molecule that triggers an immune response. |
| Phagocytosis | Engulfing and digesting a pathogen. |
| Monoclonal antibody | An identical antibody from cloned cells. |
| Antigenic variation | A change in a pathogen’s surface antigens. |
The Dignity of the Human Person.Understanding how cells defend the body deepens gratitude for its design and respect for human life.
| Surface area to volume ratio | How area compares with volume as size changes. |
| Ventilation | The movement of air into and out of the lungs. |
| Haemoglobin | The protein that transports oxygen in the blood. |
| Bohr effect | A shift in the dissociation curve as CO₂ rises. |
| Cohesion-tension | The theory explaining water transport up the xylem. |
| Translocation | The transport of assimilates in the phloem. |
| Countercurrent | Opposing flow that maximises diffusion, as in fish gills. |
| Dissociation curve | A graph of haemoglobin saturation against oxygen level. |
The Dignity of the Human Person.The elegance of the body’s exchange systems calls us to value and care for human health.
| Genetic code | The triplet, degenerate, non-overlapping DNA code. |
| Transcription | Copying a gene into messenger RNA. |
| Translation | Assembling a polypeptide from an mRNA sequence. |
| Meiosis | Division producing four genetically varied haploid cells. |
| Genetic diversity | The number of different alleles in a population. |
| Phylogenetics | Classifying organisms by evolutionary relationships. |
| Index of diversity | A measure combining species richness and evenness. |
| Course of natural selection | Directional, stabilising or disruptive selection. |
Care for Creation.Measuring and protecting biodiversity is part of our shared responsibility to care for the richness of creation.
| Photophosphorylation | Making ATP using light energy. |
| Calvin cycle | The light-independent fixation of carbon dioxide. |
| Chemiosmosis | ATP synthesis driven by a proton gradient. |
| Glycolysis | The splitting of glucose in the cytoplasm. |
| Oxidative phosphorylation | ATP synthesis using the electron transport chain. |
| Net primary productivity | Gross productivity minus respiratory losses. |
| Saprobiont | A decomposer that breaks down dead material. |
| Eutrophication | Nutrient enrichment leading to algal blooms. |
Care for Creation.Understanding how energy sustains life underpins food security and the responsible care of our common home.
| Action potential | A rapid reversal of charge across a neurone membrane. |
| Refractory period | The recovery time before another impulse can pass. |
| Synapse | The junction between two neurones. |
| Neurotransmitter | A chemical that carries a signal across a synapse. |
| Sarcomere | The functional contractile unit of a muscle. |
| Sliding filament | The mechanism of muscle contraction. |
| Osmoregulation | The control of the water potential of the blood. |
| Ultrafiltration | Filtration under pressure in the kidney nephron. |
The Dignity of the Human Person.The finely tuned systems that keep us alive inspire respect for the dignity and wonder of the body.
| Codominance | Both alleles are expressed in the phenotype. |
| Epistasis | One gene masking the effect of another. |
| Hardy–Weinberg | A model predicting allele frequencies in a population. |
| Allele frequency | How common an allele is in a population. |
| Genetic drift | A change in allele frequency by chance. |
| Speciation | The formation of a new species. |
| Succession | The change in a community over time. |
| Carrying capacity | The maximum population an ecosystem can support. |
Care for Creation.Understanding how populations and ecosystems change equips us to protect the balance of the natural world.
| Mutation | A change in the base sequence of DNA. |
| Transcription factor | A protein that controls the rate of transcription. |
| Epigenetics | Heritable changes not caused by DNA sequence changes. |
| Methylation | Adding methyl groups to DNA to silence a gene. |
| Totipotent | A stem cell able to form any cell type. |
| Oncogene | A mutated gene that can cause cancer. |
| Recombinant DNA | DNA combined from two different sources. |
| PCR | The polymerase chain reaction used to amplify DNA. |
The Dignity of the Human Person.Powerful gene technologies must always serve, and never diminish, the dignity of the human person.
Chemistry
| Isotope | Atoms with the same protons but different neutrons. |
| Time of flight | A mass spectrometry method separating ions by mass/charge. |
| Ionisation energy | Energy to remove one mole of electrons from gaseous atoms. |
| Mole | The amount of substance containing 6.02 × 10²³ particles. |
| Empirical formula | The simplest whole-number ratio of atoms. |
| Atom economy | The proportion of reactant atoms in the useful product. |
| Ideal gas | A gas obeying pV = nRT under all conditions. |
| Standard solution | A solution of accurately known concentration. |
The Dignity of Work.Rigorous, honest measurement reflects the integrity and dignity of scientific work.
| Dative bond | A covalent bond where one atom supplies both electrons. |
| Electronegativity | The power of an atom to attract a bonding pair. |
| Electron-pair repulsion | The principle used to predict molecular shape. |
| Van der Waals | Weak forces from temporary induced dipoles. |
| Hydrogen bond | A strong intermolecular force involving N, O or F. |
| Dipole | A separation of charge across a bond or molecule. |
| Macromolecular | A giant covalent structure such as diamond. |
| Polar | Having an uneven distribution of charge. |
The Common Good.Understanding matter at the molecular level lets us create materials and medicines that serve society.
| Enthalpy change | The heat energy change at constant pressure. |
| Calorimetry | Measuring heat change using temperature and q = mcΔT. |
| Hess’s law | The enthalpy change is independent of the route taken. |
| Bond enthalpy | The energy to break one mole of a bond in the gas phase. |
| Activation energy | The minimum energy for a successful collision. |
| Maxwell–Boltzmann | The distribution of molecular energies in a sample. |
| Catalyst | A substance that provides an alternative, lower-energy route. |
| Standard conditions | 100 kPa and a stated temperature (usually 298 K). |
Care for Creation.Designing efficient, lower-energy reactions supports responsible stewardship of energy and resources.
| Dynamic equilibrium | Forward and reverse reactions occur at equal rates. |
| Kc | The equilibrium constant in terms of concentrations. |
| Le Chatelier | A system opposes any change imposed on it. |
| Brønsted–Lowry | An acid is a proton donor and a base a proton acceptor. |
| pH | −log of the hydrogen-ion concentration. |
| Ka | The acid dissociation constant of a weak acid. |
| Buffer | A solution resisting change in pH on adding acid or base. |
| Equivalence point | Where acid and base have exactly reacted. |
The Common Good.Controlling acidity and equilibria keeps water, food and medicines safe for the whole community.
| Oxidation state | The apparent charge on an atom in a compound. |
| Half equation | An equation showing electron loss or gain. |
| Standard electrode potential | The potential of a half-cell under standard conditions. |
| Electrochemical series | Half-cells ranked by electrode potential. |
| EMF | The maximum potential difference of a cell. |
| Feasibility | Whether a reaction is thermodynamically possible. |
| Fuel cell | A cell producing electricity from a continuous fuel supply. |
| Salt bridge | A connection allowing ion flow between half-cells. |
Care for Creation.Better batteries and fuel cells support the transition to cleaner energy and care for creation.
| Lattice enthalpy | The enthalpy of forming a lattice from gaseous ions. |
| Born–Haber cycle | An enthalpy cycle used to find lattice enthalpy. |
| Entropy | A measure of the disorder of a system. |
| Gibbs free energy | A quantity that predicts whether a change is feasible. |
| Rate equation | An equation linking rate to reactant concentrations. |
| Order | The power of a concentration term in the rate equation. |
| Rate constant | The constant k in a rate equation. |
| Rate-determining step | The slowest step that controls the overall rate. |
The Dignity of Work.The discipline of thermodynamics reflects the patient, rigorous work of seeking to understand the world truthfully.
| Periodicity | A repeating pattern of properties across a period. |
| Atomic radius | A measure of the size of an atom. |
| Ionisation energy | Energy to remove an electron from a gaseous atom. |
| Shielding | Inner electrons reducing the pull on outer electrons. |
| Amphoteric | A substance reacting as both an acid and a base. |
| Giant covalent | A macromolecular structure such as silicon dioxide. |
| Block | A region of the periodic table (s, p, d or f). |
| Oxide | A compound of an element with oxygen. |
The Common Good.The periodic patterns discovered by scientists worldwide are a shared inheritance for the good of all.
| Alkaline earth metal | An element in Group 2. |
| Halogen | An element in Group 7 (17). |
| Oxidising power | The tendency to gain electrons; decreases down Group 7. |
| Disproportionation | Simultaneous oxidation and reduction of one element. |
| Displacement | A more reactive halogen replacing a less reactive one. |
| Thermal decomposition | Breaking a compound down using heat. |
| Solubility trend | How solubility changes down a group. |
| Precipitate | An insoluble solid formed in a reaction. |
The Common Good.Halogen chemistry underpins clean water and disinfection that protect public health.
| Transition metal | A d-block element forming ions with partly filled d orbitals. |
| Ligand | An ion or molecule with a lone pair bonded to a metal. |
| Complex ion | A central metal ion surrounded by ligands. |
| Co-ordination number | The number of co-ordinate bonds to the central ion. |
| Ligand substitution | Replacing one ligand with another. |
| Heterogeneous catalyst | A catalyst in a different phase to the reactants. |
| Colorimetry | Measuring concentration from colour intensity. |
| Chelate effect | The stability gained from multidentate ligands. |
The Common Good.Transition-metal catalysts make industrial processes cleaner and cheaper, serving people and the planet.
| Nucleophile | An electron-pair donor that attacks a positive centre. |
| Electrophile | An electron-pair acceptor. |
| Free radical | A species with an unpaired electron. |
| Electrophilic addition | Addition across a C=C double bond. |
| Elimination | Removing a small molecule to form a double bond. |
| Structural isomer | Same formula, different structural arrangement. |
| Curly arrow | A symbol showing the movement of an electron pair. |
| Fingerprint region | The complex lower region of an infrared spectrum. |
Care for Creation.Choosing greener organic processes and fuels reflects responsible stewardship of creation.
| Chirality | The property of having non-superimposable mirror images. |
| Optical isomer | One of a pair of mirror-image molecules. |
| Nucleophilic addition | Addition of a nucleophile to a carbonyl group. |
| Esterification | Forming an ester from an acid and an alcohol. |
| Acyl chloride | A reactive carboxylic acid derivative. |
| Delocalisation | The spreading of electrons, as in benzene. |
| Electrophilic substitution | Replacing an H on benzene with an electrophile. |
| Basicity | The ability to accept a proton, as in amines. |
The Common Good.Organic synthesis creates the medicines and materials that improve and lengthen human lives.
| Condensation polymer | A polymer formed with loss of a small molecule. |
| Polyamide | A polymer with repeating amide links. |
| Zwitterion | An amino acid with both positive and negative charge. |
| NMR | Nuclear magnetic resonance spectroscopy. |
| Chemical shift | The position of an NMR peak relative to TMS. |
| Spin–spin splitting | The splitting of NMR peaks by neighbouring protons. |
| Retention time | The time a compound takes to pass through a column. |
| Synthetic route | A planned sequence of reactions to a target molecule. |
The Common Good.The tools to identify and build molecules power medicine, materials and analysis that benefit everyone.
Physics
| SI unit | An internationally agreed base unit of measurement. |
| Systematic error | A repeatable error with a consistent cause. |
| Random error | An unpredictable scatter in measurements. |
| Precision | How close repeated measurements are to each other. |
| Accuracy | How close a measurement is to the true value. |
| Uncertainty | The interval within which the true value lies. |
| Resolution | The smallest change an instrument can detect. |
| Order of magnitude | A power-of-ten estimate of size. |
The Dignity of Work.Honesty about uncertainty is at the heart of trustworthy science and reflects integrity in work.
| Specific charge | The charge-to-mass ratio of a particle. |
| Antiparticle | A particle with equal mass but opposite charge. |
| Annihilation | A particle and antiparticle converting to photons. |
| Quark | A fundamental building block of hadrons. |
| Lepton | A fundamental particle such as the electron. |
| Photoelectric effect | Electron emission when light hits a metal surface. |
| Work function | The minimum energy to release an electron. |
| de Broglie wavelength | The wavelength associated with a moving particle. |
The Common Good.Fundamental research is a shared human quest for understanding, pursued through international collaboration.
| Progressive wave | A wave that transfers energy through a medium. |
| Phase difference | How far out of step two points on a wave are. |
| Polarisation | Restricting wave vibrations to one plane. |
| Stationary wave | A wave pattern of nodes and antinodes. |
| Coherent | Having a constant phase relationship. |
| Path difference | The difference in distance travelled by two waves. |
| Diffraction grating | A slide with many slits used to disperse light. |
| Superposition | The adding of displacements of overlapping waves. |
The Common Good.Wave physics powers the fibre-optic communication that connects the whole human family.
| Vector | A quantity with both magnitude and direction. |
| Moment | The turning effect of a force about a point. |
| Impulse | The change of momentum, equal to force × time. |
| Terminal velocity | The constant velocity when resultant force is zero. |
| Young modulus | Tensile stress divided by tensile strain. |
| Elastic limit | The point beyond which deformation is permanent. |
| Projectile | An object moving under gravity with horizontal motion. |
| Conservation of momentum | Total momentum is constant with no external force. |
The Dignity of Work.Mechanics underpins the engineering that builds safe homes, transport and workplaces for all.
| Current | The rate of flow of electric charge. |
| Resistivity | A property of a material governing its resistance. |
| Ohmic conductor | A conductor obeying Ohm’s law at constant temperature. |
| EMF | The energy given per unit charge by a source. |
| Internal resistance | The resistance within a source of EMF. |
| Terminal p.d. | The potential difference across a cell’s terminals. |
| Kirchhoff’s laws | Rules for conserving charge and energy in circuits. |
| Potential divider | A circuit that splits voltage in a set ratio. |
The Common Good.Reliable electrical understanding underpins the technology and power that serve modern life.
| Angular speed | The rate of change of angle in circular motion. |
| Centripetal force | The resultant force directed to the centre of a circle. |
| Simple harmonic motion | Motion with acceleration proportional to displacement. |
| Resonance | A large amplitude when driven at the natural frequency. |
| Damping | The reduction of amplitude by energy loss. |
| Specific latent heat | Energy to change the state of 1 kg of a substance. |
| Ideal gas | A gas obeying pV = nRT under all conditions. |
| Root-mean-square speed | A measure of the average speed of gas molecules. |
The Common Good.Understanding heat and motion drives efficient engines and technologies that benefit society.
| Field | A region where an object experiences a force. |
| Gravitational potential | The work done per unit mass to move from infinity. |
| Coulomb’s law | The inverse-square law for the force between charges. |
| Capacitance | The charge stored per unit potential difference. |
| Time constant | The product RC; the time to fall to 1/e of a value. |
| Magnetic flux density | The strength of a magnetic field (tesla). |
| Faraday’s law | Induced EMF equals the rate of change of flux linkage. |
| Lenz’s law | An induced current opposes the change causing it. |
The Common Good.The concept of fields underpins the generators, motors and scanners that power and heal society.
| Decay constant | The probability of decay of a nucleus per unit time. |
| Activity | The number of decays per second (becquerel). |
| Half-life | The time for half the nuclei in a sample to decay. |
| Binding energy | The energy needed to separate a nucleus into nucleons. |
| Mass defect | The difference in mass converted to binding energy. |
| Fission | The splitting of a heavy nucleus into lighter ones. |
| Fusion | The joining of light nuclei to form a heavier nucleus. |
| Nucleon | A proton or neutron in a nucleus. |
Rights and Responsibilities.The immense power of the nucleus must be used responsibly, always in the service of human life and dignity.
Suggested starting points. Your teacher will give you any class logins.
Our CurriculumDrama
After your report, use the knowledge & skills ladders to see where you are and your next step. Then use the knowledge organisers to revise and make that step.
Step into the story.
Shows your stage in each subject, from Building foundations to Deepening mastery.
Drama at St Augustine’s develops confident, creative and empathetic young people through a practical, three-year Key Stage 3 curriculum. Students learn by making, performing and evaluating theatre — building the vocal, physical, spatial, directing and design skills we call the Magic 5, alongside the Drama Star qualities of creativity, teamwork, resilience, leadership, performance and evaluation.
The curriculum is carefully sequenced so that skills and knowledge build year on year. Year 7 lays the foundations of physical storytelling, style and devising. Year 8 deepens understanding of theatrical style, genre and the language of design. Year 9 explores contemporary theatre, real stories and the work of professional theatre-makers, bridging towards GCSE.
Throughout, students encounter a rich range of theatre — from Ancient Greece and Shakespeare to Kneehigh, Frantic Assembly and verbatim theatre — and use drama to explore what it means to be human, treating important and sensitive issues with care and respect.
Helen Barnsley, Head of Department
Drama at St Augustine’s is taught through a coherent three-year Key Stage 3 curriculum that builds practical performance skills alongside knowledge of theatrical script work, devising, genres and design. In Year 7, students master the foundations of mime, movement, storytelling, melodrama, script work, devising and Greek theatre. In Year 8, they study script work, devising and design through Commedia, mask work, contemporary adaptation, Shakespeare, and creative devised work on building suspense. In Year 9, they explore ensemble comedy, verbatim and issue-based theatre, live theatre evaluation and the work of contemporary practitioners, preparing them for GCSE and a lifelong love of theatre.
Start here: choose what you are studying now to jump to the right resources.
Each skill is a ladder you climb. Tap the wording from your report below — every ladder will show the rung you are on now and the rung to aim for next. These are the same stages used on your school report.
Knowledge & understanding of drama
Performing, devising & evaluating
Knowledge & understanding of drama
Performing, devising & evaluating
Knowledge & understanding of drama
Performing, devising & evaluating
A library of revision sheets — one per unit, colour-matched to the Year 7, 8 and 9 ladders above. Open the one for whatever you’re studying now to revise the key knowledge, skills and vocabulary.
Year 7
| Mime | Performing using movement and gesture without words. |
| Gesture | A movement of the body or hands to express meaning. |
| Freeze-frame | A held still image that captures a key moment. |
| Thought-tracking | Speaking a character’s inner thoughts aloud. |
| Split-stage | Showing two places or scenes on stage at once. |
| Cross-cutting | Switching quickly between two scenes. |
| Narration | Telling or commenting on the story for the audience. |
| Body language | What posture and movement say about a character. |
Community and Participation.Storytelling is a shared human tradition; every member of the ensemble contributes so that a story can be told and heard by all.
Links to English (stories and characters), PE (balance, coordination and movement) and MFL (stories across cultures).
| Melodrama | An exaggerated, sensational style of Victorian theatre. |
| Stock character | A recognisable character type, e.g. the villain. |
| Exaggeration | Making vocal and physical choices ‘larger than life’. |
| Genre | A category of drama with shared conventions. |
| Convention | An expected feature of a style, e.g. the aside. |
| Aside | A remark to the audience, unheard by other characters. |
| Climax | The moment of greatest tension in a story. |
| Villain | The wicked character who opposes the hero. |
The Common Good.Melodrama celebrates justice and good overcoming evil — a reminder that communities flourish when we work for what is right and fair for all.
Links to English (gothic and melodramatic novels), History (the Victorian era and Industrial Revolution) and PE (movement).
| Ensemble | A group of actors working together as one. |
| Multi-roling | One actor playing several characters. |
| Puppetry | Bringing an object or puppet to life on stage. |
| Physical theatre | Telling a story mainly through the body. |
| Composite set | A single set representing several locations. |
| Adaptation | A story retold from another form, e.g. a novel. |
| Cross-casting | Casting against a character’s age or gender. |
| Evacuation | Moving people away from danger, as in wartime. |
Solidarity.The story explores displacement, wartime hardship and understanding across cultures, teaching us to stand alongside those uprooted from their homes.
Links to History (WWII, Exercise Tiger and displacement), Music (song and dance) and PSHE (mutual understanding across cultures).
| Devising | Creating original drama from a stimulus. |
| Stimulus | A starting point that inspires a piece of drama. |
| Improvisation | Performing without a fixed script. |
| Polished improvisation | A rehearsed, refined improvised piece. |
| Hot-seating | Questioning an actor in role to develop character. |
| Mind-mapping | Generating and linking ideas visually. |
| Collaboration | Working together to create and refine. |
| Dramatic intention | The effect a piece aims to have on an audience. |
Dignity of the Human Person.Ernie’s story reminds us of the importance of being believed and of speaking out when something is wrong — every person’s voice and wellbeing matters.
Links to English (plays and dialogue), History (historical settings) and PSHE/RE (mental health; being heard).
| Chorus | A group who narrate and comment as one voice. |
| Tragedy | A serious play with an unhappy outcome. |
| Comedy | A humorous play. |
| Satire | Using humour to criticise people or society. |
| Dionysus | The Greek god in whose honour theatre was held. |
| Thespis | Traditionally the first actor. |
| Amphitheatre | A large open-air Greek theatre. |
| Deus ex machina | A device lowering ‘gods’ onto the stage. |
The Common Good.Greek theatre was part of civic life — a whole community gathering to reflect on justice, humanity and how to live well together.
Links to English (Greek myths and the roots of playwriting) and History (early Western civilisation).
Year 8
| Commedia dell’Arte | Early Italian masked comic theatre. |
| Stock character | A fixed, recognisable character type. |
| Lazzo | A rehearsed comic routine. |
| Arlecchino | The acrobatic servant (Harlequin). |
| Status | A character’s power or rank in a scene. |
| Improvisation | Performing around an agreed scenario. |
| Clowning | Exaggerated physical comedy. |
| Slapstick | Broad, physical comic action. |
The Common Good.Commedia let masters and servants laugh together — comedy that levels people and builds a shared sense of community.
Links to English (Shakespeare’s ‘Twelfth Night’), MFL (Molière in France), History (European cultural movements) and PE (movement).
| Mask | A face covering used to create character. |
| Trestle | A company known for expressive character masks. |
| Half-mask | A mask covering the upper face only. |
| Design elements | Set, costume, lighting, sound and props. |
| Symbolic | Standing for an idea, e.g. a sin or emotion. |
| Realisation | Turning a design idea into a made object. |
| Character mask | A mask expressing a fixed character type. |
| Anthropomorphic | Giving human form to an idea or animal. |
Dignity of the Human Person.Mask work asks us to look beyond the surface — a reminder to value the person behind every face and to see others truthfully.
Links to Art and D&T (designing and making to a brief, textiles for set building, electronics for stage lighting), Music (‘The Lion King’) and English (‘The Ash Girl’).
| Ensemble | Actors working together as one unit. |
| Multi-roling | One actor playing several characters. |
| Projection | Projected images used as set and design. |
| Contemporary design | Modern staging using multi-media. |
| Narration | Telling the story directly to the audience. |
| Physicalisation | Creating objects or ideas with the body. |
| Adaptation | A stage version of a novel. |
| Point of view | Whose perspective the story is told from. |
Dignity of the Human Person.The play celebrates a neurodivergent hero, teaching us to value every person’s unique way of seeing and to include those who are different.
Links to PSHE (autism and family relationships), Maths (Christopher’s strengths), Geography (journeys and transport) and PE (movement).
| Globe | Shakespeare’s open-air playhouse. |
| Tragedy | A serious play ending in downfall. |
| Comedy | A light play, often ending in marriage. |
| History | A play based on real English monarchs. |
| Patron | A wealthy sponsor of a playwright. |
| Imagery | Vivid, figurative language creating pictures. |
| Soliloquy | A character’s spoken inner thoughts, alone on stage. |
| Jacobean | The era of King James I. |
Dignity of the Human Person.Shakespeare’s plays explore the whole range of human experience, helping us recognise the shared dignity and struggles of every person across time.
Links to English (the literary canon), History (Tudor and Jacobean life) and PE (movement in staging).
| Tension | A feeling of suspense and anticipation. |
| Atmosphere | The mood created for an audience. |
| Suspense | Uncertainty that keeps an audience gripped. |
| Lighting design | Using light to create mood and focus. |
| Sound design | Using sound and effects to create atmosphere. |
| Flashback | A scene showing an earlier event. |
| Choral speaking | A group speaking together for effect. |
| Pace | The speed at which the action unfolds. |
Community and Participation.Devising a piece together relies on every member contributing and listening — a community creating something none could make alone.
Links to English (‘The Woman in Black’), History (period settings) and PE (movement and physical theatre).
Year 9
| Pastiche | A work that imitates and gently mocks a genre. |
| Multi-roling | One actor playing many characters. |
| Ensemble | Actors working closely as one. |
| Adaptation | A retelling from one form to another. |
| Transition | A change between scenes or locations. |
| Slapstick | Broad physical comedy. |
| Genre | A type of story with set conventions. |
| Blocking | The planned positioning and movement of actors. |
The Common Good.The 39 Steps depends on a small ensemble trusting and supporting one another — achieving together what no single actor could do alone.
Links to English (satire), History (Britain on the eve of WWI, 1914) and PE (movement).
| Verbatim theatre | Drama built from real people’s exact words. |
| Interview | A recorded conversation used as source material. |
| Documentary drama | Drama based on real events. |
| Ensemble | Actors working together as one. |
| Mannerism | A characteristic gesture or way of speaking. |
| Dramatic intention | The effect a piece aims to have. |
| Multi-roling | One actor playing several real people. |
| Message | The idea or issue a play communicates. |
Dignity of the Human Person and the Sanctity of Life.Dan’s true story is told with respect for his life and for his family, reminding us that every life is precious and every person’s story matters.
Links to PSHE (drugs education, peer pressure and family bonds), Citizenship/SMSC (personal responsibility) and PE (movement). Taught sensitively, as it deals with a real bereavement.
| Devising | Creating original drama from a stimulus. |
| Docu-drama | Drama based on real, documented events. |
| Umbrella theme | A theme that unites several stimuli. |
| Verbatim | Using real people’s exact words. |
| Stimulus | A starting point that inspires drama. |
| P4C | Philosophy for Children questioning. |
| Refine | To improve and polish a piece. |
| Dramatic intention | The intended effect on an audience. |
Rights and Responsibilities.Turning real news into drama demands honesty and fairness — using our freedom to tell stories responsibly and truthfully.
Links to English (news media and readerships), History (news stories of the past) and PSHE/RE (ethical and moral dilemmas).
| Verbatim theatre | Drama built from real people’s words. |
| Thrust stage | A stage projecting into the audience on three sides. |
| Montage | Short scenes cut quickly together. |
| Staging | How space and set are used in performance. |
| Personal response | A supported opinion on a production. |
| PVE | Physical, Vocal, Effect — a way to analyse acting. |
| Testimony | A real person’s account, used verbatim. |
| Effect | The impact a choice has on the audience. |
Option for the Poor and Vulnerable.‘Home’ gives a voice to homeless young people, calling us to notice, value and stand with the most vulnerable in society.
Links to English (analytical writing), PSHE (homelessness and support services) and Citizenship (poverty and deprivation).
| Practitioner | A theatre-maker with a distinctive style. |
| Frantic Assembly | A company known for physical theatre. |
| DV8 | A company using verbatim and physical movement. |
| Kneehigh / Wise Children | Companies using stagecraft and ensemble. |
| Naturalism | A lifelike style of theatre. |
| Non-naturalism | Stylised theatre that is not lifelike. |
| Total theatre | Valuing design as highly as the words. |
| Montage | Short, unconnected scenes cut together. |
Solidarity.Practitioners like DV8 use theatre to explore social and political issues, standing in solidarity with others and calling audiences to care about the wider world.
Links to PSHE (conflict, relationships and mental health), PE (balance, coordination and movement) and Music/Dance (choreographed movement).
Suggested starting points. Your teacher will give you any class logins.
At GCSE we follow AQA GCSE Drama (specification 8261), a linear course assessed by one written exam and two practical (non-exam) components. It builds directly on the performing, devising, design and evaluation skills developed across Key Stage 3.
Students learn as performers and as designers — studying a set play, creating original devised drama and performing scripted extracts — while developing the vocabulary to analyse and evaluate live theatre. Use the selector below to find your current component, follow the course pathway, track yourself on the knowledge & skills ladder, and revise with the knowledge organisers.
Pick the component you’re studying now to jump to its revision organiser and progress ladder.
AQA GCSE Drama (8261) is assessed by one written exam and two practical, non-exam components, all completed by the end of Year 11 (200 marks in total). Open the tile below for the full breakdown of each component, the assessment objectives, ways of working and how marks are gained.
Built around the four AQA assessment objectives (AO1–AO4). Tap the grade band from your report to see where you are and your next step up in each objective.
AO1 · Creating & developing ideas (20%)
AO2 · Applying theatrical skills in performance (30%)
AO3 · Knowledge & understanding of drama and theatre (30%)
AO4 · Analysing & evaluating (20%)
One organiser per part of the course. Open the component you’re studying to revise its key knowledge and vocabulary.
Component 1 — Understanding drama
| Proscenium arch | A ‘picture-frame’ stage with the audience on one side. |
| Thrust stage | A stage that projects into the audience on three sides. |
| In-the-round | A stage with the audience seated all around it. |
| Traverse | A stage with the audience on two opposite sides. |
| Upstage | The area of the stage furthest from the audience. |
| Downstage | The area of the stage nearest the audience. |
| End-on stage | A stage with the audience seated directly in front of it. |
| Configuration | The chosen arrangement of stage and audience. |
Community and the Common Good.Theatre is made by an interdependent community; every role, seen or unseen, has dignity and matters to the whole.
English (drama texts), Art & Design and D&T (design), Physics (light and sound). Science (light and sound).
| Subtext | Meaning beneath the lines that is not stated directly. |
| Context | The social, historical and cultural background of a play. |
| Genre | The category or type of a play (e.g. tragedy, comedy). |
| Stage directions | The writer’s instructions for staging and action. |
| Characterisation | How an actor builds and conveys a character. |
| Proxemics | The use of space and distance between performers. |
| Motif | A recurring image, idea or device in a play. |
| Interpretation | A justified reading of how a text should be staged. |
Human Dignity.Great plays explore the whole human person; studying them deepens our understanding of, and respect for, others’ lives and experiences.
English Literature (textual analysis), History (context).
| Analysis | Breaking down how choices create meaning. |
| Evaluation | Judging how effective choices were, with reasons. |
| Ensemble | A company of performers working as one. |
| Naturalism | A style aiming to recreate real, believable life. |
| Style | The overall theatrical manner of a production. |
| Convention | An accepted theatrical technique the audience understands. |
| Audience response | The intended or observed reaction of an audience. |
| Design concept | The unifying design idea behind a production. |
Rights and Responsibilities.As an audience we engage thoughtfully and fairly with the work others create, taking their labour and vision seriously.
English (critical writing), Media Studies.
Component 2 — Devising drama
| Stimulus | A starting point that sparks a devised piece. |
| Devising | Creating an original piece as a company. |
| Ensemble | A group creating and performing together. |
| Genre | The type or category of the piece being made. |
| Style | The chosen theatrical manner of the piece. |
| Specialism | Whether a student works as performer or designer. |
| Refinement | Improving work through rehearsal and feedback. |
| Dramatic intention | What the piece aims to communicate. |
Participation and the Common Good.Devising is truly collaborative; every voice in the ensemble is heard and contributes to a shared creation.
English (creative composition), PSHE (teamwork, issue-based focus), Music (soundscapes), PE (coordinated movement).
| Portfolio | A collected record of work and evidence. |
| Stimulus | The starting point the log responds to. |
| Development | How ideas grow and change over rehearsal. |
| Collaboration | Working productively within the company. |
| Analysis | Explaining how and why choices work. |
| Evaluation | Judging success with supporting reasons. |
| Rationale | The reasoning behind a creative decision. |
| Reflection | Thinking critically about one’s own work. |
Dignity of Work.The log honours the whole process — valuing effort, collaboration and craft, not only the finished product.
English (structured writing, metacognitive skills), PSHE (self-reflection).
Component 3 — Texts in Practice
| Extract | A selected section of a play for performance. |
| Realisation | Bringing a text to life on stage. |
| Characterisation | Building and sustaining a role. |
| Vocal skills | Use of pitch, pace, pause, tone and volume. |
| Physical skills | Use of body, movement, gesture and space. |
| Pace | The speed and rhythm of performance. |
| Proxemics | The meaning created by distance and space. |
| Cue | A signal that prompts the next line or action. |
Human Dignity.Bringing a writer’s characters faithfully to life honours both the artist’s vision and the humanity of the people portrayed.
English (text), Music (sound), Physics (stage lighting). Science (stage lighting and sound).
Suggested starting points. Your teacher will give you any class logins.
In the Sixth Form we follow AQA A-Level Drama and Theatre (specification 7262), a linear two-year course assessed by one open-book written exam and two practical components. It extends the performance, devising, design and critical skills developed at GCSE.
Students study set plays as directors, performers and designers, create original drama informed by prescribed practitioners, perform extracts from a range of plays informed by prescribed practitioners, and analyse live theatre. Use the selector below to find your current component, follow the course pathway, track yourself on the knowledge & skills ladder, and revise with the knowledge organisers.
Pick the component you’re studying now to jump to its revision organiser and progress ladder.
AQA A-Level Drama and Theatre (7262) is a linear two-year course assessed by one open-book written exam and two practical components (200 marks in total). Open the tile below for the full breakdown of each component, the assessment objectives, skills and how marks are gained.
Built around the four AQA assessment objectives (AO1–AO4). Tap the grade band from your report to see where you are and your next step up in each objective.
AO1 · Creating & developing ideas (20%)
AO2 · Applying theatrical skills in performance (30%)
AO3 · Knowledge & understanding of drama and theatre (30%)
AO4 · Analysing & evaluating (20%)
One organiser per part of the course. Open the component you’re studying to revise its key knowledge and vocabulary.
Component 1 — Drama and theatre
| Directorial concept | A unifying idea guiding a whole production. |
| Context | The background that shaped a play’s creation. |
| Semiotics | How signs and symbols create meaning on stage. |
| Proxemics | Meaning created by space and distance. |
| Interpretation | A justified staging reading of a text. |
| Convention | An understood theatrical technique. |
| Genre | The category or type of the play. |
| Realisation | Bringing a concept to life on stage. |
Human Dignity.Enduring drama explores what it means to be human across time, deepening empathy and our understanding of one another.
English Literature, History. Sociology (the subculture).
| Contemporary | Of the present or recent period. |
| Staging | How a play is physically presented. |
| Multimedia | Using video, projection or digital media on stage. |
| Convention | An understood theatrical technique. |
| Interpretation | A justified staging reading of a text. |
| Concept | The central directorial idea for a production. |
| Naturalism | A style recreating believable real life. |
| Non-naturalism | Styles that break from realistic representation. |
Voice for the Voiceless.Contemporary theatre often gives voice to overlooked experiences, echoing the call to stand with those on the margins.
English, Sociology, Media Studies. History (the Great Depression).
| Semiotics | How signs and symbols create meaning on stage. |
| Proxemics | Meaning created by space and distance. |
| Ensemble | A company performing as one. |
| Design concept | The unifying design idea of a production. |
| Realisation | How intentions are achieved on stage. |
| Critique | A reasoned, evaluative response. |
| Convention | An understood theatrical technique. |
| Audience impact | The effect a production has on its audience. |
Rights and Responsibilities.Engaging seriously and fairly with others’ creative work reflects respect for their labour and vision.
English, Media Studies. History, Politics and Sociology.
Component 2 — Creating original drama
| Practitioner | A theatre-maker whose methods shape the work. |
| Devising | Creating an original piece as a company. |
| Working notebook | The documented record of the devising process. |
| Stimulus | A starting point for devised work. |
| Ensemble | A group creating and performing together. |
| Stylisation | Presenting action in a deliberately non-realistic way. |
| Refinement | Improving work through rehearsal and feedback. |
| Rationale | The reasoning behind creative decisions. |
Participation and the Common Good.Ensemble devising models a community in which every member shapes a shared work for the good of all.
English, PSHE, PE/Dance (physical theatre). History, Politics and Sociology, depending on the choices made.
Component 3 — Making theatre
| Extract | A selected section of a play for performance. |
| Realisation | Bringing a text to life on stage. |
| Characterisation | Building and sustaining a role. |
| Vocal technique | Skilled control of the voice in performance. |
| Physicality | The expressive use of the body. |
| Proxemics | Meaning created by distance and space. |
| Pace | The speed and rhythm of performance. |
| Stylisation | Deliberately non-realistic presentation. |
Human Dignity.Faithfully embodying diverse characters cultivates empathy and honours the full range of human experience.
English, Music, Physics (lighting and sound). Science (lighting and sound), and History, Politics or Sociology depending on the choices made.
| Practitioner | A theatre-maker whose methods shape the work. |
| Methodology | A practitioner’s systematic way of working. |
| Concept | The central interpretive idea for an extract. |
| Reflective report | Written analysis and evaluation of the work. |
| Realisation | Bringing a concept to life on stage. |
| Justification | Reasoned support for creative decisions. |
| Evaluation | Judging success with supporting reasons. |
| Intention | What a piece aims to communicate. |
Dignity of Work.The reflective report values the whole craft of theatre-making: the thinking, the process and the outcome, not just the final result.
English, PSHE (reflection). History, Politics and Sociology, depending on the choices made.
Suggested starting points. Your teacher will give you any class logins.
Our CurriculumMusic
Music at St Augustine’s. At Key Stage 3, every student performs, composes, listens and produces across a rich range of styles — from keyboard and ukulele to Samba, Gamelan, the Blues and music technology. This leads to GCSE Music (OCR J536). After your report, use the knowledge & skills ladders to see where you are and your next step, then use the knowledge organisers to revise and make that step.
Perform, compose, listen — find your voice.
Shows your stage in each subject, from Building foundations to Deepening mastery.
Music at St Augustine’s is for everyone. From Year 7, students perform, compose, listen and use music technology, building confidence and skill across a wide range of styles and traditions — keyboard and ukulele, musical ensembles, world music, the Blues and digital production. Practical music-making is at the heart of every lesson, and the department offers a rich programme of ensembles and performance opportunities.
As a Lasallian Catholic school, we believe music nurtures the whole person. Making music together builds community, patience and joy, and celebrates the God-given creativity in every student. Through music from many cultures and traditions, students learn to listen with respect and to value the dignity and richness of all people.
Mrs Sorga, Head of Department
Music at St Augustine’s is taught to all students across a three-year Key Stage 3 that builds year on year. In Year 7 students lay strong foundations as performers, composers, listeners and producers — creative composition, keyboard and ukulele skills, musical ensembles, composing for special occasions, and an introduction to music technology. Year 8 develops fluency and independence through the popular-song canon, Gamelan, Minimalism (using Sibelius), cover versions and music production. Year 9 works with growing artistry — the Blues, music for the media, independent projects, EDM and the protest song.
Throughout the three years, students return to the building blocks of music — the elements, notation, structure and the traditions behind different styles — and every unit prepares the way for GCSE. The knowledge & skills ladders below show what progress looks like, from Building foundations to Deepening mastery, and the knowledge organisers give students everything they need to revise and climb to the next rung.
Start here: choose what you are studying now to jump to the right resources.
The three-year journey through Music, term by term. Open a year to see what your child studies and how the journey builds.
Assessment: Keyboard performance.
Assessment: Ukulele performance.
Assessment: Composition for a special occasion.
Assessment: Keyboard performance of the melody.
Assessment: Group Gamelan composition.
Assessment: Minimalist composition.
Assessment: Group Blues performance.
Assessment: Independent performance and composition project.
Each skill is a ladder you climb. Tap the wording from your report below — every ladder will show the rung you are on now and the rung to aim for next.
Performing
Composing
Listening & appraising
Music technology
Performing
Composing
Listening & appraising
Music technology
Performing
Composing
Listening & appraising
Music technology
One organiser per unit — the key knowledge, vocabulary and skills. Choose what you are studying now to revise and climb to the next rung.
Year 7
| Pulse | The steady beat of the music. |
| Rhythm | The pattern of long and short sounds. |
| Ostinato | A repeated musical pattern. |
| Polyrhythm | Two or more rhythms played together. |
| Dynamics | How loud or quiet the music is. |
| Texture | The layers of sound in a piece. |
| Tempo | The speed of the music. |
| Score | Written music showing what to play. |
Creativity as a gift.When we learn how to create our own music we take inspiration from the natural world, and from the events of a life — weddings, funerals and music written for royalty. Making music together lets us share our God-given talents and build one another up.
| Stave | The five lines music is written on. |
| Treble clef | The clef used for higher pitches. |
| Pitch | How high or low a note is. |
| Melody | The main tune. |
| Crotchet | A note worth one beat. |
| Minim | A note worth two beats. |
| Fingering | Which finger plays each note. |
| Accompaniment | Music that supports the melody. |
Perseverance and patience.Learning an instrument teaches us to keep going with patience and humility — virtues that help us serve and encourage others.
| Ensemble | A group performing together. |
| Timbre | The tone quality of a sound. |
| Balance | How well the parts are heard together. |
| Conductor | A person who directs an ensemble. |
| Bateria | A Samba percussion ensemble. |
| Gamelan | An Indonesian tuned-percussion ensemble. |
| Section | A family or group within an ensemble. |
| Cue | A signal to start or change. |
Community and belonging.Playing in an ensemble mirrors Lasallian community: everyone matters, we listen to one another, and the group is greater than any individual.
Year 8
| Melody | The main tune. |
| Chord | Two or more pitches sounded together. |
| Interval | The distance between two pitches. |
| Octave | An interval of eight notes. |
| Structure | How a piece is organised into sections. |
| Phrase | A musical sentence. |
| Tonality | Whether music is major or minor. |
| Harmony | Chords supporting a melody. |
Hope and imagination.Songs like this express longing and hope; music gives voice to the deepest human feelings and can lift the human spirit.
| Gamelan | An Indonesian tuned-percussion ensemble. |
| Cycle | A repeating rhythmic pattern. |
| Gong | A large struck instrument marking cycles. |
| Texture | The layers of sound. |
| Heterophony | Variations of one melody at once. |
| Kotekan | Interlocking Balinese patterns. |
| Metallophone | A tuned metal-bar instrument. |
| Oral tradition | Learning music by ear. |
Respect for other cultures.Studying music from around the world helps us value the dignity and richness of every people and culture, as our Catholic faith calls us to do.
| Minimalism | A style based on repeating small ideas. |
| Cell | A short musical idea. |
| Phasing | Two identical parts drifting out of time. |
| Augmentation | Making note values longer. |
| Ostinato | A repeated pattern. |
| Loop | A repeated section. |
| Notation | Written music. |
| Texture | The layers of sound. |
Finding depth in the simple.Minimalism shows how much beauty can grow from something small — a reminder that small, faithful actions can have great effect.
Year 9
| 12-bar Blues | A repeating 12-bar chord pattern. |
| Blues scale | A scale with added blue notes. |
| Improvisation | Making up music in the moment. |
| Riff | A short repeated pattern. |
| Call and response | A phrase answered by another. |
| Swing | A relaxed, uneven rhythm. |
| Chord | Notes sounded together. |
| Walking bass | A steady moving bass line. |
Giving voice to struggle and hope.The Blues arose from suffering yet expresses resilience and hope — music can carry a community’s story and dignity.
| EDM | Electronic Dance Music. |
| DAW | Digital audio workstation, e.g. Ableton. |
| Loop | A repeated section. |
| Quantise | Snapping notes to the beat. |
| Build-up | A rising section creating tension. |
| Drop | The release into the main section. |
| Automation | Recorded changes to a control over time. |
| Sample | A short recorded sound used in a track. |
Using technology well.Technology is a gift to be used creatively and responsibly, for building community and joy rather than harm.
| Protest song | A song expressing a viewpoint or call for change. |
| Lyrics | The words of a song. |
| Verse | A section with changing words. |
| Chorus | The repeated, memorable section. |
| Hook | A catchy, memorable idea. |
| Word-painting | Music reflecting the meaning of words. |
| Message | The idea a song communicates. |
| Metacognition | Thinking about your own learning. |
Speaking up for justice.Protest songs give voice to the voiceless — echoing Catholic Social Teaching’s call to stand with the poor and work for justice and peace.
Suggested starting points. Your teacher will give you any class logins.
At GCSE we follow OCR Music (specification J536). It is a practical, balanced course: students perform, compose and develop their listening and appraising skills across five areas of study. The qualification is 60% non-exam assessment (performing and composing) and 40% a written listening exam sat at the end of Year 11. St Augustine’s follows the moderated upload route, submitting components 01, 03 and 05.
Students build on their Key Stage 3 skills to perform as soloists and in ensembles, compose to their own and to set briefs, and study music from the concerto to film and pop. Use the selector below to find your current focus, follow the course route-through to see how it fits together, track yourself on the knowledge & skills ladder, and revise with the knowledge organisers.
Pick the unit you’re studying now to jump to its revision organiser and progress ladder.
GCSE Music (OCR J536) is assessed through two non-exam components (performing and composing, 60% together) and one written listening exam (40%). St Augustine’s follows the moderated upload route — components 01, 03 and 05. Tap below for the full breakdown.
Minimum requirements: across components 01 and 03, performing totals at least four minutes with at least one minute as part of an ensemble; composing meets the minimum duration set by OCR.
After your report, tap your grade band to see what you can already do and your next step up.
AO1 · Performing (30%)
AO2 · Composing (30%)
AO3 · Musical knowledge & understanding (20%)
AO4 · Appraising — evaluative & critical judgements (20%)
Organisers for each area of study and for the non-exam assessment. The NEA organisers include the exam-board rules you must follow.
Areas of study — for the listening exam
| Idiom | A style natural to an instrument or genre. |
| Repertoire | The body of pieces for an instrument. |
| Technique | How an instrument is physically played. |
| Interpretation | Expressive choices in performance. |
| Articulation | How notes are attacked and joined. |
| Timbre | The tone quality of a sound. |
| Phrasing | Shaping music into musical sentences. |
| Ensemble | A group performing together. |
Developing your gifts.Nurturing your own musical talent, with patience and practice, honours the gifts you have been given and prepares you to share them with others.
| Concerto | A work for soloist(s) and orchestra. |
| Ritornello | A recurring tutti theme. |
| Tutti | The whole ensemble playing. |
| Solo | One performer featured. |
| Cadenza | A virtuosic solo passage. |
| Concerto grosso | A Baroque work with a small solo group. |
| Virtuosic | Requiring great technical skill. |
| Movement | A self-contained section of a larger work. |
Treasuring our heritage.Engaging with the great music of the past helps us value the cultural inheritance handed on to us and to pass it on in turn.
| Raga | An Indian melodic framework. |
| Tala | An Indian rhythmic cycle. |
| Drone | A sustained held note. |
| Polyrhythm | Contrasting rhythms played together. |
| Call and response | A phrase answered by another. |
| Bhangra | A Punjabi popular dance style. |
| Calypso | A Caribbean song style. |
| Aural tradition | Music passed on by ear. |
Respect for every culture.Listening to music from across the world helps us honour the dignity and creativity of all peoples, as our faith calls us to do.
| Leitmotif | A recurring theme for a character or idea. |
| Underscore | Background music under a scene. |
| Diegetic | Music that exists within the scene. |
| Non-diegetic | Music heard only by the audience. |
| Mickey-mousing | Music closely matching the action. |
| Cue | A section of film music. |
| Timbre | The tone colour of a sound. |
| Motif | A short, memorable musical idea. |
Serving the story.Great film music serves something bigger than itself — a reminder that our talents find their purpose in service to others.
| Verse | A section with changing lyrics. |
| Chorus | The repeated, memorable section. |
| Hook | A catchy, memorable idea. |
| Riff | A short repeated pattern. |
| Multitracking | Recording parts separately and combining them. |
| Ballad | A slow, emotional song. |
| Backbeat | Emphasis on beats 2 and 4. |
| Production | How a track is recorded and shaped. |
Music for everyone.Popular music belongs to all — it can build community, bring joy and give a voice to hopes and struggles shared by many.
Non-exam assessment — performing & composing
Your performing and composing work is non-exam assessment (NEA) and must meet JCQ and OCR (J536) requirements. Breaking these rules is malpractice and can cost you marks — or your result.
| Solo | A performance by one player. |
| Ensemble | A performance as part of a group. |
| Accuracy | Playing the right notes and rhythms. |
| Technical control | Command of your instrument. |
| Interpretation | Expressive performance choices. |
| Level of demand | How difficult a piece is. |
| Moderation | External checking of marked work. |
| Recording | The captured performance submitted. |
Offering your best.Preparing carefully and performing with integrity reflects the call to offer our very best in all we do — Ad Maiorem Dei Gloriam.
Your performing and composing work is non-exam assessment (NEA) and must meet JCQ and OCR (J536) requirements. Breaking these rules is malpractice and can cost you marks — or your result.
| Brief | A set of requirements for a composition. |
| Free composition | A piece to your own brief. |
| Development | Varying and extending ideas. |
| Structure | How a piece is organised. |
| Score | Notated music. |
| DAW | Digital audio workstation, e.g. Ableton. |
| Motif | A short musical idea to develop. |
| Coherence | How well a piece hangs together. |
Creativity as a gift.Composing lets us take part in the joy of making something new — using our creativity thoughtfully and honestly, and giving credit where it is due.
Suggested starting points. Your teacher will give you any class logins.
Our CurriculumPSHE
Personal, Social, Health and Economic education at St Augustine’s — our “Words, Worship and Wisdom” Personal Development Programme. A non-examined programme running from Year 7 to the Sixth Form that helps every student grow in confidence, character and faith, and prepare for life beyond school.
Growing in wisdom, dignity and hope.
Key Stage 3 is the first stage of our “Words, Worship and Wisdom” Personal Development Programme. Across Years 7 to 9, students explore health and wellbeing, relationships (including Relationships and Sex Education) and living in the wider world — learning to look after themselves and others, stay safe, and grow in character and faith.
It is a non-examined subject, taught through dedicated PSHE lessons, tutor time and drop-down days. The programme follows a spiral plan: the same themes return each year with greater depth and maturity. It is shaped by the Department for Education’s statutory RSHE guidance, the PSHE Association framework and our Catholic vision of every person as made in God’s image.
Personal Development Team
PSHE and RSHE at Key Stage 3 are built around the three national themes, revisited across six terms in each of Years 7, 8 and 9. Year 7 focuses on settling in, positive relationships and the foundations of staying safe online and offline, with clear reporting routes established from the start. Year 8 deepens work on emotional wellbeing, online life, respect and equality, and money. Year 9 turns to identity, risk and responsibility — drugs, discrimination, exploitation, British Values, and the RSE strands on family, relationships and healthy living.
Because PSHE is not assessed, there are no knowledge & skills ladders here. Instead, the route through below shows exactly what is taught and when, and the topic overviews gather the key knowledge and vocabulary for each theme so students and parents can revisit anything at any time.
PSHE and RSHE at Key Stage 3 run across six terms each year, revisiting our three themes — Health & Wellbeing, Relationships (including RSE) and Living in the Wider World — with growing maturity as students move up the school. There are no exams; the focus is on understanding, character and staying safe. Open a year below to see what is covered and when. Terms 1–2 fall in the Autumn, 3–4 in the Spring and 5–6 in the Summer.
These overviews pull together the key knowledge, skills and vocabulary of Key Stage 3 PSHE and RSHE, grouped by the three national PSHE themes and informed by the Department for Education’s statutory RSHE guidance, the PSHE Association framework and the Gatsby Benchmarks. As a Catholic school, we teach these within the Church’s vision of the human person. There are no exams — use these to revisit and consolidate what you have learned.
| puberty | the changes that turn a child into an adult |
| menstruation | the monthly period cycle |
| wellbeing | feeling healthy, safe and content |
| resilience | coping well with difficulty |
| nicotine | the addictive drug in cigarettes and vapes |
| addiction | not being able to stop using something |
| first aid | immediate help given to someone who is hurt |
| CPR | chest compressions that keep blood flowing |
Dignity of the Human Person.Each of us is made in God’s image and loved by God; caring for our health, and helping others care for theirs, honours that gift.
Childline ↗ · Young Minds ↗ · Talk to FRANK ↗
Links to Science, PE and Religious Studies.
| consent | freely-given agreement |
| respect | valuing yourself and others |
| boundaries | limits that keep us safe |
| peer pressure | being pushed by others to act a certain way |
| empathy | understanding others’ feelings |
| sextortion | threatening to share images to control someone |
| commitment | a lasting promise |
| safeguarding | keeping people safe from harm |
Solidarity and the dignity of the person.We are made for loving relationship, and called to treat one another with respect, honesty and care.
Childline ↗ · Thinkuknow (CEOP) ↗ · NSPCC ↗
Links to Religious Studies and Science.
| budget | a plan for spending and saving |
| saving | putting money aside for later |
| credit | borrowing money to pay back later |
| debt | money you owe |
| stereotype | a fixed, unfair idea about a group |
| discrimination | treating someone unfairly because of who they are |
| exploitation | using someone unfairly for gain |
| phishing | fake messages that try to steal your details |
The Common Good and the Dignity of Work.Using our gifts well, treating everyone fairly and playing our part in society are ways we build a world that works for all.
Thinkuknow (CEOP) ↗ · BBC Bitesize ↗
Links to Business, Computing, Religious Studies and Careers.
Suggested starting points. Your form tutor or the pastoral team can point you to the right service.
Key Stage 4 is the GCSE-years stage of our “Words, Worship and Wisdom” Personal Development Programme. Across Years 10 and 11, students grow in maturity and independence, thinking more deeply about health and wellbeing, relationships (including Relationships and Sex Education) and living in the wider world, and preparing for life after school.
It is a non-examined subject, taught through dedicated PSHE lessons, tutor time and drop-down days. Some topics — including mental health, self-harm and eating disorders, and suicide prevention — are taught sensitively by trained staff, always with clear routes to support. The programme is shaped by the Department for Education’s statutory RSHE guidance, the PSHE Association framework and our Catholic vision of every person as made in God’s image.
Personal Development Team
PSHE and RSHE at Key Stage 4 continue the three national themes across six terms in each of Years 10 and 11. Year 10 covers mental wellbeing, healthy relationships and consent, drugs and influence, extremism and radicalisation, and financial decision-making, alongside careers and work experience and the RSE strands on parenthood, pregnancy and recognising abuse. Year 11 turns to building for the future, communication and managing relationships, families and health, and independence and personal safety, with next-steps careers work and an RSE recap.
Because PSHE is not assessed, there are no knowledge & skills ladders here. Instead, the route through below shows exactly what is taught and when, and the topic overviews gather the key knowledge, vocabulary and sources of support for each theme so students and parents can revisit anything at any time.
In Years 10 and 11 our three themes — Health & Wellbeing, Relationships (including RSE) and Living in the Wider World — are revisited with greater maturity, alongside GCSE-years careers work and preparation for life after school. Some topics are sensitive and are taught carefully by trained staff, always with clear routes to support. There are no exams. Open a year below to see what is covered and when; Terms 1–2 fall in the Autumn, 3–4 in the Spring and 5–6 in the Summer.
These overviews gather the key knowledge, skills and vocabulary of Key Stage 4 PSHE and RSHE, grouped by the three national PSHE themes and informed by the Department for Education’s statutory RSHE guidance, the PSHE Association framework and the Gatsby Benchmarks, all taught within the Church’s vision of the human person. There are no exams — use these to revisit and consolidate.
| wellbeing | feeling healthy, safe and content |
| resilience | coping well with difficulty |
| stigma | unfair shame attached to an issue |
| risk | the chance of harm |
| addiction | not being able to stop using something |
| fertility | the ability to have children |
| donation | giving blood, organs or stem cells to help others |
| support | the help available when you are struggling |
Dignity of the Human Person.Every life is precious and made in God’s image; caring for our own health and reaching out to others in difficulty honours that gift.
Childline ↗ · Young Minds ↗ · Papyrus ↗ · Talk to FRANK ↗
Links to Science, PE and Religious Studies.
| consent | freely-given agreement |
| coercion | pressuring someone unfairly |
| coercive control | a pattern of controlling behaviour |
| boundaries | limits that keep us safe |
| harassment | unwanted behaviour that causes distress |
| contraception | methods that prevent pregnancy |
| respect | valuing yourself and others |
| safeguarding | keeping people safe from harm |
Solidarity and the dignity of the person.We are made for loving, faithful relationship, and called to treat one another with respect, honesty and care, and to stand with those who are hurt.
Childline ↗ · Thinkuknow (CEOP) ↗ · NSPCC ↗
Links to Religious Studies and Science.
| CV | a summary of your skills and experience |
| apprenticeship | paid on-the-job training |
| debt | money you owe |
| money mule | someone tricked into moving criminal money |
| phishing | fake messages that try to steal your details |
| extremism | supporting extreme views that harm others |
| radicalisation | being drawn into extreme beliefs |
| reputation | how others see you, online and offline |
The Common Good and the Dignity of Work.We use our gifts and our work to build a fairer world, treating everyone with respect and resisting all that divides or exploits.
Thinkuknow (CEOP) ↗ · National Careers Service ↗ · BBC Bitesize ↗
Links to Business, Computing, Religious Studies and Careers.
Suggested starting points. Your form tutor or the pastoral team can point you to the right service.
PSHE at St Augustine’s is delivered in the Sixth Form as our “Words, Worship and Wisdom” Personal Development Programme. It is not an examined subject: instead it runs through tutor time, assemblies and enrichment across Years 12 and 13, helping students grow in confidence, character and faith as they prepare for adult life.
The programme is rooted in the Catholic vision of every person as made in God’s image and loved by God, and is informed by the Department for Education’s statutory RSHE guidance, the national PSHE Association framework (Health & Wellbeing; Relationships; Living in the Wider World) and the Gatsby Benchmarks for careers. It weaves together wellbeing, relationships and safety, careers and finance, digital life, and service to others.
Sixth Form Personal Development Team
Our programme is delivered through tutor time, assemblies and enrichment across the year. Each year group follows the same three terms — Autumn, Spring and Summer — with Year 12 also taking part in a fortnightly Personal Development strand. Open a year below to see what is covered and when.
Key experience: Year 12 Retreat — ‘a community that gives back’
Key experience: Year 12 Work Experience Week
Key experience: Leavers’ Mass, Celebration Day and Prom
These overviews show the knowledge, skills and vocabulary our programme builds, grouped by the three national PSHE themes and informed by the Department for Education’s RSHE guidance, the PSHE Association framework and the Gatsby Benchmarks. As a Catholic school, we teach these within the Church’s vision of the human person.
| wellbeing | a state of feeling healthy and content |
| resilience | coping well with difficulty |
| consent | freely-given agreement |
| risk | the chance of harm |
| dependence | relying on a substance or behaviour |
| boundaries | limits that keep us safe |
| self-care | looking after your own health |
| mental health | our emotional wellbeing |
Dignity of the Human Person.Each of us is made in God’s image and loved by God; caring for our health and that of others honours that gift.
Links to PE, Science and Religious Studies.
| respect | valuing yourself and others |
| consent | freely-given agreement |
| boundaries | limits that keep us safe |
| coercion | pressuring someone unfairly |
| equality | fair treatment for all |
| commitment | a lasting promise |
| empathy | understanding others’ feelings |
| safeguarding | keeping people safe from harm |
Solidarity and the dignity of the person.We are made for loving relationship, and called to treat one another with respect, honesty and care.
Links to Religious Studies and Science.
| UCAS | the university application service |
| apprenticeship | paid on-the-job training |
| budget | a plan for spending and saving |
| employability | skills that help you get and keep work |
| citizenship | active membership of a community |
| democracy | government by the people |
| digital footprint | the trace you leave online |
| enterprise | turning ideas into action |
The Common Good and the Dignity of Work.Work and active citizenship are ways we use our gifts to contribute to the good of all.
Links to Business, Politics, Computing and Careers.
Suggested starting points. Your form tutor or the pastoral team can point you to the right service.
Our CurriculumEAL support
English as an Additional Language at St Augustine’s. Whatever language you speak at home, you belong here — and we are here to help you thrive in every subject.
Every language, every learner, one community.
Many languages are spoken by the families of our school. We see this as one of our greatest gifts.
This area explains how we support students learning in English as an additional language, and how families can help at home. Our approach follows research from The Bell Foundation.
As a Lasallian Catholic school, we believe every person is made in the image of God. Enter to learn; leave to serve.
Our support is built on the Bell Foundation’s five principles for effective practice.
Your first language matters for your identity, wellbeing and learning. Keep using and growing it.
At homeRead, talk and tell stories in your home language.
We keep expectations high and give you the support you need to reach the same rich curriculum as everyone else.
At homeAsk to see knowledge organisers and key words for each subject.
You learn English best while learning interesting subject content, not separately from it.
At homeTalk about what you are learning in each subject, in any language.
We track how your English grows in listening, speaking, reading and writing, so we give the right help at the right time.
At homeCelebrate small steps — every bit of progress counts.
Every language and culture is valued here. When families feel welcome, students feel they belong.
At homeCome to events, ask questions, and tell us how we can help.
Everyone starts from a different place, and that is fine. These five stages describe your English — not your ability or intelligence. They follow the Bell Foundation / DfE proficiency scale.
We look at four skills: listening, speaking, reading and viewing, and writing.
Just beginning. You join in with actions, single words and short phrases, and use your home language.
Growing confidence. You understand more and start to use simple English in everyday situations.
Getting stronger. You take part in most lessons, sometimes needing support with harder language.
Confident. You cope with most classroom language, with occasional help for complex tasks.
Fluent. You use English with ease across all subjects, like a confident speaker.
There is no rush and no ‘failing’. Wherever you are, we help you take the next step.
Practical things you can try, on your own or with your family. They come from The Bell Foundation’s research on what helps EAL learners make progress. Pick one or two to try this week.
Builds on: Reading for Meaning and using your home language.
Builds on: talk before writing, language drills and drama.
Builds on: writing frames, planning tools and models.
Remember: your home language is not a barrier — it is a tool. Using it to think and plan helps your English grow.
Some of the ‘Great Ideas’ we use — many help everyone, and they especially help you.
You are your child’s most important teacher. Here is how you can help, and how we can help you.
Read, talk and share stories in your language. A strong first language helps English grow too.
Turn on Translate in your browser to read this page in your language.
Come to events, contact us with any question, and tell us about your child’s languages and background.
Contact our EAL lead:
Trusted places to find out more and support learning at home.
Suggested starting points. Your teacher will give you any class logins.
This EAL support area is grounded in The Bell Foundation’s research on effective practice for EAL learners, and now includes an on-page Language button (bottom right of the screen) so families can read it in their own language.
Our chosen approach is human-checked translation of key pages into our most common languages, delivered through this button — the most accurate option, with no ongoing subscription cost. The browser’s own ‘translate this page’ remains a free fallback for the wider curriculum. Priority languages are being confirmed from roll and census data.
The button currently offers this page in English, Polish, Spanish and Arabic (Arabic also shown right-to-left). These are draft translations awaiting staff verification in September; further languages and pages will be added as translations are checked. Every translation must be verified by a fluent speaker before it is relied upon.
Best practice, and the Bell Foundation’s view, is that machine translation is a helpful bridge, but the most important information for families should be checked by a person.
Our CurriculumLanguages
French and Spanish at St Augustine’s. Choose your key stage, then your language. After your report, use the knowledge & skills ladders to see where you are and your next step, then use the knowledge organisers to revise and make that step.
One more language, a wider world.
At Key Stage 3, about half of the year group studies French and half studies Spanish. Choose your language to see its curriculum.
Shows your stage in French, from Building foundations to Deepening mastery.
French at St Augustine’s develops confident, curious communicators who can understand and use the language across the four skills of listening, reading, speaking and writing. Roughly half of each year group studies French from Year 7 to Year 9, following a carefully sequenced three-year Key Stage 3 curriculum that builds vocabulary, grammar and cultural understanding year on year.
Year 7 lays the foundations — introducing yourself, family, school, animals, free time and sport, with the essential verbs être and avoir. Year 8 broadens into food and healthy living, the local area, the home and keeping active, adding the perfect and immediate future tenses. Year 9 deepens into holidays, education, technology and the media, securing confident use of past, present and future in preparation for GCSE.
Throughout, students explore the culture of the French-speaking world — its food, festivals, regions, music and film — and come to see language learning as a window onto other people’s lives.
Samantha Aikman, Subject Lead
French at St Augustine’s is taught through a coherent three-year Key Stage 3 curriculum that builds the four language skills alongside secure grammar and rich cultural knowledge. In Year 7, students master introductions, school and free-time language with the present tense; in Year 8 they broaden into food, the local area and the home, meeting the perfect and immediate future tenses; and in Year 9 they handle holidays, education, technology and the media confidently across three tenses, ready for GCSE study.
Listening & reading — understanding French
Speaking & writing — using French
Listening & reading — understanding French
Speaking & writing — using French
Listening & reading — understanding French
Speaking & writing — using French
| Bonjour | Hello / good morning |
| Je m’appelle… | I am called… |
| J’ai … ans | I am … years old |
| J’habite à… | I live in… |
| être | to be |
| avoir | to have |
| ma famille | my family |
| mon anniversaire | my birthday |
Dignity of the Human Person.Learning to greet and name one another with care recognises the dignity of every person and the value of every culture.
Links to English (grammar and word classes) and Geography (French-speaking countries).
| j’aime | I like |
| je déteste | I hate |
| parce que | because |
| les maths | maths |
| un chien | a dog |
| un chat | a cat |
| il y a | there is / are |
| plus…que | more…than |
The Common Good.Sharing opinions respectfully and listening to others’ views builds a classroom that works for the good of all.
Links to English (persuasive language).
| je joue au… | I play… |
| je fais de… | I do… |
| le sport | sport |
| il fait beau | the weather is nice |
| j’ai mal à… | my … hurts |
| le week-end | the weekend |
| souvent | often |
| parce que | because |
Dignity of the Human Person.Caring for our health and bodies through activity honours the gift of the person God has made.
Links to PE (sport and the body) and Science (health and the human body).
| je voudrais | I would like |
| du pain | some bread |
| manger | to eat |
| boire | to drink |
| l’addition | the bill |
| sain | healthy |
| on doit | one must |
| délicieux | delicious |
Stewardship of Creation.Thinking about what and how we eat invites us to be grateful for creation and to use its gifts responsibly.
Links to Food & Nutrition and PSHE (healthy lifestyles).
| il y a | there is / there are |
| il n’y a pas de | there isn’t / there aren’t |
| il y avait | there used to be |
| c’est | it is |
| il serait | it would be |
| habiter | to live |
| aller | to go |
| plus… que | more… than |
| moins… que | less… than |
Community and Participation.Knowing and describing our local area helps us to value and take part in the communities where we live.
Links to Geography (settlement and place) and Citizenship.
| au premier étage | on the first floor |
| au rez-de-chaussée | on the ground floor |
| il y aurait | there would be |
| il serait | it would be |
| devant | in front |
| derrière | behind |
| entre | between |
| sur | on |
| faire | to do |
| quelquefois | sometimes |
| chaque semaine | each week |
Dignity of Work.Sharing chores and responsibilities at home reflects the value and dignity of everyday work done for others.
Links to PSHE (responsibilities at home).
| les vêtements | clothes |
| je porte | I am wearing |
| il/elle porte | he/she is wearing |
| un pantalon | trousers |
| une chemise | a shirt |
| une robe | a dress |
| des chaussures | shoes |
| à la mode | fashionable |
| je voudrais essayer | I would like to try on |
| quelle taille ? | what size? |
Dignity of the Human Person.Valuing an active, healthy life is a way of respecting the body and the whole person.
Links to Art and D&T (textiles, colour and design) and PSHE (identity and self-image).
| la fête nationale | the national holiday |
| un jour férié | a bank holiday |
| les feux d’artifice | fireworks |
| le défilé militaire | the military parade |
| on fait la fête | we have a party |
| la galette des rois | the kings’ cake |
| la fève | the figurine |
| l’Épiphanie | Epiphany |
| un déguisement | a costume |
| un bal masqué | a masked ball |
| bonne année ! | Happy New Year! |
| je voudrais visiter | I would like to visit |
Community and belonging. Festivals gather people together — learning how others celebrate helps us value the traditions of every family in our school.
Links to RE (religious festivals and their meaning), History (the French Revolution) and Geography (regions of France).
| les vacances | holidays |
| je vais aller | I am going to go |
| j’ai visité | I visited |
| l’hôtel | the hotel |
| en avion | by plane |
| il faisait beau | the weather was nice |
| l’année dernière | last year |
| à l’étranger | abroad |
Solidarity.Travel and encounter with other places open our eyes to the wider human family and deepen our solidarity.
Links to Geography (tourism and place) and History (travel and empire).
| les matières | subjects |
| l’emploi du temps | the timetable |
| je me lève | I get up |
| à mon avis | in my opinion |
| le prof | the teacher |
| la récré | break |
| il est … heures | it is … o’clock |
| utile | useful |
The Common Good.A good education serves not only ourselves but the whole community; we value the chance to learn together.
Links to Citizenship (rights to education).
| la technologie | technology |
| le portable | mobile phone |
| les réseaux sociaux | social media |
| il faut | one must |
| télécharger | to download |
| les avantages | advantages |
| les inconvénients | disadvantages |
| en ligne | online |
Rights and Responsibilities.Using technology well means balancing our freedom with responsibility for our own and others’ wellbeing online.
Links to Computing (online safety) and PSHE (wellbeing).
| la musique | music |
| regarder | to watch |
| j’ai regardé | I watched |
| un feuilleton | a soap |
| un film d’horreur | a horror film |
| mon préféré | my favourite |
| de temps en temps | from time to time |
| parce que c’était | because it was |
Solidarity.Sharing and enjoying culture across languages reminds us that we belong to one human family with much to give one another.
Links to Music, Drama and Media Studies.
Suggested starting points. Your teacher will give you any class logins.
Shows your stage in Spanish, from Building foundations to Deepening mastery.
Spanish at St Augustine’s develops confident, curious communicators who can understand and use the language across the four skills of listening, reading, speaking and writing. Roughly half of each year group studies Spanish from Year 7 to Year 9, following a carefully sequenced three-year Key Stage 3 curriculum that builds vocabulary, grammar and cultural understanding year on year.
Year 7 lays the foundations — introducing yourself, describing people, hobbies and the home, with the essential verbs ser and tener. Year 8 broadens into the local area, school, digital life and holidays, adding the preterite and imperfect tenses. Year 9 deepens into health, shopping, careers and the wider Spanish-speaking world, securing confident use of past, present, future and conditional in preparation for GCSE.
Throughout, students explore the culture of the Spanish-speaking world — its food, festivals, cities, music and film — and come to see language learning as a window onto other people’s lives.
Samantha Aikman, Subject Lead
Spanish at St Augustine’s is taught through a coherent three-year Key Stage 3 curriculum that builds the four language skills alongside secure grammar and rich cultural knowledge. In Year 7, students master introductions, description and free-time language with the present tense; in Year 8 they broaden into the local area, school, media and holidays, meeting the preterite and imperfect tenses; and in Year 9 they handle health, shopping, work and the wider Spanish-speaking world confidently across tenses, ready for GCSE study.
Listening & reading — understanding Spanish
Speaking & writing — using Spanish
Listening & reading — understanding Spanish
Speaking & writing — using Spanish
Listening & reading — understanding Spanish
Speaking & writing — using Spanish
| Hola | Hello |
| Me llamo… | I am called… |
| Tengo … años | I am … years old |
| ser | to be |
| tener | to have |
| mi familia | my family |
| ¿Cómo estás? | How are you? |
| el cumpleaños | birthday |
Dignity of the Human Person.Learning to greet and name one another with care recognises the dignity of every person and culture.
Links to English (grammar) and Geography (Spanish-speaking countries).
| ¿Cómo es? | What is he/she like? |
| tiene los ojos… | he/she has … eyes |
| el pelo | hair |
| simpático | nice |
| me gusta | I like |
| porque | because |
| soy | I am |
| es | he/she is |
| tengo | I have |
| tiene | he/she has |
The Common Good.Sharing opinions respectfully and describing others kindly builds a classroom that works for the good of all.
Links to English (descriptive writing) and Science (classifying animals).
| los pasatiempos | hobbies |
| hago | I do |
| leer libros | to read books |
| bailar | to dance |
| hace calor | it is hot |
| llueve | it is raining |
| practicar deportes | to play sports |
| escuchar música | to listen to music |
| jugar | to play |
| juego | I play |
Dignity of the Human Person.Caring for our health through activity honours the gift of the person God has made.
Links to PE (sport) and Geography (climate and weather).
| mi casa | my house |
| un piso | a flat |
| hay | there is / are |
| la cocina | the kitchen |
| mi dormitorio | my bedroom |
| al lado de | next to |
| arriba | upstairs |
| una cama | a bed |
Community and Participation.Valuing our home and neighbourhood helps us appreciate the communities where we live.
Links to Geography (settlement) and Design & Technology (the built environment).
| la ciudad | the city |
| hay | there is / are |
| ir | to go |
| gira a la derecha | turn right |
| el museo | the museum |
| más…que | more…than |
| se puede | one can |
| el polideportivo | sports centre |
Community and Participation.Knowing and describing our local area helps us to value and take part in our communities.
Links to Geography (settlement and place) and Citizenship.
| el instituto | school |
| las asignaturas | subjects |
| me gusta(n) | I like |
| odio | I hate |
| el profesor | the teacher |
| ¿qué hora es? | what time is it? |
| se debe | one must |
| voy a | I am going to |
The Common Good.A good education serves the whole community; we value the chance to learn together.
Links to PSHE (study skills) and Citizenship.
| las vacaciones | holidays |
| voy a | I am going to |
| fui | I went |
| el avión | the plane |
| el hotel | the hotel |
| normalmente | normally |
| el año pasado | last year |
| soler | to usually do |
Solidarity.Travel and encounter with other places deepen our solidarity with the wider human family.
Links to Geography (tourism).
| el cine | the cinema |
| prefiero | I prefer |
| las películas | films |
| me dan miedo | they scare me |
| mejor | better |
| peor | worse |
| nunca | never |
| acabo de | I have just |
Rights and Responsibilities.Using media and technology well means balancing our freedom with responsibility for our wellbeing.
Links to Computing (online safety) and Music.
| la comida | food |
| sano | healthy |
| me duele | it hurts me |
| debería | I should |
| tienes que | you have to |
| la dieta | diet |
| estoy comiendo | I am eating |
| el cuerpo | the body |
Stewardship of Creation.Thinking about what we eat invites gratitude for creation and care for our health.
Links to Food & Nutrition, PE and Science (the body).
| la ropa | clothes |
| llevo | I wear |
| lleva | he/she wears |
| llevaba | I used to wear |
| voy a comprar | I am going to buy |
| la tienda | the shop |
| el centro comercial | the shopping centre |
| la primera planta | the first floor |
| se puede comprar | you can buy |
| ¿cuánto cuesta? | how much does it cost? |
| de vez en cuando | from time to time |
| si ganara la lotería | if I won the lottery |
The dignity of the human person. What we wear is part of how we present ourselves — and a reminder to value people for who they are rather than what they can afford.
Links to Art and D&T (textiles, colour and design), Maths (money and ordinal numbers) and PSHE (identity and self-image).
Suggested starting points. Your teacher will give you any class logins.
At Key Stage 4, about half of the year group studies French and half studies Spanish. Choose your language to see its curriculum.
Students who continue a language to Key Stage 4 follow AQA GCSE French (8652) — a two-year linear course examined at the end of Year 11 across four equally-weighted skills: listening, speaking, reading and writing. Learning is organised around three themes and built on a prescribed vocabulary and grammar list, with a strong focus on spontaneous speech, translation and phonics.
The course is tiered: students sit either Foundation (grades 1–5) or Higher (grades 4–9), taking all four papers at the same tier. It builds directly on the Key Stage 3 curriculum and prepares students for A-Level and beyond.
Samantha Aikman, Subject Lead
GCSE French (AQA 8652) is examined across four equally-weighted papers — Listening, Speaking, Reading and Writing — set within three themes (People and lifestyle; Popular culture; Communication and the world around us). It is tiered: Foundation (grades 1–5) and Higher (grades 4–9), with all four papers taken at the same tier. Tap the tile below for the full breakdown.
Your report uses GCSE grades. Tap your stage to see what you can already do and your next step up.
AO1 · Understand and respond to spoken language
AO2 · Understand and respond to written language
AO3 · Grammar and vocabulary
| healthy / unhealthy | key lifestyle adjectives |
| relationships | family & friends vocabulary |
| school & subjects | education vocabulary |
| future plans | careers & ambitions |
| opinions | opinion phrases + reasons |
| daily routine | reflexive verbs |
| the past | perfect tense |
| the future | near & simple future |
Dignity of the Human Person.Valuing every person’s identity, relationships and wellbeing reflects their God-given dignity.
Links to PSHE (relationships and wellbeing) and Careers education.
| free time | hobbies & activities |
| festivals | customs & celebrations |
| music & film | culture vocabulary |
| sport | sporting activities |
| comparatives | more/less…than |
| superlatives | the most / least |
| celebrity | role models |
| opinions | justified opinions |
Solidarity.Celebrating the customs and culture of others draws us into solidarity with the wider human family.
Links to Music, Drama, PE and RE (festivals and celebrations).
| travel & tourism | holidays vocabulary |
| technology | devices & online life |
| the environment | environmental issues |
| the local area | town & region |
| advantages | pros |
| disadvantages | cons |
| modal verbs | must / can / should |
| if clauses | conditional structures |
Stewardship of Creation.Caring for the environment and using technology responsibly honours our call to be stewards of creation.
Links to Geography (environment and place) and Computing (online safety).
Suggested starting points. Your teacher will give you any class logins.
Students who continue a language to Key Stage 4 follow AQA GCSE Spanish (8692) — a two-year linear course examined at the end of Year 11 across four equally-weighted skills: listening, speaking, reading and writing. Learning is organised around three themes and built on a prescribed vocabulary and grammar list, with a strong focus on spontaneous speech, translation and phonics.
The course is tiered: students sit either Foundation (grades 1–5) or Higher (grades 4–9), taking all four papers at the same tier. It builds directly on the Key Stage 3 curriculum and prepares students for A-Level and beyond.
Samantha Aikman, Subject Lead
GCSE Spanish (AQA 8692) is examined across four equally-weighted papers — Listening, Speaking, Reading and Writing — set within three themes (People and lifestyle; Popular culture; Communication and the world around us). It is tiered: Foundation (grades 1–5) and Higher (grades 4–9), with all four papers taken at the same tier. Tap the tile below for the full breakdown.
Your report uses GCSE grades. Tap your stage to see what you can already do and your next step up.
AO1 · Understand and respond to spoken language
AO2 · Understand and respond to written language
AO3 · Grammar and vocabulary
| healthy / unhealthy | key lifestyle adjectives |
| relationships | family & friends vocabulary |
| school & subjects | education vocabulary |
| future plans | careers & ambitions |
| opinions | opinion phrases + reasons |
| daily routine | reflexive verbs |
| the past | perfect / preterite tense |
| the future | near & simple future |
Dignity of the Human Person.Valuing every person’s identity, relationships and wellbeing reflects their God-given dignity.
Links to PSHE (relationships and wellbeing) and Careers education.
| free time | hobbies & activities |
| festivals | customs & celebrations |
| music & film | culture vocabulary |
| sport | sporting activities |
| comparatives | more/less…than |
| superlatives | the most / least |
| celebrity | role models |
| opinions | justified opinions |
Solidarity.Celebrating the customs and culture of others draws us into solidarity with the wider human family.
Links to Music, Drama, PE and RE (festivals and celebrations).
| travel & tourism | holidays vocabulary |
| technology | devices & online life |
| the environment | environmental issues |
| the local area | town & region |
| advantages | pros |
| disadvantages | cons |
| modal verbs | must / can / should |
| if clauses | conditional structures |
Stewardship of Creation.Caring for the environment and using technology responsibly honours our call to be stewards of creation.
Links to Geography (environment and place) and Computing (online safety).
Suggested starting points. Your teacher will give you any class logins.
At Key Stage 5, about half of the year group studies French and half studies Spanish. Choose your language to see its curriculum.
Please note: A-Level French is not currently offered at St Augustine’s owing to uptake. This area is prepared and ready so the college can introduce the course should numbers allow in future.
A-Level French (AQA 7652) is a two-year linear course that develops advanced language skills alongside a critical understanding of the culture, society and politics of the French-speaking world. Students study four themes, one literary text and one film, and complete an individual research project, building fluency, analytical writing and confident spoken debate.
It builds directly on GCSE and is a facilitating qualification valued by universities and employers for its rigour and its blend of language, culture and independent thought.
Samantha Aikman, Subject Lead
A-Level French (AQA 7652) is examined across three papers — Listening, Reading & Writing (50%); Writing on a text and film (20%); and Speaking (30%). Content is organised around four themes, a set text and film, and an individual research project. Tap the tile below for the full breakdown.
Your report uses A-Level grades. Tap your stage to highlight your rung, then read the next rung up.
AO1 · Listening
AO2 · Reading
AO3 · Use of language
AO4 · Critical & cultural response
| essay | critical essay skills |
| viewpoint | opinion & argument |
| evidence | supporting detail |
| the subjunctive | advanced grammar |
| society | cultural knowledge |
| to analyse | critical response |
| to debate | discussion skills |
| research | the IRP |
Dignity of the Human Person.Studying how societies treat their members deepens our respect for the dignity of every person.
Links to History, Politics, RE and English Literature.
| essay | critical essay skills |
| viewpoint | opinion & argument |
| evidence | supporting detail |
| the subjunctive | advanced grammar |
| society | cultural knowledge |
| to analyse | critical response |
| to debate | discussion skills |
| research | the IRP |
Solidarity.Engaging with the art and culture of others draws us into solidarity with the wider human family.
Links to History, Politics, RE and English Literature.
| essay | critical essay skills |
| viewpoint | opinion & argument |
| evidence | supporting detail |
| the subjunctive | advanced grammar |
| society | cultural knowledge |
| to analyse | critical response |
| to debate | discussion skills |
| research | the IRP |
Option for the Poor and Vulnerable.Examining life on the margins calls us to stand with those who are excluded or overlooked.
Links to History, Politics, RE and English Literature.
| essay | critical essay skills |
| viewpoint | opinion & argument |
| evidence | supporting detail |
| the subjunctive | advanced grammar |
| society | cultural knowledge |
| to analyse | critical response |
| to debate | discussion skills |
| research | the IRP |
The Common Good.Understanding political life helps us weigh how societies pursue the common good.
Links to History, Politics, RE and English Literature.
Suggested starting points. Your teacher will give you any class logins.
Please note: A-Level Spanish is not currently offered at St Augustine’s owing to uptake. This area is prepared and ready so the college can introduce the course should numbers allow in future.
A-Level Spanish (AQA 7692) is a two-year linear course that develops advanced language skills alongside a critical understanding of the culture, society and politics of the Hispanic world. Students study four themes, one literary text and one film, and complete an individual research project, building fluency, analytical writing and confident spoken debate.
It builds directly on GCSE and is a facilitating qualification valued by universities and employers for its rigour and its blend of language, culture and independent thought.
Samantha Aikman, Subject Lead
A-Level Spanish (AQA 7692) is examined across three papers — Listening, Reading & Writing (50%); Writing on a text and film (20%); and Speaking (30%). Content is organised around four themes, a set text and film, and an individual research project. Tap the tile below for the full breakdown.
Your report uses A-Level grades. Tap your stage to highlight your rung, then read the next rung up.
AO1 · Listening
AO2 · Reading
AO3 · Use of language
AO4 · Critical & cultural response
| essay | critical essay skills |
| viewpoint | opinion & argument |
| evidence | supporting detail |
| the subjunctive | advanced grammar |
| society | cultural knowledge |
| to analyse | critical response |
| to debate | discussion skills |
| research | the IRP |
Dignity of the Human Person.Studying how societies treat their members deepens our respect for the dignity of every person.
Links to History, Politics, RE and English Literature.
| essay | critical essay skills |
| viewpoint | opinion & argument |
| evidence | supporting detail |
| the subjunctive | advanced grammar |
| society | cultural knowledge |
| to analyse | critical response |
| to debate | discussion skills |
| research | the IRP |
Solidarity.Engaging with the art and culture of others draws us into solidarity with the wider human family.
Links to History, Politics, RE and English Literature.
| essay | critical essay skills |
| viewpoint | opinion & argument |
| evidence | supporting detail |
| the subjunctive | advanced grammar |
| society | cultural knowledge |
| to analyse | critical response |
| to debate | discussion skills |
| research | the IRP |
Option for the Poor and Vulnerable.Examining life on the margins calls us to stand with those who are excluded or overlooked.
Links to History, Politics, RE and English Literature.
| essay | critical essay skills |
| viewpoint | opinion & argument |
| evidence | supporting detail |
| the subjunctive | advanced grammar |
| society | cultural knowledge |
| to analyse | critical response |
| to debate | discussion skills |
| research | the IRP |
The Common Good.Understanding political life helps us weigh how societies pursue the common good.
Links to History, Politics, RE and English Literature.
Suggested starting points. Your teacher will give you any class logins.
Our CurriculumFilm Studies
A-Level Film Studies at St Augustine’s. Studied at Key Stage 5. After your report, use the knowledge & skills ladders to see where you are and your next step, then use the knowledge organisers to revise and make that step.
Read the screen. Tell the story.
Film Studies at St Augustine’s is a Key Stage 5 course following Eduqas (WJEC) A-Level Film Studies (A670QS). Film is one of the major art forms of the last hundred years, and the course introduces students to a wide variety of films — Hollywood and American, British and global, documentary, silent and experimental — developing both critical understanding and creative practice.
Students learn to analyse how films create meaning, to place them in their historical and cultural contexts, and to apply critical theory. Alongside this, they create their own short film or screenplay, connecting theory and practice. The course develops confident, articulate, creative young people and offers strong progression to higher education and the creative industries.
Mr Michael Powell, Film Studies lead (KS5)
A-Level Film Studies (Eduqas A670QS) is assessed across three components — two written exams worth 35% each and a production worth 30%. Tap the tile below for the full breakdown.
Your report uses A-Level grades. Tap your stage to highlight your rung, then read the next rung up.
AO1 · Knowledge & understanding of film (25%)
AO2 · Apply knowledge & understanding (45%)
AO3 · Production — film or screenplay (30%)
| mise-en-scène | everything within the frame |
| cinematography | camerawork & lighting |
| montage / editing | how shots are joined |
| diegetic sound | sound within the story world |
| mise-en-scène | composition & staging |
| auteur | the director as author |
| ideology | the values a film conveys |
| spectatorship | how audiences respond |
Dignity of the Human Person.Film shapes how we see one another; studying it critically helps us recognise the dignity and story of every person on screen.
Links to English Literature, Media Studies and Art.
| Classical Hollywood | 1930–1960 |
| New Hollywood | 1961–1990 |
| mainstream film | studio production |
| independent film | outside the studio system |
| comparative study | comparing two films |
| production context | how a film was made |
| genre | film categories |
| representation | how groups are shown |
Solidarity.Studying American and British stories side by side builds understanding across cultures and a sense of our shared humanity.
Links to History (20th-century US and UK) and English.
| global film | film beyond Hollywood |
| documentary | non-fiction film |
| silent cinema | film before synchronised sound |
| experimental film | avant-garde cinema |
| narrative | how a story is told |
| representation | how reality is portrayed |
| film style | the “how” of a film |
| film movement | a shared style or period |
Solidarity.Encountering film from around the world draws us into solidarity with the wider human family and its many stories.
Links to History, Geography and Modern Languages.
| screenplay | a script for the screen |
| storyboard | a shot-by-shot plan |
| short film | a 4–5 minute production |
| brief | the production requirements |
| evaluative analysis | reflective critical writing |
| shot | a single piece of film |
| sequence | a run of related shots |
| production values | the quality of the making |
Dignity of Work.Creative work made with care and integrity honours the dignity of work and the gifts each person brings.
Links to Art & Design, Drama and Computing (digital media).
Suggested starting points. Your teacher will give you any class logins.
Our CurriculumSociology
A-Level Sociology at St Augustine’s. Studied at Key Stage 5. After your report, use the knowledge & skills ladders to see where you are and your next step, then use the knowledge organisers to revise and make that step.
How society works — and could.
Sociology at St Augustine’s is a Key Stage 5 course following AQA A-Level Sociology (7192). It invites students to think critically about education, families, the media, crime and the social world around them — using sociological theories, concepts and research to understand how society works and how it changes.
Students learn to apply competing perspectives, weigh evidence, and build reasoned, well-supported arguments. It is a linear two-year course with no coursework, assessed in three equally-weighted written exams, and it develops the analysis, evaluation and essay-writing skills valued across higher education and employment.
Ms Sofie Duncan, Head of Department
A-Level Sociology (AQA 7192) is assessed across three equally-weighted written papers at the end of the two-year course, with no coursework. Tap the tile below for the full breakdown.
Your report uses A-Level grades. Tap your stage to highlight your rung, then read the next rung up.
AO1 · Knowledge & understanding (44%)
AO2 · Application (31%)
AO3 · Analysis & evaluation (25%)
| functionalism | a consensus perspective |
| Marxism | a conflict perspective |
| interpretivism | meaning-focused approach |
| positivism | science-focused approach |
| PET | practical/ethical/theoretical |
| validity | does it measure what it claims? |
| reliability | is it repeatable? |
| representativeness | does it reflect the group? |
The Common Good.Studying society critically helps us work for structures that serve the common good and the dignity of all.
Links to Psychology, Politics and RE.
| meritocracy | reward by ability & effort |
| cultural capital | Bourdieu |
| hidden curriculum | implicit lessons |
| marketisation | education as a market |
| labelling | teacher expectations |
| material deprivation | poverty and achievement |
| methods in context | methods applied to education |
| correspondence principle | Bowles & Gintis |
Dignity of the Human Person.Education should honour the dignity and potential of every learner, whatever their background.
Links to the College’s own curriculum and to Politics.
| nuclear family | Murdock |
| secularisation | decline of religion |
| globalisation | interconnected world |
| representation | how groups are shown |
| patriarchy | male-dominated structures |
| underclass | a debated concept |
| ideology | sets of beliefs |
| social change | how society shifts |
Solidarity.Understanding families, beliefs and global development builds solidarity across cultures and communities.
Links to RE, Geography and Media.
| anomie | Durkheim / Merton |
| subculture | deviant group norms |
| labelling | Becker |
| right realism | situational prevention |
| left realism | relative deprivation |
| surveillance | Foucault |
| green crime | environmental harm |
| social policy | sociology and government |
Option for the Poor and Vulnerable.Studying crime, victims and justice calls us to stand with those who are harmed or marginalised.
Links to Law, Politics and RE (justice).
Suggested starting points. Your teacher will give you any class logins. Start with sociological perspectives and education. Tutor2u is a good site.
Our CurriculumPhysical Education
After your report, use the knowledge & skills ladders to see where you are and your next step. Then use the knowledge organisers to revise and make that step.
Move well. Compete. Lead.
Shows your stage in each subject, from Building foundations to Deepening mastery.
At St Augustine’s, Key Stage 3 PE is built around FASTER — Fitness, Applying decisions, Skill, Teamwork, Evaluating & improving and Resilience. Every student rotates through six activity areas each year and is assessed on these six strands, developing across the four stages from Building foundations to Deepening mastery.
PE at St Augustine’s develops physical competence, healthy active lifestyles and character through a broad range of activities, from Year 7 to A-Level.
Shay Adegun & Ally Bass, Acting Co-Heads of Department
Physical Education runs as a rotation (carousel) of activity areas, so every student meets all six areas each year with increasing challenge. The term order below is a representative rotation — the exact sequence for each class varies.
Assessment: Assessed on the six FASTER strands, with the emphasis on core skills, rules and cooperation (Building foundations → Developing understanding).
Assessment: Assessed on the six FASTER strands, with the emphasis on core skills, rules and cooperation (Building foundations → Developing understanding).
Assessment: Assessed on the six FASTER strands, with the emphasis on core skills, rules and cooperation (Building foundations → Developing understanding).
Assessment: Assessed on the six FASTER strands, with the emphasis on core skills, rules and cooperation (Building foundations → Developing understanding).
Assessment: Assessed on the six FASTER strands, with the emphasis on core skills, rules and cooperation (Building foundations → Developing understanding).
Assessment: Assessed on the six FASTER strands, with the emphasis on core skills, rules and cooperation (Building foundations → Developing understanding).
Assessment: Assessed on the six FASTER strands, with the emphasis on applying skills and decisions in games (Developing understanding → Securing fluency).
Assessment: Assessed on the six FASTER strands, with the emphasis on applying skills and decisions in games (Developing understanding → Securing fluency).
Assessment: Assessed on the six FASTER strands, with the emphasis on applying skills and decisions in games (Developing understanding → Securing fluency).
Assessment: Assessed on the six FASTER strands, with the emphasis on applying skills and decisions in games (Developing understanding → Securing fluency).
Assessment: Assessed on the six FASTER strands, with the emphasis on applying skills and decisions in games (Developing understanding → Securing fluency).
Assessment: Assessed on the six FASTER strands, with the emphasis on applying skills and decisions in games (Developing understanding → Securing fluency).
Assessment: Assessed on the six FASTER strands, with the emphasis on competitive performance, leadership and evaluation (Securing fluency → Deepening mastery).
Assessment: Assessed on the six FASTER strands, with the emphasis on competitive performance, leadership and evaluation (Securing fluency → Deepening mastery).
Assessment: Assessed on the six FASTER strands, with the emphasis on competitive performance, leadership and evaluation (Securing fluency → Deepening mastery).
Assessment: Assessed on the six FASTER strands, with the emphasis on competitive performance, leadership and evaluation (Securing fluency → Deepening mastery).
Assessment: Assessed on the six FASTER strands, with the emphasis on competitive performance, leadership and evaluation (Securing fluency → Deepening mastery).
Assessment: Assessed on the six FASTER strands, with the emphasis on competitive performance, leadership and evaluation (Securing fluency → Deepening mastery).
Each FASTER strand is a ladder you climb. Tap the wording from your report below — every ladder will show the rung you are on now and the rung to aim for next.
Fitness · preparing the body and building the fitness the activity needs
Applying decisions · choosing the right skill, strategy and tactics
Skill · performing techniques with control, accuracy and fluency
Teamwork · working with and leading others
Evaluating & improving · judging performance and planning next steps
Resilience · a growth mindset and good sportsmanship
One organiser for the FASTER framework and one for each activity area. Use them to revise the key knowledge, skills and vocabulary.
| FASTER | The six strands you are assessed on in every activity. |
| Fitness | The ability to meet or cope with the demands of the environment. |
| Skill | A learned action with the intention of a pre-determined result, with maximum certainty and minimum outlay. |
| Tactics | A plan or method used to outwit an opponent. |
| Evaluate | To judge the quality and importance of a performance. |
| Resilience | The ability to recover quickly and overcome a challenge. |
| Growth mindset | The belief that ability improves through effort and practice. |
| Officiate | To apply the rules of an activity fairly as a referee, umpire or judge. |
The dignity of the human person.PE develops the whole person — body, mind and character. Caring for the body we have been given, and competing with respect and fairness, reflects the dignity of every person made in God’s image.
| Possession | Having control of the ball as an individual or team. |
| Marking | Staying close to an opponent to stop them receiving or scoring. |
| Interception | Cutting out a pass to win possession. |
| Width | Using the full space across the pitch/court to attack. |
| Support play | Moving to give the ball carrier a passing option. |
| Formation | How players are organised on the pitch/court. |
| Transition | Switching quickly between attack and defence. |
| Outwit | To gain an advantage over an opponent through skill or tactics. |
Solidarity and the common good.Team sport teaches us to work for the good of the whole team, not just ourselves — a living example of solidarity and the common good.
| Rally | A continuous exchange of shots between players. |
| Serve | The shot that starts a point. |
| Placement | Where you aim a shot to gain advantage. |
| Ready position | A balanced stance to react quickly. |
| Drop shot | A delicate shot played just over the net. |
| Spin | Rotation put on the ball to change its flight/bounce. |
| Footwork | Movement patterns used to reach the ball early. |
| Deception | Disguising a shot to wrong-foot an opponent. |
The dignity of the human person.Individual sports build self-discipline and respect for opponents — honouring both our own dignity and that of the person on the other side of the net.
| Innings | A team’s turn to bat. |
| Delivery | A single ball bowled to the batter. |
| Backing up | Fielders supporting each other to stop overthrows. |
| Placement | Hitting the ball into gaps in the field. |
| Fielding position | Where a fielder stands to restrict runs. |
| Wicket / out | Dismissing a batter. |
| Run | A point scored by completing a length of the pitch/track of bases. |
| Long barrier | A safe technique to stop a moving ball. |
Solidarity and the common good.A fielding side succeeds only by working together; striking and fielding games show how each person’s role serves the good of the whole team.
| Sprint | A short, maximal-speed running event. |
| Pacing | Distributing effort across a distance event. |
| Take-off | The moment of leaving the ground in a jump. |
| Approach | The run-up before a jump or throw. |
| Release | The point at which an implement leaves the hand. |
| Power | Strength performed at speed (strength × speed). |
| Personal best | An individual’s best recorded performance. |
| Stride length | The distance covered in one running stride. |
The dignity of the human person.Athletics celebrates striving to be the best we can be with the gifts we have been given, honouring the dignity and potential of every person.
| Orientation | Setting the map so it matches the ground. |
| Handrail | A linear feature followed to aid navigation. |
| Attack point | An obvious feature near a control used to find it. |
| Relocation | Working out your position after becoming lost. |
| Control | A marked checkpoint on an orienteering course. |
| Risk assessment | Identifying and reducing hazards. |
| Contour | A map line joining points of equal height. |
| Thumbing | Keeping your thumb on your position on the map. |
Care for creation (stewardship).Adventurous activity takes us into the natural world and teaches us to respect and care for creation, moving through it safely and leaving no trace.
| Motif | A short movement idea that is developed and repeated. |
| Canon | Performers doing the same movement one after another. |
| Unison | Performers doing the same movement at the same time. |
| Dynamics | The quality of movement (e.g. fast/slow, strong/light). |
| Transition | A link that joins one movement to the next. |
| Extension | Stretching a body part fully to improve line. |
| Composition | How movements are selected and arranged. |
| Pathway | The route a performer travels through space. |
The dignity of the human person.Aesthetic activities express beauty, discipline and creativity through the body, celebrating each person as a creative being made in the image of God.
Suggested starting points. Your teacher will give you any class logins.
GCSE PE (AQA 8582) develops confident performers who understand the science and society of sport. Students study the human body and movement, and the socio-cultural and psychological side of sport, across two written papers, and are assessed practically in three activities plus an Analysis and Evaluation of Performance.
Everything is assessed against the four assessment objectives. The ladders below show how to move up a grade in each, and the route-through sets out the two papers and the NEA.
Choose your current topic to jump to its organiser and the assessment-objective ladder.
The two papers and the non-exam assessment, in detail.
The activities you may be assessed in are set by the DfE GCSE PE activity list ↗
Note: a small specification update applies to current Year 10 students and all exams from summer 2027 onwards.
Each row below is one of the four AQA assessment objectives. Tap your predicted-grade band to highlight the rung you are on, then read the next rung up to see how to move up a grade.
AO1 · Demonstrate knowledge & understanding (25%)
AO2 · Apply knowledge & understanding (20%)
AO3 · Analyse & evaluate (15%)
AO4 · Demonstrate & apply skills; analyse & evaluate performance (40%)
One organiser per topic, plus the non-exam assessment.
| Joint | Where two or more bones meet. |
| Antagonistic pair | Two muscles that work against each other to move a joint. |
| Tendon | Connective tissue joining muscle to bone. |
| Stroke volume | Blood pumped by the heart per beat. |
| Cardiac output | Blood pumped by the heart per minute. |
| Alveoli | Air sacs where gas exchange occurs. |
| Aerobic | Exercise using oxygen. |
| Anaerobic | Exercise without sufficient oxygen. |
The dignity of the human person.Understanding the wonder of the human body deepens our respect for the person as a gift, and our duty to care for our own and others’ health.
| Lever | A rigid bar that turns about a fulcrum. |
| Fulcrum | The pivot point of a lever (the joint). |
| Effort | The muscular force applied. |
| Load | The resistance or weight moved. |
| Mechanical advantage | When the effort arm is longer than the load arm. |
| Sagittal plane | Divides the body into left and right. |
| Frontal plane | Divides the body into front and back. |
| Transverse plane | Divides the body into top and bottom. |
The dignity of the human person.Studying how we move well reflects care for the body and a desire to help others move, recover and thrive.
| Component of fitness | An aspect of physical or skill-related fitness. |
| Progressive overload | Gradually increasing training demand. |
| Specificity | Matching training to the activity. |
| FITT | Frequency, Intensity, Time, Type. |
| Interval training | Periods of work and rest. |
| Plyometrics | Explosive jump-based training for power. |
| Reversibility | Losing fitness when training stops. |
| Recovery | Time for the body to adapt and repair. |
Care for the whole person.Training well is about stewardship of the body — developing it safely and sustainably rather than harming it in pursuit of results.
| Quantitative data | Numerical data. |
| Qualitative data | Descriptive data. |
| Reliability | How consistent a measure is. |
| Validity | Whether a test measures what it should. |
| Trend | A general direction in data. |
| Anomaly | A result that does not fit the pattern. |
| Normative data | Comparison data from a population. |
| Conclusion | A judgement drawn from evidence. |
Truth and integrity.Handling data honestly — not twisting figures to fit what we hoped — is part of living truthfully and with integrity.
| Open skill | A skill affected by a changing environment. |
| Closed skill | A skill in a stable environment. |
| SMART | Specific, Measurable, Achievable, Realistic, Time-bound. |
| Guidance | Support that helps learning. |
| Feedback | Information about a performance. |
| Arousal | Level of physical and mental readiness. |
| Inverted-U | Theory linking arousal and performance. |
| Motivation | The drive to perform. |
Care for the whole person.Caring for the mind as well as the body honours the whole person, and supporting others’ confidence and resilience is an act of love.
| Participation | Taking part in physical activity. |
| Commercialisation | Managing sport for profit. |
| Sponsorship | Financial support in return for promotion. |
| Golden triangle | Sport, media and sponsorship links. |
| Sportsmanship | Fair, generous conduct. |
| Gamesmanship | Bending rules to gain advantage. |
| Deviance | Behaviour that breaks accepted rules. |
| Doping | Using banned substances to enhance performance. |
Solidarity, justice and the option for the poor.Working to widen access so that everyone — whatever their background — can take part reflects solidarity and a preferential concern for those who face barriers.
| Health | Complete physical, emotional and social wellbeing. |
| Fitness | The ability to meet the demands of the environment. |
| Wellbeing | Feeling comfortable, healthy and happy. |
| Sedentary | An inactive lifestyle. |
| Obesity | Excess body fat that harms health. |
| Balanced diet | Eating the right nutrients in the right amounts. |
| Energy balance | Calories in versus calories out. |
| Macronutrient | Carbohydrate, protein or fat. |
Care for the whole person.Promoting health in body, mind and community expresses care for the whole person and for the flourishing of the whole community.
| NEA | Non-exam assessment. |
| AEP | Analysis and Evaluation of Performance. |
| Drills | Progressive skill practices. |
| Full context | The competitive game or performance situation. |
| Moderation | AQA’s check on the school’s marking. |
| Activity list | The permitted activities set by the DfE/AQA. |
| Analysis | Identifying strengths and weaknesses. |
| Evaluation | Judging and planning improvements. |
Truth and integrity.Producing your own honest analysis and genuine performance evidence reflects integrity — doing the right thing even when no one is watching.
Your practical performance and Analysis and Evaluation of Performance (AEP) must meet JCQ and AQA requirements. Breaking these rules is malpractice and can cost you marks — or your result.
Suggested starting points. Your teacher will give you any class logins.
A-level PE (AQA 7582) is a rigorous, science-rich course for students who love sport and want to understand performance deeply. Students study anatomy, physiology, biomechanics, skill acquisition, sport psychology and sport in society across two papers, and are assessed as a performer or coach in one activity plus a detailed analysis of performance.
Everything is assessed against the four assessment objectives. The ladders below show how to move up a grade in each, and the route-through sets out the two papers and the NEA.
Choose your current topic to jump to its organiser and the assessment-objective ladder.
The two papers and the non-exam assessment, in detail.
Each row below is one of the four AQA assessment objectives. Tap your predicted-grade band to highlight the rung you are on, then read the next rung up to see how to move up a grade.
AO1 · Demonstrate knowledge and understanding of the factors that underpin performance (22–25%)
AO2 · Apply knowledge and understanding of the factors that underpin performance (22–25%)
AO3 · Analyse and evaluate the factors that underpin performance (22–25%)
AO4 · Demonstrate & apply skills; analyse & evaluate performance (30%)
One organiser per topic, plus the non-exam assessment.
| Venous return | The return of blood to the heart. |
| Stroke volume | Blood ejected per beat. |
| Starling’s law | Greater venous return increases stroke volume. |
| Slow-twitch fibre | Fatigue-resistant, aerobic fibre. |
| Fast-twitch fibre | Powerful, anaerobic fibre. |
| Motor unit | A motor neuron and the fibres it controls. |
| Ergogenic aid | A substance or method that enhances performance. |
| Adaptation | A long-term change from training. |
The dignity of the human person.The intricacy of the human body invites awe and gratitude, and a responsibility to care for the health of ourselves and others.
| Continuum | A scale used to classify skills. |
| Operant conditioning | Learning through consequences. |
| Autonomous stage | The expert stage of learning. |
| Feedback | Information about a performance. |
| Information processing | How inputs become motor outputs. |
| Selective attention | Filtering relevant stimuli. |
| Working memory | The short-term processing store. |
| Transfer | How learning one skill affects another. |
Care for the whole person.Helping others learn and grow patiently, meeting them where they are, reflects care for the whole person.
| Rational recreation | Organised, rule-based Victorian sport. |
| Amateurism | Playing sport without payment. |
| Professionalism | Playing sport for payment. |
| Commercialisation | Running sport for profit. |
| Globalisation | Sport’s worldwide spread. |
| Governance | How sport is organised and regulated. |
| Sportsmanship | Fair, respectful conduct. |
| Deviance | Behaviour breaking accepted rules. |
Solidarity and justice.Studying who has access to sport, and why, sharpens our commitment to justice and to a common good in which everyone can share.
Links to Psychology (the win ethic, intrinsic motivation, causes of violence), Science (the physiological and psychological effects of performance-enhancing drugs), History (gentleman amateurs, the history of the Olympic Games), Business and Economics (contracts, finance and compensation, freedom of movement after the Bosman ruling), Computing (analytical software, CCTV and offender databases), Physics (movement analysis and biomechanics) and Design & Technology (materials, clothing, surfaces and equipment).
| ATP-PC system | The immediate, short-duration energy system. |
| Glycolytic system | The anaerobic lactate energy system. |
| Aerobic system | The long-duration, oxygen-using system. |
| Energy continuum | How systems overlap during activity. |
| EPOC | Excess post-exercise oxygen consumption. |
| Periodisation | Dividing training into phases. |
| Overload | Training beyond normal demand to adapt. |
| Rehabilitation | Recovery from injury back to performance. |
Care for the whole person.Training and recovering wisely honours the body as a gift and models a sustainable, healthy relationship with exercise.
| Force | A push or pull that changes motion. |
| Velocity | Speed in a given direction. |
| Acceleration | Rate of change of velocity. |
| Centre of mass | The point a body’s weight acts through. |
| Projectile | An object or body in flight. |
| Newton’s first law | Inertia: bodies stay at rest/motion unless acted on. |
| Angular motion | Movement around an axis. |
| Fluid mechanics | Effects of air/water on movement. |
Truth and the pursuit of understanding.Seeking to understand how bodies move truthfully and rigorously reflects the value of pursuing knowledge for the good of others.
| Personality | Enduring traits that shape behaviour. |
| Arousal | Level of readiness to perform. |
| Anxiety | Negative response to a threatening situation. |
| Self-efficacy | Belief in one’s ability in a situation. |
| Cohesion | How united a group is. |
| Social facilitation | The effect of an audience on performance. |
| Attribution | How we explain success and failure. |
| Leadership | Influencing a group toward goals. |
Care for the whole person.Attending to the mind, motivation and wellbeing of performers honours the whole person, not just the athlete.
| Elite performance | Sport at the highest level. |
| Performance analysis | Using data/video to improve. |
| Institute of sport | A body supporting elite athletes. |
| Officiating technology | Tech that aids fair decisions. |
| Spectatorship | How audiences watch sport. |
| Equipment technology | Advances in sporting equipment. |
| Fairness | Equal, just conditions of competition. |
| Accessibility | Whether technology is available to all. |
Justice and the common good.Weighing whether technology makes sport fairer and more accessible — or widens gaps — connects to our concern for justice and the common good.
| NEA | Non-exam assessment. |
| EAPI | Evaluation and Analysis of Performance for Improvement. |
| Performer | Assessed playing the activity. |
| Coach | Assessed developing others in the activity. |
| Synoptic | Drawing together topics from across the course. |
| Development plan | A justified plan to improve. |
| Moderation | AQA’s check on the school’s marking. |
| Activity list | The permitted activities set by the DfE/AQA. |
Truth and integrity.Producing genuine, honest analysis and performance evidence reflects integrity — the foundation of trustworthy work and character.
Your practical performance and written/verbal analysis and evaluation (EAPI) must meet JCQ and AQA requirements. Breaking these rules is malpractice and can cost you marks — or your result.
Suggested starting points. Your teacher will give you any class logins. The textbooks are AQA A-Level PE (Year 1 and Year 2), with AQA A-Level PE Workbook 1 (Paper 1) and Workbook 2 (Paper 2).
Our CurriculumPolitics
A-Level Politics at St Augustine’s. Studied at Key Stage 5. After your report, use the knowledge & skills ladders to see where you are and your next step, then use the knowledge organisers to revise and make that step.
Power, people, and how we’re governed.
Politics at St Augustine’s is a Key Stage 5 course following Pearson Edexcel A-Level Politics (9PL0), with the comparative option in the Government and Politics of the USA. Politics is the study of how power is won, used and held to account — from Parliament and the UK constitution to elections, parties and the ideas that shape public life.
Students learn to understand political institutions and processes, to analyse how and why politics works as it does, and to evaluate competing arguments to reach substantiated judgements. They compare the UK and United States systems and engage with the core ideas of conservatism, liberalism and socialism. The course develops informed, articulate and critical young citizens, with strong progression to higher education, law, journalism and public service.
Ms Sofie Duncan, Head of Department
A-Level Politics (Edexcel 9PL0) is assessed across three written exams, each worth 33.3%. Tap the tile below for the full breakdown.
Your report uses A-Level grades. Tap your stage to highlight your rung, then read the next rung up.
AO1 · Knowledge & understanding (~33%)
AO2 · Analysis (~33%)
AO3 · Evaluation & judgement (~33%)
| democracy | rule by the people |
| franchise | the right to vote |
| pressure group | an organisation seeking to influence policy |
| political party | a group seeking to win power |
| manifesto | a party’s programme |
| first-past-the-post | the UK’s main voting system |
| referendum | a public vote on one issue |
| turnout | the proportion who vote |
The Common Good.Democratic participation is a way of seeking the common good, where every voice is valued.
Links to History and Sociology.
| ideology | a set of political ideas |
| conservatism | tradition and pragmatism |
| liberalism | freedom and the individual |
| socialism | equality and collectivism |
| tradition | inherited values and institutions |
| individualism | the primacy of the individual |
| collectivism | acting together for common ends |
| equality | the principle of equal worth |
Dignity of the Human Person.Political ideas are, at heart, competing visions of how to honour the dignity and freedom of every person.
Links to RE (ethics) and History.
| constitution | the rules by which a country is governed |
| sovereignty | ultimate political authority |
| devolution | transfer of power to sub-national bodies |
| statute law | law made by Parliament |
| convention | an unwritten established practice |
| royal prerogative | powers exercised in the Crown’s name |
| ministerial responsibility | ministers’ accountability |
| judicial review | courts reviewing the lawfulness of actions |
Subsidiarity.Good government takes decisions at the right level — as close to the people affected as possible.
Links to History and Law.
| ideology | a set of political ideas |
| human nature | assumptions about people |
| the state | the institutions of government |
| society | how people live together |
| the economy | how resources are organised |
| change | how far and fast to reform |
| equality | the principle of equal worth |
| freedom | the absence of undue constraint |
Solidarity.Many political traditions are driven by solidarity — standing with those who are marginalised or unheard.
Links to Sociology and RE.
| constitution | the codified US framework of government |
| federalism | power shared between nation and states |
| Congress | the US legislature |
| separation of powers | branches kept distinct |
| checks and balances | branches limiting each other |
| Supreme Court | the highest US court |
| civil rights | protections for citizens |
| incumbent | the current office-holder |
Rights and Responsibilities.Constitutions try to balance the rights of the person with responsibilities to the wider community.
Links to History and Geography.
| comparative politics | comparing political systems |
| structural theory | explaining via institutions |
| rational theory | explaining via individuals’ choices |
| cultural theory | explaining via shared values |
| parallels | points of similarity |
| convergence | systems becoming more alike |
| divergence | systems growing apart |
| separation of powers | branches kept distinct |
Solidarity.Comparing systems widens our solidarity — recognising shared hopes across different nations and peoples.
Links to Sociology and Languages.
Suggested starting points. Your teacher will give you any class logins. The textbook is Pearson Edexcel A-Level Politics (2nd edition): UK Government and Politics, Political Ideas and US Government and Politics.
Our CurriculumPsychology
A-Level Psychology at St Augustine’s. Studied at Key Stage 5. After your report, use the knowledge & skills ladders to see where you are and your next step, then use the knowledge organisers to revise and make that step.
Why we think, feel and act.
Psychology at St Augustine’s is a Key Stage 5 course following AQA A-Level Psychology (7182). It is the scientific study of the mind and behaviour — from how we conform, remember and form attachments, to how the brain works and how mental health can be understood and treated.
Students learn to describe and apply theories and studies, to evaluate evidence, and to design and analyse research using statistics. It is a linear two-year course with no coursework, assessed in three equally-weighted written exams, and it develops rigorous scientific, analytical and mathematical skills valued across higher education and employment.
Ms Sofie Duncan, Head of Department
A-Level Psychology (AQA 7182) is assessed across three equally-weighted written papers at the end of the two-year course, with no coursework. Tap the tile below for the full breakdown.
Your report uses A-Level grades. Tap your stage to highlight your rung, then read the next rung up.
AO1 · Knowledge & understanding (≈31%)
AO2 · Application (≈31%)
AO3 · Analysis, interpretation & evaluation (≈37%)
| independent variable | what is manipulated |
| validity | accuracy of a measure |
| reliability | consistency of a measure |
| sampling | how participants are chosen |
| determinism | behaviour is caused |
| reductionism | explaining in simple parts |
| peer review | checking research quality |
| statistical test | e.g. sign test, chi-squared |
Dignity of the Human Person.Ethical, rigorous research respects the dignity, safety and rights of every participant.
Links to Biology, Maths and Sociology.
| conformity | Asch |
| obedience | Milgram |
| working memory | Baddeley & Hitch |
| eyewitness testimony | accuracy of memory |
| Strange Situation | Ainsworth |
| monotropy | Bowlby |
| phobia | an anxiety disorder |
| CBT | a treatment for depression |
Dignity of the Human Person.Understanding attachment and mental health helps us care for the whole person with compassion.
Links to Biology, RE (the person) and Health & Social Care.
| classical conditioning | Pavlov |
| operant conditioning | Skinner |
| schema | a mental framework |
| neuron | a nerve cell |
| synaptic transmission | signals between neurons |
| plasticity | the brain’s adaptability |
| the unconscious | Freud |
| self-actualisation | Maslow |
The Common Good.Scientific understanding of the mind, used wisely, serves the wellbeing and common good of all.
Links to Biology and Maths.
| nature–nurture | biology vs environment |
| free will | vs determinism |
| gender bias | alpha and beta bias |
| culture bias | ethnocentrism |
| schizophrenia | a psychotic disorder |
| offender profiling | forensic psychology |
| social sensitivity | impact of research |
| interactionism | diathesis–stress |
Rights and Responsibilities.Debating ethics and applying psychology responsibly protects the rights and dignity of those it affects.
Links to Sociology, Biology and RE (ethics).
Suggested starting points. Your teacher will give you any class logins. The options studied are Schizophrenia, Forensic Psychology and Relationships. The textbook is AQA Psychology for A-Level Year 1 and Year 2 (Illuminate Publishing).
Our CurriculumBusiness
Business and Economics at St Augustine’s. GCSE Business at Key Stage 4, and A-Level Business at Key Stage 5. After your report, use the knowledge & skills ladders to see where you are and your next step, then use the knowledge organisers to revise and make that step.
Ideas, decisions, and the world of work.
GCSE Business at St Augustine’s follows the Pearson Edexcel GCSE (9–1) in Business (1BS0). It takes students through the lifecycle of a business — from an entrepreneur’s first idea to a growing, global company — using real and realistic case studies throughout.
Students learn to define and explain business concepts, apply them to unseen case studies, analyse chains of cause and effect, and reach justified judgements. It is examined in two equally-weighted papers with no coursework, and builds strong foundations for A-Level Business, Economics and beyond.
Ms Sofie Duncan, Head of Department
GCSE Business (Pearson Edexcel 1BS0) is assessed by written examination in two equally-weighted papers, with no coursework. Tap the tile below for the full breakdown.
Your report uses GCSE grades (1–9). Tap your stage to highlight your rung, then read the next rung up.
AO1 · Knowledge & understanding
AO2 · Application
AO3 · Analysis & evaluation
| entrepreneur | sets up a business |
| market research | gathering customer data |
| market segmentation | dividing the market |
| cash flow | money in and out |
| break-even | where costs = revenue |
| the marketing mix | the 4Ps |
| stakeholder | anyone affected by a business |
| revenue | income from sales |
Dignity of Work.Enterprise, done with integrity, creates work and value that can serve the whole community.
Links to Maths (calculations) and Computing (technology).
| globalisation | trading worldwide |
| economies of scale | lower unit costs |
| the supply chain | from supplier to customer |
| gross profit | sales minus cost of sales |
| motivation | why staff work well |
| organisational structure | how a firm is arranged |
| ethics | doing what is right |
| quality | meeting standards |
The Common Good.Business decisions affect workers, customers and communities; good decisions serve the common good.
Links to Geography (globalisation) and PSHE (careers).
| revenue | price × quantity |
| total costs | fixed + variable |
| profit | revenue minus costs |
| break-even | no profit, no loss |
| margin of safety | sales above break-even |
| cash flow | net movement of cash |
| percentage change | a common calculation |
| ratio | a comparison of figures |
Rights and Responsibilities.Honest, accurate figures are a responsibility every business owes to those who depend on it.
Links to Maths and Computing (spreadsheets).
| application | using the context |
| analysis | chains of reasoning |
| evaluation | weighing and judging |
| justified conclusion | a supported decision |
| chain of reasoning | linked cause and effect |
| command word | what the question asks |
| context | the case-study business |
| balance | both sides considered |
Dignity of the Human Person.Weighing decisions carefully respects the people a business affects, not just its profits.
Links to English (extended writing) and all business topics.
Suggested starting points. Your teacher will give you any class logins.
At Key Stage 5 students follow A-Level Business. Choose a course to explore it.A-Level Business. Choose a course to explore it.
A-Level Business at St Augustine’s follows the Pearson Edexcel Level 3 Advanced GCE in Business (9BS0), launching in September. Structured around four themes, it takes students from setting up an enterprise to leading a global business, applying theory to real companies throughout.
Students learn to apply concepts to specific contexts, analyse with clear chains of reasoning, handle quantitative techniques, and reach justified strategic judgements. It is a linear course assessed in three written papers, including a synoptic pre-released context, and is a strong foundation for business, management, economics and finance degrees.
Ms Sofie Duncan, Head of Department
A-Level Business (Pearson Edexcel 9BS0) is assessed by written examination across three papers, with no coursework. Tap the tile below for the full breakdown.
Your report uses A-Level grades. Tap your stage to highlight your rung, then read the next rung up.
AO1 · Knowledge (20–22%)
AO2 · Application (22–24%)
AO3 · Analysis (28–30%)
AO4 · Evaluation (26–28%)
| marketing mix | the 7Ps |
| market research | primary & secondary |
| motivation | theories of why staff work |
| globalisation | integrated world markets |
| multinational | a firm in many countries |
| competitiveness | ability to compete |
| ethics | moral business conduct |
| brand | a firm’s identity |
Solidarity.Global business connects people worldwide; done justly, it can build solidarity rather than exploitation.
Links to Economics and Geography.
| ratio analysis | profitability, liquidity, gearing |
| investment appraisal | payback, ARR, NPV |
| decision tree | a probability model |
| cash flow | movement of cash |
| economies of scale | falling unit costs |
| strategy | a long-term plan |
| contribution | price minus variable cost |
| capacity | maximum output |
The Common Good.Sound strategy weighs workers, customers and community, not profit alone — serving the common good.
Links to Maths and Economics.
| synoptic | joining the whole course |
| competitive environment | the market a firm faces |
| pre-released context | issued before the exam |
| SWOT | strengths, weaknesses, opportunities, threats |
| strategy | a long-term plan |
| recommendation | a justified decision |
| market position | where a firm stands |
| judgement | a reasoned conclusion |
Rights and Responsibilities.Recommending strategy responsibly means weighing its effects on everyone a business touches.
Links to Economics, Politics and Geography.
| NPV | net present value |
| ARR | average rate of return |
| payback | time to recoup cost |
| gearing | reliance on debt |
| liquidity | ability to pay debts |
| decision tree | expected values |
| evaluation | weighing and judging |
| MOPS | a paragraph structure |
Dignity of the Human Person.Numbers describe people’s livelihoods; using them carefully respects those the decisions affect.
Links to Maths and all Business papers.
Suggested starting points. Your teacher will give you any class logins.
Economics B is taught to students already following the course. It is not available to new Key Stage 5 students.
Economics B at St Augustine’s follows the Pearson Edexcel A-Level in Economics B (9EB0) — a business-focused economics course. Students apply economic theory to real business and policy contexts, using data to analyse how markets and economies work and how governments try to shape them.
Across four themes, students learn to explain economic concepts, apply them to context and data, analyse using diagrams and chains of reasoning, and evaluate policy and business decisions. It is a linear course assessed in three written papers, including a synoptic pre-released context, and leads strongly to economics, finance and social-science degrees.
Ms Sofie Duncan, Head of Department
Economics B (Pearson Edexcel 9EB0) is assessed by written examination across three papers, with no coursework. Tap the tile below for the full breakdown.
Your report uses A-Level grades. Tap your stage to highlight your rung, then read the next rung up.
AO1 · Knowledge (20–22%)
AO2 · Application (22–24%)
AO3 · Analysis (28–30%)
AO4 · Evaluation (26–28%)
| demand | willingness to buy |
| supply | willingness to sell |
| price mechanism | how prices allocate |
| elasticity | responsiveness to change |
| externality | a spillover effect |
| market failure | a misallocation |
| subsidy | a payment to lower cost |
| equilibrium | where supply meets demand |
The Common Good.Studying market failure asks how the economy can be shaped for the common good, not just efficiency.
Links to Maths, Geography and Politics.
| productivity | output per worker |
| economies of scale | falling unit costs |
| globalisation | integrated economies |
| tariff | a tax on imports |
| exchange rate | the price of a currency |
| inflation | rising prices |
| GDP | national output |
| fiscal policy | tax and spending |
Solidarity.Trade and development link nations; studied fairly, economics can serve global solidarity.
Links to Geography (development) and Business.
| synoptic | joining the whole course |
| microeconomics | individual markets |
| macroeconomics | the whole economy |
| pre-released context | issued before the exam |
| policy | government action |
| trade-off | one goal against another |
| judgement | a reasoned conclusion |
| index number | a data measure |
Rights and Responsibilities.Judging economic policy responsibly means weighing its effects on the vulnerable as well as the whole.
Links to Politics, Business and Geography.
| diagram | a labelled economic model |
| index number | a base-100 measure |
| elasticity | a responsiveness ratio |
| ceteris paribus | all else equal |
| chain of reasoning | linked analysis |
| evaluation | weighing and judging |
| trade-off | competing objectives |
| data response | answering from extracts |
Dignity of the Human Person.Behind every statistic is a person; using data with care respects those it represents.
Links to Maths and all Economics papers.
Suggested starting points. Your teacher will give you any class logins.